Q1: Gawad sa Manlilikha ng Bayan Flashcards
The Republic Act No. 7355 is better known as ____________.
Manlilikha ng Bayan Act
known as Manlilikha ng Bayan Act
Republic Act No. 7355
It is an award given to recognize the outstanding work of the artists in the Philippines.
Gawad sa Manlilika ng Bayan
GAMABA Awards
The GAMABA award was established in ____ through Republic Act No 7355 until ____.
- 1992
- 2012
The highest policy and coordinating body for culture and the arts of the state.
NCCA
National Commission for Culture and the Arts
GAMABA awardees must have engaged in a folk-art tradition that has been in existence and documented for at least ____ years.
fifty (50)
GAMABA Awardees for the year 1993
- Ginaw Bilog
- Masino Intaray
- Samaon Sulaiman
GAMABA Awardees for the year 1998
- Lang Dulay
- Salinta Monon
GAMABA Awardees for the year 2000
- Uwang Ahadas
- Federico Caballero
- Alonzo Saclag
GAMABA Awardees for the year 2004
- Hajja Amina Appi
- Eduardo Mutuc
- Darhata Sawabi
GAMABA Awardees for the year 2012
- Magdalena Gamayo
- Teofilo Garcia
GAMABA Awardees for the year 2016
- Ambalang Ausalin
- Estelita Tumandan Bantilan
- Yabing Masalon Dulo
GAMABA Awardees
Surat Mangyan and Ambahan poetry
Ginaw Bilog
GAMABA Awardees
Epic chanter and storyteller
Masino Intaray
GAMABA Awardees
Kudyapi Player
Samaon Sulaiman
GAMABA Awardees
T’nalak Weaving
Lang Dulay
GAMABA Awardees
Inabal Weaving
Salinta Monon
GAMABA Awardees
Playing Yakan Instruments
Uwang Ahadas
GAMABA Awardees
Chanting the Sugidanon Epic of the Panay Bukidnon
Federico Caballero
GAMABA Awardees
Playing Kalinga Musical Instruments
Alonzo Saclag
GAMABA Awardees
Mat Weaving
Hajja Amina Appi
GAMABA Awardees
Metal Plating
Eduardo Mutuc
GAMABA Awardees
Pis syabit Weaving
Darhata Sawabi
GAMABA Awardees
Abel Weaving
Magdalena Gamayo
GAMABA Awardees
Kattukong or Tabúngaw Hat Making
Teofilo Garcia
GAMABA Awardees
Yakan Weaving
Ambalang Ausulin
GAMABA Awardees
B’laan Mat Weaving
Estelita Tumandan Bantilan
GAMABA Awardees
B’laan Ikat or Tie-dye Fabric Weaving
Yabing Masalon Dulo
Poem consisting of seven-syllable lines
Ambahan
Region
Ginaw Bilog
Mansalay, Oriental Mindoro
Region
Masino Intaray
Palawan Island
Region
Samaon Sulaiman
Mamasapano, Maguidanao
Bangsamoro Autonomous Region in Muslim Mindanao (BARMM)
Region
Lang Dulay
T’boli/Lake Sebu, South Cotabato
SOCCSKSARGEN
Region
Salinta Monon
Davao del Sur
Davao Region
Region
Uwang Ahadas
Yakan/ Lamitan, Basilan Island
Region
Federico Caballero
Iloilo, Panay Island
Region
Alonzo Saclag
Kalinga
Region
Hajja Amina Appi
Tawi-Tawi
Region
Eduardo Mutuc
Apalit, Pampanga
Region
Darhata Sawabi
Sulu
Region
Magdalena Gamayo
Ilocos Norte
Region
Teofilo Garcia
San Quintin, Abra
Region
Ambalang Ausalin
Lamitan, Basilan Island
Region
Estelita Tumandan Bantilan
Saranggani
Region
Yabing Masalon Dulo
South Cotabato
He preserves the Hanunuo Mangyan script and Ambahan.
Ginaw Bilog
An outstanding master of the basal (gong music), kulilal (highly lyrical poem) and bagit (instrumental music played on the kusyapi), also played the aroding (mouth harp) and babarak (ring flute).
Masino Intaray
He achieved the highest level of excellence in the art of kutiyapi or kudyapi (two-stringed lute) playing and also proficient in kulintang, agong (suspended bossed gong with wide rim), gandingan (bossed gong with narrow rim), palendag (lip-valley flute), and tambul.
Samaon Sulaiman
She is credited with preserving her people’s traditional T’nalak using abaca fibers as fine as hair which traditionally has three primary colors, red, black, and the original colors of abaca leave recreated by her nimble hands-the crocodiles, butterflies, and flowers.
Lang Dulay
She was awarded for fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat (to tie or bond) weaving called inabal (traditional textile of Bagobo) at a time when such art was threatened with extinction.
Salinta Monon
He referred to for his ability and
mastery in playing different Yakan
instruments (made of bamboo,
wood, and metal) and for imparting
his insight to the youngsters of his
locale. He keeps on performing and
instruct despite his diminishing
visual perception, keeping the
Yakan melodic custom alive and
thriving.
Uwang Ahadas
He continuously works for the
documentation of the oral
literature, in particular the epics,
of people. These ten epics,
rendered in a language that,
though related to Kiniray-a, is no
longer spoken.
Federico Caballero
His lifestyle work is to paint a
portrait of his people to record a
tradition of opposites and dualities,
a peoples’ character recorded in
cadences each aggressive and
gentle. Play Kalinga musical
instruments dance patterns and
moves related to rituals.
Alonzo Saclag
She was recognized as the master
mat weaver. Her colorful mats with
their complex geometric patterns
showcased her precise sense of
design, proportion, and symmetry
and sensitivity to color.
Hajja Amina Appi
He is an artist who has devoted his
existence to developing religious
and secular artwork in silver,
bronze, and wood. His intricately
detailed retablos, mirrors, altars,
and carosas are in church
buildings and non-public
collections.
Eduardo Mutuc
She remained devoted and
persevered with her mission to
teach the artwork of pis syabit
weaving.
Darhata Sawabi
She is not only weaving traditional
Ilocano textiles but also designs
new patterns. One of her designs
employs a difficult weaving
technique called pililian meaning
partially.
Magdalena Gamayo
When he finishes fieldwork as a farmer, he focuses on the cultivation and development of tabúngaw (Ilokano term for úpo).
Teofilo Garcia
At the age of fifteen (15) he learned the art of Kattukong or tabúngaw hat making and basket weaving from his grandfather.
Teofilo Garcia
She is significantly respected in all of Lamitan.
Ambalang Ausalin
Her ability is regarded unique: she can bring forth all designs and actualize all textile categories ordinary to the Yakan community, who are known to be among the finest weavers within the Southern Philippines.
Ambalang Ausalin
She can perform the suwah bekkat (cross-stitch-like
embellishment) and suwah pendan (embroidery-like embellishment) techniques of the bunga sama category.
Ambalang Ausalin
Significant Contributions of GAMABA Awardees:
- Unique Identity
- Exemplary Skills
- Way of life
- Enduring Values
- Vision
