PVS - mock Flashcards

1
Q

What is the origin date of the Pentheus Cup

A

480BC

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2
Q

What is the origin date of the Maenad Vase

A

430-420BC

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3
Q

Where was the Pentheus Cup made

A

Athens

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4
Q

Where was the Maenad Vase made

A

Athens

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5
Q

What does the Pentheus Cup tell us

A
  • depicts the moment where Pentheus is torn apart by his mother & aunt
  • a satyr overseas events, reminding us this is all under Dionysus’ watch
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6
Q

What is the Pentheus Cup useful for

A
  • dismembered in grisly detail
  • the vase predates the Bacchae by 75 years, so reminds us Euripides was only one among various artists to be inspired by this myth
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7
Q

What are the limitations of the Pentheus Cup

A

came 75 years before the Bacchae

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8
Q

What does the Maenad Vase tell us

A
  • a portrayal of a Dionysiac ritual
  • women dance around a statue of Dionysus
  • some maenads carry a thyrsus, another a tambourine,& another ladles wine from a drinking vessel & are sat behind a table holding 2 large stamnoi
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9
Q

Why is the Maenad Vase useful as evidence

A
  • shows the possible variations in worship & assembly of rituals
  • drinking vessel reminds us that Dionysus’ function as god of wine is central to his rituals
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10
Q

What are the limitations of the Maenad Vase

A
  • drinking parties play little role in the Bacchism described in Thebes (not representative)
  • not a real image, likely an artistic depiction of a festival
  • does not depict other forms of Bacchic worship such a dance/art
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11
Q

What is the origin date of the Medea’s escape vase

A

400BC

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12
Q

What is the origin date of the Choregos vase

A
  • 400-380BC
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13
Q

What is the origin date of the Cheiron vase

A
  • 380BC
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14
Q

Where was the Medea’s Escape Vase made

A

Magna Graecia - Southern Italy

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15
Q

Where was the Choregos Vase made

A

Magna Graecia - Southern Italy

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16
Q

Where was the Cheiron Vase made

A
  • Puliga, Italy
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17
Q

What does Medea’s escape vase tells us

A
  • focus is on Medea, who flies above the human scene on a chariot drawn by dragons, which is circled by a figure of the sun (final scene)
  • 2 hideous winged figures (furies maybe) look down on the scene, where the murdered sons are slumped on what seems to be the wheel platform decked out to be an altar
  • far right - tutor & nurse, identifiable as an old woman by her white hair, mourn
18
Q

Why is Medea’s escape vase useful as evidence

A
  • Made in Southern Italy displaying the spread of Athenian culture
  • Intensity of the scene by having Jason & Medea locks eyes with one another, depicting hatred & an intense form of emotion
  • Stage craft - suggests that the mechane (crane) & tombs of the boys uses the eccyclema
  • Structure is a krater, utilized for mixing wine & water, unmixed wine is a halfway to madness
19
Q

What are the limitations of Medea’s Escape Vase
-Differs from the play

A
  • there are no furies or dragons in the play,
  • also Medea takes her sons with her so she can deprive Jason of the chance to bury them, so not factually accurate
20
Q

What does the Choregos vase tell us

A
  • the scene is of a comedy, depiction of a comedic competition between Aegisthus & Pyrrhus
  • 4 figures on a low stage
  • Aegisthus is depicted, a major character in the myth of Clytemnestra & Agamemnon
  • 3 other figures wearing grotesque masks
  • 1 member of choregos clearly much older
21
Q

What makes the Choregos Vase useful as evidence
-chorus & choregos

A
  • suggests the choregos would be apart of the chorus,
  • which was perhaps divided into 2,
  • with older semi-chorus supporting tragedy, & young semi-chorus supporting comedy
22
Q

What are the limitations of the Choregos Vase

A
  • uncertain what is happening in this scene
  • the divided chorus only holds weight as evidence is the painter has used artistic license to place the 2 chorus members on stage
  • 2 chorus members on stage is unconventional
23
Q

What does the Cheiron Vase tell us

A
  • Parody of the myth of the Centaur Cheiron, who has been hurt by Heracles, who is then hurt by Apollo
  • Xanthias is at the top of the stage, & he helps Cheiron, wise teacher & healer
  • behind him is an actor playing the rear of a centaur
  • to the right of him is a young man, maybe Achilles, who was tutored by Cheiron
24
Q

What makes the Cheiron Vase useful as evidence
-nymphs

A
  • the presence of the nympths perhaps reflects that Cheiron bathed in a stream sacred to a group of Nympths after his wounding
25
Q

What are the limitations of the Cheiron Vase

A
  • unknown comedy - artist interpretation of different characters you may meet in Greek theatre
26
Q

What are the limitations of Medea’s Escape Vase

A
  • It is unclear if it is on top of a stage
  • Jason is on the left bare chested like a hero, in contrast to the conventions of Tragic costume
  • Medea was performed in 431BC, a few decades prior
27
Q

What are the limitations of Medea’s Escape Vase
-explanations for 4 actors on stage

A
  • we can speculate for the reasons for these differences:
  • either the artist’s own developed interpretation of Euripides’ play,
  • or perhaps he knew a different version of the myth or play,
  • which reminds us that we should not assume parallel scenes of the Athenian stage are not a truly accurate representation, as it usually offers a more enriching description, for clientele
28
Q

What makes the Choregos Vase useful as evidence
-costume

A
  • depiction of a tragic actor with ornate or stylized clothing
  • good representation of Tragedy regardless of interpretation: allows for a direct comparison between the costumes of tragic & comic actors
29
Q

What does the Cheiron Vase tell us
-less significant features

A
  • On the left is a theatre set up, steps to a stage, representing the entrance to the temple of Apollo at Delphi
  • top right, a separate scene shows 2 nymphs conversing
30
Q

What makes the Cheiron Vase useful as evidence
-comedy

A
  • it illustrates the role that slapstick played -in the myth, Cheiron was terribly wounded by the arrows of Heracles & this is perhaps a feature of the plot in the play
31
Q

What makes the Cheiron Vase useful as evidence
-costume

A
  • pot clearly depicts comedy through costume → Xanthias wears a clealy visible phallus & heavily padded midruff
  • his mask is indicated by the snub nose & large mouth, suggesting the importance of expressions on masks
  • Cheiron’s costume & mask is similar but with different features, white hair & closed eyes (blindness)
32
Q

When was the Pronomos Vase made

A

400 BC

33
Q

When was the Tragic Actors dressing made

A

450 BC

34
Q

Where was the Pronomos Vase made

A

Athens

35
Q

Where was the tragic actors dressing made

A

Athens

36
Q

What does the pronomos vase tell us

A
  • Shows a depiction of actors preparing for a satyr-play
  • There is an aulus player in the centre of the scene
37
Q

What does the tragic actors dressing tell us

A
  • You can see two tragic actors or chorus members who are getting into costume, including his masks which is indicated by the gasping mouth
  • The actor on the right puts on his high boots, while his life-like mask lies on the floor beside him
38
Q

Why is the Pronomos Vase useful

A
  • Shows chorus members offstage but still in costume
  • Shows the masks
  • Many of the actors have their real life names inscribed beside them
  • Shows how there were females in roles in the play (but men in masks)
  • Picture of Dionysus – shows how gods were in the play
39
Q

What are the limitations of the tragic actors dressing

A
  • Only shows two actors/chorus members
40
Q

What are the limitations of the Pronomos Vase

A
  • Only a vase – does not show very much colour (not as much as there would have been)
41
Q

Why is the tragic actors dressing useful

A
  • The boots of tragic actors had thin soles and turned up toes that allowed them to move around easily
  • Show what happened backstage