PSYCHOACOUSTICS: Frequency selectivity, masking, and the critical bands Flashcards

1
Q

what are the 3 types of masking presentation and which are better?

A
  • Simultaneous (masker and signal applied at exactly the same time)
  • Forward (masker is applied before the signal, i.e. forward of the signal)
  • Backwards (masker is applied after the signal, signal first, followed by masker)
  • More masking occurs in forward and backward masking than simultaneous (Yost 2013)
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2
Q

how does the cochlea code for different frequencies of sound?

A

Frequency detection (selectivity) along the basilar membrane is arranged so that high frequencies are coded for by the hair cells at the stiffer oval window end (base) of the cochlea and the lower frequencies (possessing longer wavelengths) travel to the more flexible/”bouncy” apical end (apex) of the cochlea.

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3
Q

How does Place theory explain the tonotopic organization of the cochlea?

A
  • the place theory suggests that different locations along the basilar membrane respond preferentially to diff freq of sound.

-each location along the BM has a preferred freq aka ‘characteristic freq’ or ‘best freq’ to which its most sensitive.

-as sound waves travel through the cochlea, they cause maximum displacement of the BM at diff locations depending on their freq.

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4
Q

What are the implications of the physical limitations of the basilar membrane in Place theory?

A
  • two tones with very close frequencies can excite the same location on the membrane.
  • This means that they would be processed by the same auditory filter.
  • As a result, sounds with similar frequencies may not be discriminated as effectively by the auditory system, leading to potential limitations in frequency discrimination.
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5
Q

What is the Temporal theory in auditory processing?

A

The Temporal theory, aka the Temporal Code, suggests that auditory nerve fibers need to fire at particular phases of a sine wave to faithfully represent the wave’s frequency.

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6
Q

What is the firing limitation of auditory nerve fibers according to the Temporal theory?

A

Due to the refractory period of a nerve fiber, which is approximately 1 millisecond, each auditory nerve can only fire up to 1000 times per second. This implies that a single auditory nerve fiber cannot effectively encode sine waves above 1 kHz.

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7
Q

How does the auditory system overcome the temporal firing limitation?

A

The volley principle addresses the temporal firing limitation by employing multiple auditory nerve fibers to fire in succession. This allows the auditory system to share the load of encoding high-frequency sounds, ensuring that each cycle of the sound wave has fibers available to fire in sequence.

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8
Q

What is frequency selectivity in auditory processing?

A

Frequency selectivity refers to the ability of the auditory system to separate one frequency from another.

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9
Q

How does the auditory system achieve frequency selectivity?

A

To separate two frequencies, they must each fall into different auditory filters.

If they both fall into the same filter, they are no longer perceived as separate tones but instead merge into a single sound.

This can result in phenomena like beating, buzzing, or roughness of sound, depending on how close the frequencies are.

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10
Q

How do scientists measure frequency selectivity?

A

Scientists use masking experiments to determine the limitation on how close two tones must be in order to be perceived as separate. The limitation obtained from these experiments is considered a measure of frequency selectivity or spectral resolution.

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11
Q

how do we measure the auditory filter?

A

by quantifying

  • What frequency is it most sensitive to? -> Best frequency
  • What other frequencies can it respond to? Under what circumstances? -> Bandwidth and slope
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12
Q

Can you explain the process for measuring tone detection thresholds in the presence of masker noise?

A

1) Present a target tone at the interested frequency

2) Present a masker narrow-band noise centered on the target tone frequency

3) Expand the bandwidth of the masker noise

4) Measure the tone detection threshold in the masker noise

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13
Q

what were the findings of the critical band experiment?

A

At the beginning, the broader the masker bandwidth, the worse the tone-in-noise detection threshold, but!!!

After certain bandwidth, the further increase of the noise bandwidth does not continue to increase the threshold.

Hence, the idea of critical band is born.

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14
Q

What is a tuning curve?

A

A tuning curve is a graphical representation of the response of a sensory receptor or neuron to different frequencies of stimuli. In the context of auditory processing, a tuning curve shows how sensitive a specific location on the basilar membrane (BM) of the cochlea is to different frequencies of sound.

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15
Q

How do tuning curves relate to the structure of the cochlea?

A

Each location on the basilar membrane has its own tuning curve, meaning it responds most strongly to a specific frequency (known as the best frequency) and less strongly to frequencies farther away from that point.

Outer hair cells (OHCs), inner hair cells (IHCs), and auditory nerve fibers (ANFs) are attached to different locations on the basilar membrane.

As a result, they inherit the tuning characteristics of the specific point on the basilar membrane to which they are attached.

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16
Q

Why do OHCs, IHCs, and ANFs exhibit similar tuning curves?

A

Because OHCs, IHCs, and ANFs are associated with specific locations on the basilar membrane, they inherit the best frequencies, bandwidths, and tuning curves of those locations. This is why we observe very similar tuning curves across them.

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17
Q

How do we measure neural tuning curves of auditory nerve fibers?

A

1) Set target tone at low sound level

2) Sweeping tone from low to high frequencies

3) Mark at which frequency the nerve fires above its spontaneous rate.

4) Set the level of target tone a little higher (e.g. 2 dB higher)

5) Repeat step 2 – 4.

6) The nerve responds to the tones that fall within the boundary of the tuning curve

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18
Q

What are Psychophysical tuning curves, and how do they differ from neural tuning curves?

A

Psychophysical tuning curves (PTCs) are similar to neural tuning curves but not identical. While neural tuning curves measure the sensitivity of auditory nerve fibers to different frequencies, PTCs measure the ability of human listeners to detect a target tone in the presence of a masker noise.

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19
Q

How is a Psychophysical tuning curve measured?

A
  • Present a target tone fixed at a frequency of interest and presented at 10 dB above absolute threshold.
  • Present a masker tone or narrowband noise (with a 50-Hz bandwidth) at a low level, and change the center frequency of the noise from low to high frequency.
  • Mark the frequency and level of the masker where the target tone is just detected (at detection threshold), then increase the level by 5 dB.
  • Repeat steps 2 to 4.
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20
Q

What’s notable about the x-axis label in Psychophysical tuning curves?

A

In Psychophysical tuning curves, the x-axis label is not stimulus frequency but masker frequency. This indicates that the frequencies of the masker noise are varied while keeping the frequency of the target tone constant.

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21
Q

What is Q10 and how is it defined in the context of tuning curves?

How is Q10 calculated?

A

Q10 is a term used to quantify the frequency selectivity of a tuning curve.

It’s calculated by dividing the frequency of the target tone by the bandwidth at 10 decibels (dB) above the tip of the tuning curve.

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22
Q

What does “Frequency of the Target Tone” refer to in tuning curves?

A

the specific frequency of sound being tested or studied in the tuning curve experiment.

It’s the frequency of the tone that’s presented to the auditory system for assessment.

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23
Q

What is meant by “Bandwidth at 10 dB above the Tip of the Curve”?

A

tip of the curve= point of max sensitivity
- so by +10dB we’re focusing on a region slightly above the threshold where the auditory system begins to respond

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24
Q

How is Q10 calculated?

A

To calculate Q10, you divide the frequency of the target tone by the bandwidth at 10 dB above the tip of the tuning curve.

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25
Q

How do we interpret the Q10 value?

A

This ratio provides a numerical value that reflects the frequency selectivity of the auditory system.

A larger Q10 value suggests better frequency selectivity, indicating the system can more precisely discriminate between different frequencies.

Conversely, a smaller Q10 value suggests lower frequency selectivity, meaning the system is less able to distinguish between nearby frequencies with precision.

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26
Q

whats the difference between a narrower and wider bandwidth?

A
  • A narrower bandwidth suggests that the auditory system is highly selective and responds to a limited range of frequencies. This indicates precise frequency discrimination.
  • A wider bandwidth indicates lower selectivity, with the auditory system responding to a broader range of frequencies. This suggests less precise frequency discrimination.
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27
Q

how do we estimate auditory filters using iso- response curve?

A
  • Experimental Paradigm: Fixed-frequency target tone presented at varying masker levels.
  • Objective: Determine the level of masker noise required to mask the target tone just at the threshold of detection.
  • Measurement: Participants indicate when they can barely detect the target tone in the presence of varying masker levels.
  • Graph: Y-axis represents masker level at signal detection threshold, X-axis represents signal frequency.
  • Insight: Provides information about masking properties of the auditory system across different frequencies.
28
Q

what is the Impact of hearing impairment on psychophysical tuning curve

A

for impaired ears= more flattened, and higher threshold

For normal ears= Sharper, and lower threshold.

29
Q

how do we estimate auditory filters using iso- stimulus curve?

A
  • Experimental Paradigm: Fixed-level masker noise presented at varying signal frequencies.
  • Objective: Determine the minimum level of the target tone needed to be detected in the presence of the fixed-level masker noise.
  • Measurement: Participants indicate when they can barely detect the target tone in the presence of varying signal frequencies.
  • Graph: Y-axis represents signal detection threshold for a fixed masked level, X-axis represents signal frequency.
  • Insight: Offers insights into frequency selectivity and shape of auditory filters.
30
Q

What is the Notched noise paradigm?

A

The Notched noise paradigm utilizes the iso-stimulus paradigm, where the intensity of the background noise (masker level) is fixed while the intensity of the target signal varies. Researchers manipulate the frequency and level of the target signal within a given spectral notch width.

31
Q

What are the findings of the Notched noise paradigm?

A
  • Using thresholds at various tone frequencies and frequency distances from the noise bands, researchers estimate the shape of the auditory filter.
  • This filter functions similarly to a bandpass filter, indicating the extent of amplitude attenuation for signals passing through it at each frequency.
  • While the representation may appear symmetrical, real auditory filter shapes typically exhibit a steeper slope on the high-frequency side and a shallower slope on the low-frequency side for accuracy.
32
Q

what does a sharper PTC curve indicate?

A

sharper PTC curve indicates a better frequency selectivity in the auditory system

33
Q

What experimental paradigms have researchers used to study auditory masking?

A

forward masking and simultaneous masking paradigms.

34
Q

How does forward masking affect Psychophysical Tuning Curves (PTCs)?

A

Forward masking typically sharpens PTCs. indicates a better frequency selectivity in the auditory system

34
Q

What types of maskers have researchers compared, and how do they affect tuning curves?

A

Researchers have compared various maskers, including tone, narrowband noise, and spectrally notched noise. Tuning curves generated by tonal maskers appear narrower compared to those by noise maskers.

35
Q

Why are tonal maskers often avoided in auditory research?

A

Tonal maskers are often avoided due to their potential to create a beating effect, resulting in fluctuations in amplitude when the target and masker tones are similar in frequency. Additionally, tonal maskers can cause the perception of harmonics, combination tones, or difference tones.

36
Q

Why is narrowband noise considered suboptimal for iso-stimulus paradigms?

A

Narrowband noise is considered suboptimal for iso-stimulus paradigms due to off-frequency listening, which can cause the auditory filter to appear narrower than expected, leading to spectral resolution appearing better than it actually is.

37
Q

What paradigm has been adopted to improve the estimation of auditory filter shape?

A

Researchers have shifted towards using spectrally notched noise to estimate auditory filter shape, as it avoids off-frequency listening and provides a more accurate representation of auditory filter characteristics.

38
Q

what is off listening?

A

Off-frequency listening is the use of information in different frequency regions (i.e. from a neighboring auditory filter) to improve performance in masking tasks.

39
Q

why was the use of single side noise to mask the target tone stopped?

A

Before notched noise was introduced, people used single side noise to mask the target tone, but failed to account for an issue called ‘off-frequency listening’.

40
Q

why is the overlapping of auditory filters along the BM important?

A

because that means that a person can use either on-frequency or off-frequency listening depending on what they are trying to listen to (or avoid listening to).

41
Q

what is on frequency listening?

A

On-frequency – the auditory filter which is centred around the target signal (centre frequency) is used

42
Q

what is off frequency listening?

A

Off-frequency - an alternative auditory filter is used to help reduce the effects of noise and improve the signal to noise ratio e.g. using a filter that is just below the centre frequency of a signal may help to improve signal detection in a noisy environment

43
Q

What is the upward spread of masking in auditory perception?

A

where lower frequencies can mask a wider range of frequencies than higher frequencies

-It suggests that low-frequency tones can mask higher frequency signals, but the reverse is less likely to occur.

44
Q

How does upward spread of masking affect our perception of speech sounds in noise?

A

It explains why general background noise interferes more with the detection of high-frequency consonant speech sounds.

45
Q

what are auditory filters?

A

structures in the auditory system that respond to specific freq

46
Q

how can the bandwidth of auditory filters be measured?

A

The bandwidth of auditory filters can be measured using methods such as Q3, Q10, Q40, which quantify the bandwidth relative to the filter’s center frequency. + ERB

47
Q

what is the Equivalent Rectangular band (ERB)?

A

The ERB is a simplified method for quantifying the bandwidth of auditory filters. It assumes a rectangular shape for the filter’s frequency response.

48
Q

How is ERB calculated?

A

ERB is calculated using the formula ERB(F) = 24.7(4.37f + 1), where F is the center frequency of the auditory filter in kHz.

49
Q

What are the advantages of ERB?

A

ERB provides a more intuitive and simplified way to quantify frequency selectivity compared to other measures.

50
Q

What are excitation patterns in the auditory system?

A

-spatial patterns of responses 2 sound
- these patterns refer to the way the BM responds to sound vibrations (displacement patern)

51
Q

How can excitation patterns be visualised?

A

by plotting the output of each auditory filter involved in response to the masker tone. This allows for a detailed examination of how different frequencies are processed and represented in the auditory system.

52
Q

What insights do excitation patterns provide about auditory processing?

A
  • how the auditory system responds to various sounds and frequencies.
  • They help researchers understand the frequency selectivity and response characteristics of the auditory system to different stimuli.
53
Q

What is lateral inhibition and how does it contribute to spectral resolution in the central auditory system?

A

Lateral inhibition is a mechanism in the central nervous system that enhances spectral resolution by suppressing the activity of neighboring neurons.

This prevents simultaneous excitation of nearby neurons, sharpening the distinction between different frequencies.

54
Q

How does lateral inhibition work?

A

When a single neuron is stimulated, it responds strongly.

However, lateral inhibition prevents neighboring neurons from becoming equally active, resulting in weaker responses from each neighboring neuron compared to when only one neuron is stimulated

55
Q

Why is it hard to measure lateral inhibition and temporal inhibition psychophysically?

A

t’s tough to measure lateral inhibition psychophysically because the final behavioral response observed in auditory tasks is influenced by many factors, not just lateral inhibition.

This makes it difficult to isolate and accurately measure the specific effects of lateral inhibition from other auditory processes.

56
Q

How does temporal inhibition work?

A

When a first-order neuron is excited, it can generate a delayed inhibitory input to decrease the activity of a second-order neuron.

This inhibition affects the later portion of the response from the second-order neuron.

This refinement in the temporal domain helps regulate the neuronal response, enhancing temporal resolution.

57
Q

What did Fletcher’s experiment show?

A

It demonstrated that when trying to hear a pure tone in the presence of continuous noise, only the parts of the noise near the tone’s frequency affect our ability to hear the tone.

58
Q

How does masker energy affect signal detection according to Fletcher’s experiment?

  • the relationship between signal and masker?
A

The experiment revealed that the ease of hearing the tone depends on how much energy from the noise passes through the filter that’s centered on the tone’s frequency.

59
Q

How does the bandwidth of the auditory filter affect masking effectiveness?

A

The bandwidth of the filter, which varies with frequency, influences how much masking noise is needed to effectively mask a signal. A broader bandwidth requires more masking noise to fill, while a narrower bandwidth requires less.

59
Q

What determines the effectiveness of masking in auditory perception?

A

The effectiveness of masking depends on how much of the equivalent rectangular bandwidth (ERB) is filled with masking noise. Ideally, the entire width of the ERB should be filled for optimal masking.

60
Q

why do we use narrowband for masking and not broadband?

A
  • Overhang of masking does not make masking any more effective.
  • All that matters is that the ERB is fully filled.
61
Q

How do resolved and unresolved harmonics contribute to the excitation pattern?

A

Resolved harmonics, which have sufficient spacing to fall into separate auditory filters, produce distinct peaks in the excitation pattern. Each harmonic is processed by a different filter.

In contrast, unresolved harmonics, which are too closely spaced, end up in the same filter, resulting in a single output.

-explains why a larger frequency change is needed to perceive a pitch change at higher frequencies.

61
Q

How does the length of the temporal window affect temporal resolution?

A

The length of the temporal window determines temporal resolution, with broader windows resulting in poorer resolution.

62
Q

what is amplitude modulation (AM) in the time domain waveform and how does it sound?

A
  • where the amplitude of the wave is varied in proportion to the signal its transmitting while the frequency stays constant

-AM signal will show fluctuations in the height (amplitude) of the waves while the distance between each wave crest (frequency) remains consistent.

-susceptible to noise so AM sounds noisier or grainer compared to FM

63
Q

What is Frequency modulation (FM) in the time domain waveform and how does it sound?

A

-the frequency of the carrier wave is varied by the amplitude of the audio signal, while the amplitude of the carrier wave stays constant.

  • shows consistent amplitude but varying distance between the peaks and troughs of the waves (frequency).
  • less susceptible to interference and noise because changes in amplitude do not affect the info carried in the frequency variations so FM quality is clearer