Principles of Dance Injury Prevention Flashcards

1
Q

Knowledge of body strength and limits

A

Knowledge of the body, the joints, muscles and their limits will ensure the impossible is not attempted. knowing the strength and ability of yourself or your class and ensuring that you stay within it. Limitations may include anatomical structure or technique training limitations

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2
Q

Potentially Hazardous Exercises

A
  • Full neck rolls where the neck is allowed to drop back unsupported
  • Numerous squats (full plies) places stress on the knees
  • Plies with poor alignment stress the knee and foot
  • Bending forward over straight legs for a long time stresses the lumbar spine
  • High leg swings before a full warm up which stresses the muscles and tendons
  • Bouncing stretches
  • Bananas stress the lumbar spine (simultaneously lifting of arms and legs while on the floor)
  • Sit ups with straight legs or double leg lifts while lying on the floor
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3
Q

Conditioning of the dancer

A

Stamina, Flexibility, body weight

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4
Q

Stamina

A

Most dance classes do not produce aerobic fitness, so if a performance needs high intensity dancing for more than 15 mins, ensure the fitness level can meet this. After a rest or holiday or returning from injury, the body condition has decreased and the dance expectations must be adjusted. Equally, overwork, fatigue and poor nutrition will impact stamina

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5
Q

Flexibility

A

Forcing a dancer’s joints beyond the range available will lead to muscle and tendon damage. A dancer who is very flexible should work within their strength range to avoid over-stressing a joint that has little protection.

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6
Q

Body Weight

A

An overweight body puts extra stress on weight bearing joints. An underweight body has poor energy reserves and is less able to resist infection and heal any injuries

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7
Q

Poor training habits

A

Know the correct technique for your dance style and work at it even if this means performing at a lower height or intensity than others. Poor training habits include: not doing a warm up/ cool down and poor lifting technique

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8
Q

Warm up

A

there is no universal warm up but any warm up is better than no warm up. optimal warm up should be 15 mins of exercise at 50-60% of maximum levels. the break between warm and class/performance should not exceed 15-20 mins

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9
Q

Reason for warm ups

A
  • Decrease muscle soreness post exercise
  • Increase muscle strength and performance
  • Increase joint mobility and flexibility
  • Better body temperature control in cold weather
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10
Q

A warm up should include

A
  • General movement of all body parts to increase circulation
  • First exercise large muscle groups to increase circulation then the small
  • Stretching which is gentle, not maximal
  • Variety to prevent boredom and non compliance
  • A warm up is not a hot shower, lying in the sun, wearing a jumper. these warm the skin and not the muscle joints and nerves.
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11
Q

Cool Down

A

Should be the reverse of a warm up and should take about 10 mins

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12
Q

Reason for cool downs

A
  • Prevent blood pooling in the limbs which can affect cardiac function
  • fast removal of waste products such as lactic acid from the muscles
  • Return heat and circulation to resting levels which helps prevent fatigue
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13
Q

Safe lifting

A

Poor lifting can cause many injuries over time. As more lifts are being down by women in modern dance. ensuring adequate strength and stability is very important.

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14
Q

Safe lifting points to minimise risk

A
  • Correct alignment of the spine
  • Hold the load as close to the body as possible
  • Apply the force as close to the centre of gravity of the lifted body as possible and lift as close to vertical as possible
  • Use the knees to lift and extend through the knees not the back
  • Watch your foot position. Dont let the feet roll and keep toes in line with the knees
  • Warm up the body well especially the back and leg muscles
  • Ensure there is enough strength in legs (hip and knee extensors), abdomen, back and arm muscle (flexors and abductors of the shoulder, upwards rotators of the scapula)
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15
Q

Other factors

A

Dance floors, environment, clothing, nutrition

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16
Q

Dance floors

A

The dance surface needs to be resilient and have good friction. The class may need to be modified if the surface is less than ideal.

17
Q

Dance floor examples

A
  • For hard floors such as concrete, the number and size of jumps should be decreased and shock absorbing shoes should be worn.
  • For slippery floors, modify fast direction changes and the number of turns, slow the tempo and use shoes with grips or rosin
18
Q

Environment

A

The temperature needs to be approx. 21 degrees for maximal performance

19
Q

Clothing

A

The body needs to breathe, therefore, cotton or wool clothing is best. Plastic covering should be discouraged especially if being used to lose weight. The only weight loss will be fluid. In winter or cold environments, wear layers of clothing to allow a progressive strip.

20
Q

Nutrition

A

Poor nutrition interferes with performance stamina and strength, concentration and healing.