Prelude and Fugue in B Flat Major, The Well Tempered Clavier, Book 1 Flashcards

1
Q

Description

A

The well tempered clavier demonstrates a craftsmanship bordering on wizardry. Bach employed a vast array of contrapuntal devices and approaches throughout both volumes, and there is great variety from one piece to the next. This work is an enduring and monumental contribution to keyboard literature.
The fugues of the well tempered clavier showcase Bachs brilliant contrapuntal mastery, employing a wide array of devices and procedures. Fugal subjects are manipulated using inversion (subject presented “upside down”), augmentation (subject presented in longer time values), and diminution (subject presented in shorter time values).

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2
Q

Genre

A

solo keyboard music

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3
Q

composition date

A

book 1-1722, book 2-1742

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4
Q

significance of title

A
  • well tempered refers to the then newly invented tuning system for keyboard instruments that allowed for pieces to be written in any key.
  • clavier is the German word for any keyboard instrument other than organ
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5
Q

structure

A
  • two books, each book contains twenty-four preludes and fugues organized in pairs of parallel major and minor keys
  • each book begins with preludes and fugues in c major and c minor then moves up chromatically by half step, ending with B major and b minor
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6
Q

Prelude: key

A

b flat major

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7
Q

prelude: form

A

incorporates aspects of binary form

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8
Q

prelude: tempo

A
  • no specific indication on score
  • style implies a quick tempo, in the manner of a toccata (a very fast keyboard work demonstrating a virtuosic, improvisatory character)
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9
Q

prelude: meter

A

4/4

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10
Q

prelude: texture

A

homophonic and polyphonic

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11
Q

prelude: section a facts

A
  • broken chord passages played in breathless thirty-second notes and treated sequentially
  • features frequent thirty-second note runs
  • ends in f major (dominant key) and proceeds immediately to the next section
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12
Q

prelude: section b facts

A
  • continues the toccata-like style with rapid cadenza-like runs that emerge from arpeggiated seventh chords
  • requires virtuosity throughout
  • its improvisatory style contrasts with the controlled order demonstrated in the fugue that follows
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13
Q

fugue:key

A

b flat major

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14
Q

fugue: tempo

A
  • moderately fast
  • Bach gave no tempo indications anywhere in the score
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15
Q

fugue: meter

A

3/4

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16
Q

fugue: number of voices

A

three

17
Q

fugue: type of answer

A

tonal

18
Q

fugue: countersubject

A
  • two countersubjects are presented simultaneously throughout the fugue
  • they act as accompanying figures to the statements of the subject or answer
19
Q

fugal exposition: facts

A
  • subject in b flat major presented in top voice (unusually long)
  • comprises two motives: the first is mostly disjunct outlining the tonic-dominant seventh harmony, while the second is conjunct, outlining the same harmonies