Praxis II 0041 TOUGH Flashcards

1
Q

Metaphor

A

Figure of speech containing an implied comparison in which a word or phrase ordinarily and primarily used for one purpose is applied to another which is not literally applicable. Type of figurative language.

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2
Q

Reader-Response Critical Approach

A

Focus on reader and the reading process. Reader responds to text personally. Rejects idea of fixed meaning of the literature.

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3
Q

Postmodern Period

A

1945-…: T.S. Eliot, George Bernard Shaw, Toni Morrison

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4
Q

Modern Period

A

1914-1945: W.B. Yeats, Virginia Woolfe in England. Robert Frost, Hemingway, Gertrude Stein and Faulkner in America. Harlem Renaissance.

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5
Q

Confession

A

One character reveals thoughts and ideas. This particular character is a round character, whom the reader knows in detail.

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6
Q

Existentialism

A

Movement in literature emphasized individual existence, freedom, and choice and influenced writers in the 19th & 20th centuries. Contend that there is no objective, rational basis for moral choice.

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7
Q

Biographical Criticism

A

Uses knowledge of the author’s life experiences to gain a better understanding of the writer’s work.

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8
Q

Surrealism

A

Movement in literature of the 20th century. Includes suprise, unexpected contrasts, non sequitor. Paris in the 1920s. Authors aimed to free people from what they saw as false rationality and restrictive customs and structures. Aligned with communism and anarchism. Fitzgerald and Stein

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9
Q

Modernism

A

Movement in literature associated with 1st decades of 20th century. Describes content and form of a work or aspect alone. Features experimentation and the realization that knowledge is not absolute. Loss of tradition and dominance of technology. Einstein, Planck, and Freud.

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10
Q

Symbolism

A

Movement in Literature in the last 20 years of the 19th century. Started in France. Poetic expression of personal emotion. Used unique symbols the poet identified with.

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11
Q

Realism

A

Movement in literature in the 19th century. Is a reaction to Romanticism. Novel is the popular form of literature and embraces true-to-life approach to subject matter. Focus on every day life. Tolstoy and Dostoevsky.

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12
Q

Romanticism

A

Movement in literature in 18th and 19th century. Emphasizes imagination, fancy, and freedom, emotion, wildness, beauty of natural world, the rights of the individual, nobility of common man and the pluses of pastoral life. Wordsworth, Byron, and Shelley.

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13
Q

Cultural Criticism

A

Focuses on the historical, social, and economic contexts of a work.

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14
Q

Feminist Criticism

A

Seeks to correct or to supplement what is regarded as a predominantly male-dominant critical perspective with a femal consciousness. Understanding literature from women’s point of view.

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15
Q

Textual Criticism

A

2 main processes: RECENSION-selection of only the most trustworthy evidence on which to base a text and EMENDATION-is the effort to eliminate all the erros found in even the best manuscripts

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16
Q

Historical Criticism

A

Uses history to understand a literary work more clearly. Looks at social and intellectual currents in which the author wrote.

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17
Q

Literary Criticism

A

Defines, classifies, analyzes, interprets, and evaluates works of literature.

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18
Q

Activating prior knowledge

A

Readers pay more attention when they relate. They naturally bring their prior knowledge and experience. Comprehend better when making connections between text, their lives, and larger world. as a cueing system: good readers will try to fit the reading with what they already know before, during, and after they read.

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19
Q

Comprehension

A

Skills that include the ability to identify supporting details and facts, the main idea or essential message, the author’s purpose, fact and opinion, POV, inference, the conclusion and other information.

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20
Q

Shared Inquiry Approach

A

Involves leader and a group. Participants are guided in reaching their own interpretation of the text.

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21
Q

Creative Comprehension

A

Readers respond-often emotionally-to something they are reading. The student may reply to a story by stating another way to handle the situation.

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22
Q

Critical Comprehension

A

One of the highest of levels of understanding. Requires reading and thinking beyond lines. Indicating if text is true, false, fact, opinion, propaganda, and stereotyping.

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23
Q

Interpretive/Inferential Comprehension

A

2nd level of understanding. Requires the student to read between the lines.

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24
Q

Literal Comprehension

A

Lowest level of understaniding, involves reading the lines. Being able to recall detail or paraphrase.

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25
Q

Figurative Language

A

Use of language that encourages the reader to think about the text.

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26
Q

The Natural Order Hypothesis

A

Natural Order to the way 2nd Lang. learners acquire target Lang.1. Produce single words, 2. String words together based on meaning, 3. begin to identify elements that begin and end sentences, 4. begin to identify different elements within sentences and can rearrange to produce questions.

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27
Q

The Monitor Hypothesis

A

How acquired system is affected by the learned system. (Grammar, syntax, editing, etc.)

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28
Q

The Acquisition-Learning Hypothesis

A

Acquired system: unconscious aspect. Concerned with communicating meaning. Learned system- Formal instruction

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29
Q

Components of 2nd Language Acquisition Theory

A

AMNIA - Acquisition-Learning Hyp., Monitor Hyp., Natural Order Hyp., Input Hyp., Affective Filter Hyp.

30
Q

Expressive Language

A

Communicating through speaking, writing, or gesturing. Involves word retrieval, rules of grammar, word and sentence structure, and word meaning.

31
Q

Cognitive Language

A

Received, processed into memory, integrated with knowledge already integrated, and made a part of the knowledge of the individual from which new ideas and concepts can be generated.

32
Q

Receptive Language

A

Language that is spoken or written by others and received by an individual that is listening or reading. Understanding takes place.

33
Q

Affective Filter Hypothesis

A

Describes external factors that can act as a filter that impedes acquisition. Include: Motivation, self-confidence, high level anxiety.

34
Q

Input Hypothesis

A

Like natural order. Cannot learn step 2 without receiving step 2 information

35
Q

Synthesizing Information

A

Involves combining new information with existing knowledge to form an original idea or interpretation. Can change the way a reader thinks.

36
Q

Determining Important Ideas

A

Thoughtful Readers grasp essential ideas and important information when reading. Readers must differentiate between less important ideas and key ideas that are central to the meaning of the text.

37
Q

Sestina

A

French form of poetry, 6 stantzas of 6 lines

38
Q

Villanelle

A

Courtly love poem from Medieval era. 5 three line stanzas (tercets) Rhyme: aba, then a 4 line stanza (a quatrain) rhyme: abaa

39
Q

Petrarchan Sonnet

A

Italian: 2 types octave has eight lines and sestet has six lines. octave rhymes: abbaabba-cdecde

40
Q

Shakespearean Sonnet

A

Lines organized in 3 groups of 4 lines and 2 rhyming lines scheme: abab cdcd efef - gg

41
Q

Episodic Plot

A

Features individual chapters or episodes that are related to each other but each of which is a story unto itself.

42
Q

Carolingian Renaissance

A

800-850CE: Texts include early medieval grammars, encyclopedias, and the like. marks the setting of viking sagas.

43
Q

The Enlightenment/Neoclassical Period

A

1660-1790: Increased influence of classical literature increased reverence for logic, avid disdain for superstition. Backlash against puritanism. American Revolution.

44
Q

Restoration Period

A

1660-1700: British King’s restoration to throne-post puritanism. John Locke, Aphra Behn

45
Q

Augustan Age

A

1700-1750: Imitation of Virgil and Horace. Jonathan Swift and Alexander Pope. Voltaire in France

46
Q

Commonwealth/Puritan Interregnum

A

1649-1660: Under Oliver Cromwell’s Puritan dictatorship, John Milton continues to write; other writers of the period include Marvell and Sir Thomas Browne

47
Q

Caroline Age

A

1625-1649: John Milton, Geroge Herbert, Charles I and his Cavaliers

48
Q

Jacobean Period

A

1603-1625: Later Shakespeare works.

49
Q

Elizabethan Period

A

1558-1603: Elizabeth I saves England from Spanish invasion and domestic squabbles. Shakespeare, Marlowe, Thomas Kyd

50
Q

Early Tudor Period

A

1485-1558: War of Roses ends and Henry VII claims throne in England. Martin Luther splits from Catholic Church = emergence of protestantism. Followed by Henry VIII’s Anglican schism = Protestant England

51
Q

The Renaissance and Reformation

A

1485-1660

52
Q

Late/High Medieval Period

A

1200-1485: Tumultuous period with Chaucer, Pearl Poet, Langland in England and Petrarch and Dante in Italy

53
Q

Middle English Period

A

1066-1450: End of Anglo-Saxon higerarchy. Emergence of 12th century Renaissance (1100-120) French chivalric texts emerge

54
Q

Rhythm

A

Flow or cadence of words that create mood or feeling in the reader.

55
Q

Homeric Period or Heroic Period

A

1200-800BCE: Greek legends are passed along orally, including Homer’s THE ILLIAD and THE ODYSSEY. This is a chaotic period of warrior princes, wandering sea traders, and fierce pirates.

56
Q

Classical Greek Period

A

800-200BCE: Greek writers, playwrights, and philsophers such as Gorgias, Aesop, Plato, Socrates, Aristotle, and Sophocles all make their mark. 499-400BCE = Golden Period in Greece

57
Q

Classical Roman Period

A

200BCE - 455CE: Greece’s culture gives way to Roman power when Rome conquers Greece in 146 CE. Ovid, Horace, and Virgil

58
Q

Patristic Perido

A

70-455CE: Early Christian writings. St. Augustine and St. Jerome. Jerome compiles the Bible.

59
Q

Medieval Period

A

455CE-1485CE

60
Q

Old English/Anglo-Saxon Period

A

428-1066CE: “Dark Ages” Rome falls and barbarians move in to Europe. Beowulf.

61
Q

Classical Period

A

1200BCE-455CE

62
Q

Anapest

A

Is a foot consisting of 3 syllables in which the 1st two are short and the final is long.

63
Q

Trochee

A

A foot that has 2 syllables in which the 1st is long and the second is short.

64
Q

Dactyl

A

A foot of 3 syllables in which the first is long and the last two are short

65
Q

Foot

A

Is the basic measuring unit in a line of poetry and each of these unstressed-stressed syllable pairs is called an iambic foot.

66
Q

Limericks

A

5 lines Rhyme aabba

67
Q

Alliteration

A

The repetition of initial sounds in two or more words in a sentence or phrase.

68
Q

1st Person POV

A

Story unfolds through the eyes of one character. Account May be biased by character telling the story (I, Me, My)

69
Q

Objective POV

A

Writer tells the happenings without voicing an opinion. Never reveals what characters think or feel.

70
Q

Limited omniscient POV

A

Narrator does not share all the information about all the characters or all the events with the reader.