PowerPoint Flashcards

1
Q

William Shakespear

A

1564-1616

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2
Q

Text

A
  • written to be performed
  • primary and secondary text
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3
Q

performance

A
  • collective natur of production an reception
  • adresses different senses
  • multimedial form of representation (look at semiotics
    of theatre for more)
  • use of (non) verbal sign system
  • interaction between actors and audience
    -transient event
    -variation in production
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4
Q

literary studies

A

focus on analysis and interpretation of the written text

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5
Q

theatre studies

A

focus on analysis and interpretation of theatre work

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6
Q

individual stage form influences

A
  • audiences experience of production
  • distance between actors and audience
  • acting style
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7
Q

renaissance stage : public theatres

A

largly empty, few props and little to no scenery

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8
Q

Romeo and Juliet

A
  • Elizabethian World picture (Great Chain of Being)
  • sonett is equally split, Juliet is not silent
  • Romeo is the purseur
  • attainability
  • Juliet teases Romeo (kiss by the book)
    -=> commentary on patrachian tradition
    ->R and J are equal
    contrast: Rosaline is worshipped from afar but does not appear on stage (seen as ridiculous)
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9
Q

Genres

A
  • Tragedy
  • Comedy
  • Comedy of manners
  • Sentimental comedy
  • Melodrama
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10
Q

Analysis of dialogue

A
  • length of individual utterances
  • distribution among characters
  • frequency with wich the speaker changes
  • linear succession of individual utterances vs interruption
  • logical interrealtion between individual utterances
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11
Q

the tragic hero

A
  • great man, neither too virtuous or too wicked
  • undergoes a change of misfortune because of some mistake (hamartia)
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12
Q

the plot includes

A

suffering (pathos)
reversal (peripeteia)
recognition (anagnorisis)

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13
Q

a character is

A

fictive and not a real person
a deliberate construct
set of information by which it is determined is finite and closed

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14
Q

Character perspective

A

restricted view of the dramatic world of character
determined by characters knowledge, psychological disposition and ideological persuasions

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15
Q

Perspective structure

A

entirety of character perspectives and their realtionship to each other

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16
Q

action and character

A
  • they are interdependent
  • action arises from dialogue an drealtion betweeen the characters
  • course of action influences the characters knowledge, abilities and needs
17
Q

action

A
  • change of perpetuatuon of a situation brought about by the characters
    . closed forms: entirely self contained
  • open forms: not a typical patternd an often without definite conclusion
18
Q

spatial structure

A

sematicization of space := space is bearer of meaning
- where does character belong
- movement between different locations
relationship betweeen single locations
- relationship between on and off stage

19
Q

temporal structure

A

performance time vs. ficitonal time
chronologiacal or achronic representation

20
Q

forms of tragedy

A

de casibus tragedy
revenge tragedy
domestic tragedy