PowerPoint Flashcards

1
Q

criteria of Poetry

A

tendency towards brevity
condensation of subject matter
musicality (rhyme, scheme, metre)
external form (line, stanzas)
deviation from everyday language

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2
Q

The poem is two things

A

a structure made of words
as an event

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3
Q

speech situation

A

real Author -> fictive speaker -> subject matter -> fictive addressee -> real reader

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4
Q

analysis of speech Situation

A

deictics
personal and possessive pronouns (I, you, mine, your)
adverbials of place and time (here, there, now, then, yesterday)
describe relationships between: speaker and subject matter, speaker and addressee

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5
Q

The Ballad: Form

A

ballad stanza: four lines
rhyme scheme: alternating rhyme (often abcb)
metre: iamb (alternating: tetrameter and trimeter)

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6
Q

The Ballad: Content

A

narrative: tells a story (often love, death, the supernatural)
proximity to folk culture (minimal details about characters, supernatural occurances)

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7
Q

Dramatic Monologue

A

individualized character as speaker
a clearly specified situation
monologue as speech of a single speaker in a dialogue
speaker reveals something about himself
Process of consciousness
Insight into individual consciousness

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8
Q

The Sonnet: Form

A

14 lines
iambic pentameter
strict rhyme scheme
specific structure

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9
Q

The Sonnet: Content

A

originally: unrequited love
changed over time: woman-man, man-man, god, nature

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10
Q

Francesco Petrarca

A

father of sonnet form
main themes: the beauty of the idealized, virtuous Laura (standart repertory: arier)

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11
Q

The Petrarchan Concept of Love: The Beloved

A

beautiful
beauty mirrors her virtue
unattainable (“cruel-fair”)

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12
Q

The Petrarchan Concept of Love: The Poet Lover

A

praises the Lady
complains about his frustrated desire and funnels it into an disinterested admiration for the greater ideals represented by the Lady
construction of (male) subjectivity through poetry

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13
Q

Sonnet Forms: Italien sonnet

A

Octave + sestet
number of rhymes: 4 or 5
Volta after octave

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14
Q

Sonnet Forms: Wyatt’s sonnet

A

Octave + quatrain + couplet
number of rhymes: 5
Volta after octave

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15
Q

Sonnet Forms: Shakespearean Sonnet

A

three quatrains + closing couplet
number of rhymes: 7
Volta after three quatrains

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16
Q

linguistic Levels of Analysis

A

phonological level (sound)
morphological level (word and word formation)
syntactic level (arrangement of sentences)
semantic level (meaning)
pragmatic level (context)

17
Q

rhetorical question

A

A Question that doesn’t expect an answer

18
Q

apostrophe

A

phrase or speech made by a character that is addressed to a subject that is not literally present in the literary work

19
Q

stylistic devices on the phonological level

A

alliteration
consonance
assonance
onomatopoeia

20
Q

Morphological rhetorical devices

A

anaphora
epiphora
apanalepsis
anadiplosis

21
Q

syntactical rhetorical devices

A

parallelism
chiasm
ellipsis
inversion
asyndeton
polysyndeton
zeugma
hysteron proteron

22
Q

semantic rhetorical devices

A

litotes
hyperbole
euphemism
oxymoron
irony
figures of similarity
figures of continguity

23
Q

The romantic period

A

1785 - 1832
phase of modernisation
industrialisation gathers momentum
- mass production
- capitalism and commercialisation
- change of social structure
Literary:
Turn away from rationalism
Individual as only remaining meaningful entity

24
Q

romantic poets

A

william wordsworth
samuel taylor coleridge

25
Q

The Victorian Age

A

1837-1901
industrial Revolution
technological progress
scientific discoveries
action instead of introspective
earnestness, moral responsibility
Sense of moral and loss

26
Q

Sir Thomas wyatt (1503-1542)

A
  • sceptical towards Petrarchan love concept
  • irregular metre, natural language
  • introduces sonnet form to brittain
  • whose list to hunt is a imitation of petrarcas sonnet 190