Portrayal of Aeneas - Scholarship - Aeneid Flashcards

1
Q

What scholarly quotes reference the portrayal of Aeneas

A
  • Steele Commager
  • Edith Hamilton
  • Ogilivie
  • Anderson
  • J.W. Mackail
  • R.D. Williams
  • Jasper Griffin
  • Hardie
  • Guy de la Bédoyère
  • Camps

only Moses Hadas do not mention (in the list of scholarship given)

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2
Q

Who wrote
“He [Aeneas] is reborn, to be sure, as the ideal Roman incarnate”

A

Steele Commager

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3
Q

Who wrote
“The cost to Aeneas himself… he become increasingly isolated from any human contact”

A

Steele Commager

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4
Q

How did Steele Commager describe the portrayal of Aeneas in the Aeneid

A
  • “He [Aeneas] is reborn, to be sure, as the ideal Roman incarnate”
  • “The cost to Aeneas himself… he become increasingly isolated from any human contact”
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5
Q

Who wrote
“The real subject of the Aeneid is not Aeneas… it is the glories of Rome and her Empires”

A

Edith Hamilton

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6
Q

Who wrote
“ Aeneas is important because he carries Rome’s destiny”

A

Edith Hamilton

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7
Q

Who wrote
“Aeneas and Dido are not only the hero and heroine… they are great lovers too”

A

Edith Hamilton

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8
Q

How did Edith Hamilton describe/ interpret the portrayal of Aeneas in the Aeneid

A
  • ” Aeneas is important because he carries Rome’s destiny”
  • “The real subject of the Aeneid is not Aeneas… it is the glories of Rome and her Empires”
  • Aeneas and Dido are not only the hero and heroine… they are great lovers too”
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9
Q

Who wrote
“The Aeneid is very much of a spiritual quest, which makes it unique in ancient literature. Only Virgil admits of the possibility that a character can change, grow and develop”

A

R.M. Ogilivie

In the early books Aeneas is unsure on much and seeks advice. BUT after book 6 and his visit to the underworld where he sees the future of Rome he develops self confidence

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10
Q

How does Ogilivie interpret the portrayal of Aeneas in the Aeneid

A

“The Aeneid is very much of a spiritual quest, which makes it unique in ancient literature. Only Virgil admits of the possibility that a character can change, grow and develop”

In the early books Aeneas is unsure on much and seeks advice. BUT after book 6 and his visit to the underworld where he sees the future of Rome he develops self confidence

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11
Q

Who wrote
“Virgil, I think, has caught truth in his representation of angry, murderous Aeneas”

A

Anderson

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12
Q

Who wrote
“Killing Turnus us a victory for the cause, but not for Aeneas. In his final struggle… Aeneas can only be the loser”

A

Anderson

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13
Q

Who wrote
“[The killing of Turnus is] the final proof by Virgil that ‘pius Aeneas’ is not passive, but more tragic than Dido and Turnus together.”

A

Anderson

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14
Q

How did Anderson interpret the portrayal of Aeneas in the Aeneid

A
  • “Virgil, I think, has caught truth in his representation of angry, murderous Aeneas”
  • “Killing Turnus is a victory for the cause, but not for Aeneas. In his final struggle… Aeneas can only be the loser”
  • “[The killing of Turnus is] the final proof by Virgil that ‘pius Aeneas’ is not passive, but more tragic than Dido and Turnus together.”
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15
Q

Who wrote
“He [Aeneas] is loaded with responsibilities not his own… he hates bloodshed and had no joy in battle, yet he has to wage a sanguinary war.”

A

J.W. Mackail

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16
Q

How did J.W. Mackail interpret the portrayal of Aeneas in the Aeneid

A

“He [Aeneas] is loaded with responsibilities not his own… he hates bloodshed and had no joy in battle, yet he has to wage a sanguinary war.”

17
Q

Who wrote
“Aeneas belongs to the heroic age, yet he also has to be a proto-Augustan. Virgil’s problem is to depict a new kind of hero, a hero for an age no longer ‘heroic’.”

A

R.D. Williams

18
Q

How did R.D. Williams interpret the portrayal of Aeneas in the Aeneid

A

“Aeneas belongs to the heroic age, yet he also has to be a proto-Augustan. Virgil’s problem is to depict a new kind of hero, a hero for an age no longer ‘heroic’.”

19
Q

who wrote
“The whole poem … - the story of a triumphant career which opens with the hero wishing he were dead, and ends with him forced to kill a helpless opponent in a storm of passionate rage - is itself an example of this calculated ambiguity.

A

Jasper Griffin

calculated ambiguity presumably in reference to pro or con Augustus

20
Q

How did Jasper Griffin interpret the portrayal of Aeneas in the Aeneid

A

“The whole poem … - the story of a triumphant career which opens with the hero wishing he were dead, and ends with him forced to kill a helpless opponent in a storm of passionate rage - is itself an example of this calculated ambiguity.

21
Q

Who wrote
“The opptimists read in the violent death of Turnus the final victory of fate and piety over the irrational forces… a foreshadowing of the legitimate vengence of Octavian against the assasins of his adoptive father”

A

Philip Hardie

22
Q

Who wrote
“The pessimists see in Aeneas’ killing of a now defenceless Turnus the recrudenscence in the hero of the same furor that had overmastered him on the night of the sack of Troy”

A

Philip Hardie

recrudensence = the reoccurance of an undesirable condition

23
Q

How did Philip Hardie interpret the portrayal of Aeneas in the Aeneid

A
  • “The opptimists read in the violent death of Turnus the final victory of fate and piety over the irrational forces… a foreshadowing of the legitimate vengence of Octavian against the assasins of his adoptive father”
  • “The pessimists see in Aeneas’ killing of a now defenceless Turnus the recrudenscence in the hero of the same furor that had overmastered him on the night of the sack of Troy”
24
Q

Who wrote
“Aeneas was a proto-Augustus figure”

A

Guy de la Bédoyère

25
Q

What was Guy de la Bédoyère interpretation of the portrayal of Aeneas in the Aeneid

A

“Aeneas was a proto-Augustus figure”

26
Q

who wrote:
“It is indeed clear that the figure of Aeneas is intended at times to evoke Octavian”

A

Camps

27
Q

How did Camps interpret the portrayal of Aeneas in the Aeneid

A
  • “It is indeed clear that the figure of Aeneas is intended at times to evoke Octavian”
  • “Up to this point in the story [book 6] he [Aeneas] has appeared often to be hesitant or disheartened; in what follows he is unhesitant and confident at all times. Hence ……. [book 6] is interpretated by many readers as a formative spiritual experience, from which the hero emerges purged from his earlier weakness and re-born…… But Virgil nowhere says anything to suggest …this”

2nd point should be paraphrased

28
Q

Who wrote:
“Up to this point in the story [book 6] he [Aeneas] has appeared often to be hesitant or disheartened; in what follows he is unhesitant and confident at all times. Hence ……. [book 6] is interpretated by many readers as a formative spiritual experience, from which the hero emerges purged from his earlier weakness and re-born…… But Virgil nowhere says anything to suggest …this”

A

Camps