Polonaise in A flat Major, op. 53 Flashcards

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1
Q

What genre is <u>Polonaise in A flat Major</u>?

A

solo piano work

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2
Q

When was <u>Polonaise in A flat Major</u> composed?

A

1842

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3
Q

What is the formal structure of <u>Polonaise in A flat Major</u>?

A

ABA1 (with introduction and coda)

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4
Q

What is the key of <u>Polonaise in A flat Major</u>?

A

Ab major

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5
Q

What is the time signature of <u>Polonaise in A flat Major</u>?

A

3/4

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6
Q

What is the tempo for <u>Polonaise in A flat Major</u>?

A

<i>Maestoso</i>

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7
Q

What are the first notes in the <b>Introduction</b> of <u>Polonaise in A flat Major</u>?

A

octaves on the dominant

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8
Q

What follows the dominant octaves in the <b>Introduction</b> of <u>Polonaise in A flat Major</u>?

A

chromatically ascending first-inversion chords in parallel motion

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9
Q

How is the the Introduction expanded in the <b>Introduction</b> of <u>Polonaise in A flat Major</u>?

A

expanded through sequential repetition

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10
Q

How is tension generated in the <b>Introduction</b> of <u>Polonaise in A flat Major</u>?

A

sforzando,
dissonance,
chromatic scale

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11
Q

What does the right hand play in <b>Section A</b> of <u>Polonaise in A flat Major</u>?

A

principal theme, uses characteristic <b>polonaise rhythm</b>

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12
Q

How is the theme harmonized and ornamented in <b>Section A</b> of <u>Polonaise in A flat Major</u>?

A

harmonized in thirds,

ornamented with grace notes and appoggiaturas

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13
Q

What does the left hand play in <b>Section A</b> of <u>Polonaise in A flat Major</u>?

A

octave leaps vigorously over a span of three octaves

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14
Q

What piano virtuosity is heard in <b>Section A</b> of <u>Polonaise in A flat Major</u>?

A

sweeping ascending scale (heard 3 times)

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15
Q

What is the new key of <b>Section B</b> of <u>Polonaise in A flat Major</u>?

A

E major

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16
Q

What does the left hand play at first in <b>Section B</b> of <u>Polonaise in A flat Major</u>?

A

<i>ostinato</i> pattern - <i>staccato</i> octaves

17
Q

How is the proud character achieved in <b>Section B</b> of <u>Polonaise in A flat Major</u>?

A

dotted rhythms,

chordal texture

18
Q

What happens later in <b>Section B</b> of <u>Polonaise in A flat Major</u>?

A

dramatic shift down half step to D#(Eb) major (dominant of home key),?

new theme introduced

19
Q

How is this new theme different than the first in <b>Section B</b> of <u>Polonaise in A flat Major</u>

A

more introspective,
lyrical style,
shows influence of <i>bel canto</i> style

20
Q

How does <b>Section A</b> return in <b>Return of Section A</b> of <u>Polonaise in A flat Major</u>?

A

its shortened

21
Q

What material is the <b><i>Coda</i></b> of <u>Polonaise in A flat Major</u> based on?

A

principal theme of Section A

22
Q

What harmonic progression is at the end of the <b><i>Coda</i></b> of <u>Polonaise in A flat Major</u>?

A

<b>unorthodox</b> harmonic progression

I - III♮3 (major triad) - V7 - I

23
Q

What feeling does the unorthodox harmonic progress in <b><i>Coda</i></b> of <u>Polonaise in A flat Major</u> give?

A

majestic close