Politics- Greek art Archaic sculpture Jan Mock Flashcards

1
Q

NY kouros facts

A

590 BC
marble
unknown purpose- prob funerary
found in Attica

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2
Q

NY kouros appearance

A
  • mirrored V on ribs and hips
  • choker (tork) headband (filet)
  • no archaic smile yet
  • pinched waist
  • v exaggerated Egyptian- almond eyes, arched brows, geometric braided hair
    -harsh lines incised on knees and elbows
    -attempt at buttocks swell
  • v limited movement 1 leg forward
  • traces of red paint on hair
  • thick ankles and neck to support- clearly sculpture not observational
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3
Q

Kleobis and Biton facts

A

580 BC
memorials to 2 strong brothers who pulled cart for old woman
Delphi

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4
Q

Kleobis and Biton appearance

A
  • v bulbous and beefy
  • slightly different heights- brothers
  • archaic smile emerges
  • same one leg movement
    -harsh lines incised on knees and elbows
  • very deep v lines and pecs, repeated curved on arms
  • more rounded and buffed shape- more fleshy
  • less feminine and more observational- wider defined brow
  • subtle carved rib cage
    -less pinched waisr
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5
Q

Temple of Artemis and Corcyra facts

A

580 BC
Corcyra
- Medusa protectors of the temple
- children Pegasus and Chrysaor
- throned Rhea or Priam- Troy
- Zeus fighting- Gigantomachy
-civilisation over barbarism, warding off evil
- anachronism of children
- rich storytelling
- v symmetrical and fills space v well

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6
Q

Temple of Artemis and Corcyra appearance

A
  • frontal body profile legs- bad movement
  • v recognisable
  • crude drapery
  • Panthers are realistic and impressive- however, this sacrifices recognisability
  • Poor anatomy- unproportioned head and facial features
  • Egyptian influences- wide, almond eyes, unrealistic geometric hair in braids, symmetrical because archaic
  • Medusa doesn’t quite fit but she is extremely imposing
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7
Q

Berlin Goddess facts

A
  • 570-560 BC
  • Persephone pomegranate
  • older, matronly goddess
  • hair down is sorceress
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8
Q

Berlin Goddess appearance

A
  • red colouring
  • pulls himation across desk
  • polos- headdress for goddesses
  • braided tied hair for older woman
  • wide hips and shoulders
  • very thick drapery- good to show body
  • v unrealistic at feet
    v bad proportions with head- makes her more imposing but less realistic
  • no movement in body- unrealistic
  • v geometric drapery, round hair
  • archaic smile, poor, swollen face- small so lacks detail
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9
Q

Heracles and the Cercopes facts

A
  • Doric
  • 575-550 BC
  • Temple C at Selinus
  • They tried to steal his weapons, tied them up, They laugh at his hairy bum and tell jokes about it, He laughs at their jokes and lets them go- Shows a different side of Herakles- charming and merciful side
  • metope- good because episodic
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10
Q

Heracles and the Cercopes appearance

A
  • unrecognisable Heracles- Cercopes good
  • use of overlapping lines- v good at filling space
  • legs too long and over-inflated
  • shallow relief
  • cohesive story and uncluttered unlike Medusa
  • classic Archaic features, pinched waist, bubbly face, smile- short hair :)
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11
Q

Peplos Kore facts

A

540-530 BC
- 1.2 m
- Peplos adorned with animals from the hunt
- Hole in hand and raised arm- could have been holding a spear and bow
- Spokes on her head- would have held headdress and crown
- holes in ears for earrings

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12
Q

Peplos Kore appearance

A
  • Subtle asymmetry- One raised shoulder- carrying something and different weight and each foot
  • Red on eyes, hair and lips
  • Slightly voyeuristic if it is seen as the virgin goddess in a slightly sexual way- hair down drawing attention to breasts
  • Much more naturalistic smile- feels present and vivid
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13
Q

Anavysos Kouros facts

A

530 BC
- connection of athleticism to goodness as he is a brave warrior who died in battle- bulbous legs

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14
Q

Anavysos Kouros appearance

A
  • Archaic smile EFFECTS the cheekbones- SWELL with smile :)
  • face less flat- babyish
  • MUCH more buffed and fleshy on upper body
  • still somewhat harsh in calves
  • v realistic ears
  • Cap and braids with curls- attempts at realism- red hair previously- greater definition
    Egyptian hair is stuck in the past
  • subtle back definition
  • too exaggerated bum and legs
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15
Q

Siphnian Treasury East Frieze facts

A

525 BC
Trojan war

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16
Q

Siphnian Treasury East Frieze characters

A

Trojan war
- Memnon fights Achilles over the body of Antilochus
- Antilochus dying and being protected by Memnon to Achilles

Gods assembly
- Ares, Aphrodite, Eos/Artemis, Apollo, Ares, Zeus, Athena, Hera, Thetis
- gods sat in council to the side- pleading to Zeus/fate to protect their children
- Artemis holds Apollo’s face- pathos and emotion
- Eos is leaning forwards, appealing for the life of her son Memnon
- Thetis mirrors this on the other side- pathos of mothers
- Ares on right with shield- sat back

17
Q

Siphnian Treasury East Frieze appearance

A

gods
- Pantheon separated Trojans vs Greeks the same way gods are
- Artemis holds Apollo’s face- pathos and emotion
- Gods are seated showing they are bigger and more powerful- they are still far-removed
- drapery is better than medusa

Trojan war
- Antilochus looks to audience- immersive- power of gods and gravity of death
- sense of thrust and action- on balls of feet
- Attempt at muscle definition- over-inflated as usual
- Dead figure fills the bottom
- Round shields fills space well, chaos of war so overlapping
- Diagonal legs and frontal bodies fills top and bottom

18
Q

Siphnian Treasury North Frieze facts

A

525 BC
gigantomachy- Battle of the gods and the giants

19
Q

Siphnian Treasury North Frieze characters

A
  • Hephaestus could be working bellows
  • Dionysus spears giant
  • Themis’s chariot pulled by lions- biting giant
  • Apollo and Artemis attack together
  • line of 3 giants and fallen giant- pathetic nudity
  • Hera and Athena have drapery
  • Ares beat many
  • giants dressed as hoplites
20
Q

Siphnian Treasury North Frieze appearance

A
  • Fleeing giant looking back- pathos
  • Hoplites- idea of the gods administering punishment
  • dying giant- pathetic nudity- exposes vulnerability
  • Chariot pulled by lions- biting giant- intensity and drama of the face as the lion chomps- twisted body to try and attack Artemis and Apollo, dragged backwards, expression of wide eyes
  • Seeing the gods in action adds to awe and reverence
  • Aesthetically pleasing geometric shapes like legs and shields- chaos
21
Q

Temple of Aphaia at Aegina West pediment facts

A

510-500 BC
- Trojan war
- Athena
- Telamon’s son Ajax political statement of ownership over them from Aegina

22
Q

Temple of Aphaia at Aegina West pediment appearance

A