Plato Ion Flashcards
What is the title of Plato’s early Socratic dialogue that features Ion?
Ion
Written around the 4th century BCE
In which work does Plato critique poetry, arguing it is based on imitation?
The Republic
This work sets the context for Plato’s views on poetry.
What does Plato argue poetry lacks that philosophy possesses?
True knowledge
This reinforces the idea that philosophy should govern education and politics.
What is the divine inspiration theory as presented in Ion?
Rhapsodes do not possess technical skills or knowledge but are inspired by the gods
This contrasts their supposed expertise with the notion of divine influence.
What does Ion claim about his expertise in interpreting poets?
He claims expertise in interpreting Homer but cannot do the same with other poets
This limitation suggests a lack of true knowledge.
What does Socrates argue regarding Ion’s expertise?
If Ion had real knowledge, his expertise would apply universally
This implies that Ion is not truly knowledgeable but merely inspired.
Define ‘mimesis’ as it relates to Plato’s critique of poetry.
Imitation
Plato critiques poetry as imitation that lacks access to truth.
Who is a rhapsode in the context of the dialogue Ion?
A performer of epic poetry, particularly Homer
Ion is specifically identified as a rhapsode.
What does Plato strongly oppose in his philosophical views?
The practice of sophistry
He believed in a universal Truth and did not respect empty rhetoric.
How does Plato’s view on poetry contrast with Aristotle’s perspective?
Plato dismisses poetry while Aristotle defends it in Poetics
Aristotle argues that poetry can convey universal truths through mimesis.
What does Socrates suggest about Ion’s nature as a performer?
He is seen as someone divine, not as a master of a profession
This highlights the perceived lack of technical skill in Ion’s performance.
What does Plato imply about the state of a poet during inspiration?
The poet is out of his senses and not in control of his mind
This is articulated in the quote about the poet being a ‘light and winged and holy thing.’
