Pitch and Timbre Perception Flashcards

1
Q

Spectral pitch

A

the pitch of a particular spectral component may

be “heard out” in a complex tone

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2
Q

Virtual pitch or residue pitch

A

the pitch of a complex tone, which may or may not correspond to a particular spectral component present in the sound

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3
Q

Spectral and temporal cues for pitch

A

Different sources of information from which to

extract pitch

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4
Q

Pitch salience

A

The strength of sensation of a pitch percept

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5
Q

Octave equivalence

A

The sensation of similarity between two pitches

separated by an octave

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6
Q

Pitch height

A

The sense of highness or lowness of pitch

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7
Q

Pitch chroma

A

The sense of identity of a pitch within an octave

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8
Q

Multidimensional scaling

A

a data analysis technique for exploring multidimensional

perceptual representations

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9
Q

Psychoacoustic correlates

A

the quantitative link between perceptual and acoustic dimensions

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10
Q

Spectral centroid

A

the center of gravity of a frequency spectrum

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11
Q

Attack time

A

the time from threshold to maximum energy at the beginning of a
sound

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12
Q

Spectral flux

A

the evolution of the spectrum over the duration of a tone

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13
Q

Spectral deviation

A

the jaggedness of the spectral envelope

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14
Q

Acoustic specificity

A

an acoustic feature unique to certain sounds

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15
Q

Roger Shepard

A

A multi dimensional model of pitch Pitch perception

the spiral thing

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16
Q

How to explore timbre perception?

A

Start from scratch, simply by asking subjects for pairwise dissimilarity judgments, no verbalization!
Use a data analysis method called multidimensional scaling (MDS) to construct a timbre space based on the listeners’ judgments.
Determine what the sound characteristics (“physical correlates”) are that correspond to the dimensions of the timbre space.

17
Q

Stephen McAdams

A

Timbre space

the 3dimensional model with
y-log rise time, x-spectral centroid, z-spectral flux

18
Q

Samson et al (1994)

A

Timbre and brain lesions

(look into more