Pierrot lunaire op 21 overall and no 18 Flashcards

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1
Q

What year was this work written?

A

1912

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2
Q

What technique was used in this work for the first time?

A

Sprechstimme

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3
Q

What Genre is this work?

A

song cycle

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4
Q

Fill in the blanks:
With a style that blends ________ with ________, the soloist takes us on a musical journey as we __________________ who is a _______________ from the _______________ tradition. Heard against a _____________ background, the voice part is ______ and ________.

A

With a style that blends speaking with singing, the soloist takes us on a musical journey as we trace the exploits of Pierrot, who is a sad but impish clown character from the Italian commedia dell’arte tradition. Heard against a pointillistic background, the voice part is haunting and dramatic.

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5
Q

Language

A

German (translated from the original French)

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6
Q

English translation of title

A

Moonstruck PIerrot

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7
Q

Source of text

A

21 poems by Albert Giraud

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8
Q

Structure

A

21 songs, arranged in three groups of 7

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9
Q

Name the performing forces for this work, and some special skills required of them.

A
solo voice (mezzo soprano) and eight instruments, played by five instrumentalists:
a violinist/violist
a flute/piccolo player
a clarinet/bass clarinet player
a cellist
a pianist
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10
Q

What is the name of no. 18 of this song cycle?

A

Der Mondfleck

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11
Q

Which instruments are required for no. 18?

A

voice, piccolo, clarinet, violin, cello and piano. So the piccolo rather than flute, and violin rather than viola.

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12
Q

What is they key. form, tempo and time signature of no. 18?

A

atonal, rondeau, Sehr rasche (very quickly) and 3/4

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13
Q

Summarize the text of no. 18

A

Pierrot is strolling about in the evening seeking fun and adventure when he sees a white fleck on his jacket and thinks that it is a speck of plaster. He tries very hard to get it off to no avail, because it is just a moonbeam!

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14
Q

Fill in the blanks:

No. 18 abounds in __________ complexities, including a ________________ in the piano, with ___________ in other parts.

A

No. 18 abounds in contrapuntal complexities, including a three voice fugue in the piano, with canonic imitation in the other parts.

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15
Q

In what ways is the vocal line a good example of typical Expressionistic style?

A

it spans a wide range and demonstrates disjunct movement

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16
Q

d______ and r_________ techniques demonstrated.

A

diminution and retrograde