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Art History (Art Appre) > Philippine Art History > Flashcards

Philippine Art History Flashcards

1
Q

Occupy an area of about 750 square miler where the southern ends of the Southwest Coast Range and the Cordillera, also known as the Tiruray Highlands, merge

A

T’Boli

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2
Q

The culture center falls more or less in the central part of a triangle whose points are the towns of
Surallah, Polomolok and Kiamba

A

T’Boli

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3
Q

subsist on hunting, fishing and cultivation.

A

T’Boli

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4
Q

Today, tourism is also part of their livelihood

A

T’Boli

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5
Q

This traditional cloth is associated with rituals on birth, life, union in marriage, and death.

A

T’nalak

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6
Q

often used as blankets and clothing on rare occasions as in royal wedding ceremonies.

A

T’nalak

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7
Q

made of krungon (abaca fiber) extracted from the mature fruit bearing, wild abaca.

A

T’nalak

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8
Q

What does T’nalak made of?

A

Krungon (abaka Fiber)

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9
Q

skill that a T’boli woman learns from their mothers, grandmothers, or even sisters.

A

Weaving

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10
Q

How long does it takes to weave a T’nalak before it finish depending on the length and complexity of design?

A

3-6 months

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11
Q

Before the dyeing process, portions of the threads are?

A

Tied

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12
Q

The threads are hand-dyed with pigments gathers from?

A

Roots, leaves, and barks

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13
Q

The surface of the t’nalak is coated?

A

Beeswax

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14
Q

The surface of the t’nalak is burnished with?

A

Small cowry shell

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15
Q

guides the weaver in her design.

A

Mental image

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16
Q

Spirit of Abaca

A

Fu Dalu

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17
Q

The patterns of t’nalak are bestowed through?

A

Dreams or specially granted by Fu Dalu

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18
Q

recognizable from other weaves in their sweeping design structure.

A

T’nalak

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19
Q

The traditional colors of t’nalak are:

A

maroon-red
black-brown
natural beige of abaca.

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20
Q

take pride in their work and enjoy prestige from the community.

A

Weavers

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21
Q

Traditionally T’Boli was weaved only by?

A

Women

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22
Q

traditional motifs may be used for many wealth items for personal purposes like:

A

garments
jewelry
weaponry

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23
Q

Most meanings of traditonal motfis with certain a certain abstract or higly stylized motifs are deeply rooted to?

A

Hindu-Islamic traditions and ancient beliefs

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24
Q

Islamic traditions of representation are usually limited to?

A

Geometric designs
Depiction floral and foliage

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25
Q

Share similarities with Indo-Persian and Indo-Chiesign due to Sulu’s foreign trade

A

Florals and Foliage motifs

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26
Q

This motifs combine to form a complex pattern - a highly abstracted form

A

Floral and Foliage Motifs

27
Q

most important to the Tau Sug, Samal, Badjaw, and Jama Mapun of the Sulu archipelago.

A

Ukkil

28
Q

Ukkil are most important to the:

A

Tau Sug
Samal
Badjaw
Jama Mapun

29
Q

ukkil, okil or okir mean both:

A

The art of Sculpting and carving

A curvilinear design akin to arabesque

30
Q

Ukkil motifs can be:

A

Carved
Painted
Patched
Embroidered
Etched
Cut out
Cast

31
Q

Ukkil motifs can be found in:

A

Textiles and garments
Boxes and chests
Table and kitchenware
Carpets and prayer rugs
Leather goods
Ceramic wares
Holy Qur’an

32
Q

Three types of ukkil motifs:

A

Sumping (floral motif)
Birdo (tree-plants motifs)
Hashas (serpent motifs)

33
Q

conventionally embroidered on garments, wall coverings, and canopies

A

Sumping

34
Q

Sumping (floral) motifs are conventionally embroidered on garments, wall coverings, and canopies which usually includes:

A

Sampaka and sumping kayapu

35
Q

It is believed that these motifs share similarities with neighboring cultures as traced from the trading interactions of the indigenous people of Sulu.

A

Sumping motifs

36
Q

In this sample of malong, there are____________________ (boxed in white) combined to form the decorating design

A

four variations of the floral motifs

37
Q

motifs are curvilinear foliate design associated with fertility or prosperity, and symbolic of life and paradise in Sufism.

A

Birdo (tree-plant)

38
Q

Native artists employ at random a variety of stylized____________________ to compose a birdo pattern.

A

dahun (leaf) and bagun (vine)

39
Q

universally includes snakes, dragons, and aquatic animals like fish, eel, dolphin, lizard, and crocodile.

A

Hashas (serpent motifs)

40
Q

symbolic of water, virility, fertility, and royal power.

A

Serpent Motifs

41
Q

These are typical embellishments on prow, sidings, crossbeams, eaves, and even the pulleys of old watercrafts.

A

Hashas (serpent motifs)

42
Q

a type of architecture in Maranaw society

A

Torogan

43
Q

center of community life in a Maranaw principality

A

Torogan

44
Q

sets the tone for the social life of the community.

A

Torogan

45
Q

the community becomes leaderless and without direction, especially in social activities

A

Absence of a Torogan and Datu

46
Q

usually highly decorated, it does not exist simply to be symbolic of the Maranaw culture.

A

Torogan

47
Q

serves a function in the social and communal lifestyle of the Maranaw.

A

Torogan

48
Q

Functions of a Torogan

A

Home for the Datu
Meeting Hall
Community Court
Ceremonial and Social Hall
Spiritual House

49
Q

Built for the sultan or the Datu who holds he highest rank in a community

A

Torogan

50
Q

It is an ancestral communal house for him who will reside in it with his closest relatives.

A

Torogan

51
Q

Function: A torogan is built for the sultan or the datu who holds the highest rank in a community

A

Home of the Datu

52
Q

Function: The torogan is a multi-purpose building which serves as a meeting hall when the sultan or a datu calls for a conference.

A

Meeting Hall

53
Q

Function: The torogan is where the sultan holds court. Community problems are brought to the attention of the sultan who would summon the contending parties for possible settlement of the particular case.

A

Community Court

54
Q

Function: Torogans are used for big ceremonies such as weddings, wakes, and religious gatherings as well as major conflict resolutions between individuals or groups

A

Ceremonial and Social Hall

55
Q

Function: The torogan serves as a social hall of the community where life-cycle celebrations involving prominent members of the community are held such as baptism, wedding, wake, and death anniversaries

A

Ceremonial and Social Hall

56
Q

Function: The torogan is also the spiritual house of a Maranaw community where children learn to read and write the Holy Qur’an.

A

Spiritual House

57
Q

found in the panolong is shaped like a serpent with its mouth opening to the east.

A

Niyaga Motif

58
Q

Other forms of okir such as_________________ are believed to give prosperity and perpetual peace to the residents of the torogan.

A

pako rabong (fern blossoms)

59
Q

Certain okir motif also serves as protection against evil spirits such as _________________found on the wall divisions in a torogan, around it, or on the intestine of the house (rampatan).

A

arabesque motifs

60
Q

intestine of the house/torogan

A

rampantan

61
Q

Outside the torogan is the ________________where activities which cannot be accommodated inside are held.

A

lama (wide yard)

62
Q

The torogan has high ceiling and steep roof with panolong and beams with ornate designs that resemble boat prows, heavily decorated with the __________________________and with massive posts from tree trunks.

A

naga (fern-like sacred snake)

63
Q

fern-like sacred snake

A

naga

Art History (Art Appre) (6 decks)

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