Permanent Ink Flashcards
Chapter 14 summary
Chapter 14 of ‘Permanent Ink’ provides local newspaper coverage on the escalating crisis of the “Romeo-and-Juliet Killer”. New information that points at progress in police investigations has emerged, acquiring assistance from renowned criminologist Dr. Stefanie Badenhorst. Despite the lack of leading clues and forensic evidence, Dr. Badenhorst assists the police in profiling the elusive murderer, affording some hope for a breakthrough in closing in on the killer. The Romeo-and-Juliet Killer’s reign of terror began on September 1 of the previous year, with the discovery of the bodies of Lauren MacDonald (17) and Mark Davids (17) from Constantia, at the Kirstenbosch Botanical Gardens. Those two were subsequently followed by the disclosure of Marcel Maartens (17) and Angelique Nolte (16) from Camps Bay on Hout Bay’s beach in November, then Michelle van der Merwe (16) and Johannes Harmse (17) hailing from Seapoint were found on the slopes of Table Mountain a month ago. The recurring pattern of brutal murder saw the girls fatally stabbed in the chest while the boys were poisoned. The police kept autopsy results undisclosed. The handling of this horrifying series of murders sparked heavy criticism, resonating discontent within parents, teachers, and community leaders. However, the profile provided by Dr. Badenhorst became a critical leverage in the investigation, contributing an essential boost to the case. Dr. Badenhorst was unavailable for comment.
Chapter 15 summary
Chapter 15 of ‘Permanente Ink’ sees Inspector Liebenberg enraged after discovering someone leaked information to the media, defying Dr. Badenhorst’s directive to keep the “Romeo and Juliet Killer” from getting attention. The inspector launches an investigation to find the mole within Mouille Point Police Station, causing an anxious silence among the officers. Upon recalling Constable Jantjies exiting a meeting with his phone, Liebenberg accuses him of providing media updates for money. Facing the accusation, Jantjies admits his actions, attributing them to financial constraints given his new baby and the fact his wife, Veronique, no longer works. He confesses the media paid him for both minor and major tips. Although sympathizing with Jantjies’s situation, Liebenberg reprimands him for profiting off others’ lives in a murder investigation, removing him from the case. Captain September calls Liebenberg, who reveals Jantjies’ actions, prompting the latter to report personally to the captain. Liebenberg then brings in Constable Mentoor, who had showcased acumen in the serial killer case, asking for her investigative approach. Responding, Mentoor suggests focusing on power dynamics in the victims’ lives, concentrating on their school and family environments. Following this discussion, Liebenberg assigns Mentoor to investigate the schools while he focuses on the victims’ parents.
Chapter 16
In ‘Permanent Ink’ Chapter-16, Mia and Zelda explore the Old Dormitory, thrilled yet fearful. They encounter classmate Werner acting suspiciously. A sudden unearthly scream terrifies them, heightening the morbidity surrounding the Dormitory and the ongoing murder saga.
Chapter 17
In Chapter 17, Zelda confides in Amir about her fears related to the Old Dormitory incident, serial killings, and mysterious Dr. Burke. Amir is attempting to uncover Burke’s true identity. Amidst the chaos, Zelda feels a growing connection with Amir, signified by his tender kiss. Their bond deepens.
Chapter 18
Chapter 18 of ‘Permanent Ink’ delves into Morpheus, the supposed “Romeo and Juliet Killer.” His disdain for society and contempt for police amplify. He takes perverse pleasure in controlling fate, setting his sights on Werner and Zelda, explicitly excluding Amir from his murderous game.
Chapter 18 of “Permanent Ink” delves further into the sinister psyche of the possible “Romeo and Juliet Killer”, referred to as Morpheus. Exhibiting an open disdain for the oblivious masses, Morpheus extracts a perverse pleasure from his power over life and death. Music and coffee, symbols of vibrancy and youth, only incite his revulsion as he becomes further entrenched in his murderous path. His contempt extends to the police, whom he views as powerless against his control. Despite their efforts to apprehend him, Morpheus relishes his perceived superiority with disturbing glee. He emphatically asserts his exclusive right to ‘choose’ his victims, envisioning himself as the brutal arbiter of their fates. Werner and Zelda are chosen as his newest targets, selected to be eternally trapped in youth by his deadly hand. In contrast, Amir Pieterse is decisively excluded from his choice, inciting a bitter laugh from Morpheus. He contemptuously declares his potential to crush Amir single-handedly. As time marches on, Morpheus eagerly anticipates his grim rendezvous with his Romeo and Juliet, firmly asserting that they are chosen, and significantly, Amir Pieterse is not.
Chapter 19
In Chapter 19 of ‘Permanent Ink’, Inspector Liebenberg receives a taunting message from the presumed ‘Romeo and Juliet Killer’, Morpheus, asserting his power. Despite strained resources due to a disruptive protest, the police continue DNA analysis to solve the Newton case. Morpheus’ direct communication signals heightened danger.
Chapter 20
n Chapter 20 of ‘Permanent Ink’, Zelda unearths Werner’s hidden sadness and distrust for Dr. Burke. Werner’s tattoos symbolize his mother’s birth and death. Burke overhears their suspicions, raising paranoia. Zelda and Werner bond over their mutual distrust and concerns surrounding the mysterious Old Dormitory.
Chapter 21
Chapter 21: ‘Permanent Ink’ sees Robert, restless and resentful over Amir and Zelda’s closeness, venting frustration by vandalizing. Derision towards Amir’s online presence and competition over Zelda escalate his anger. He makes a risky, spiteful decision to spray-paint town, signaling potential conflict ahead.
Chapter 22
Chapter 22, ‘Permanent Ink’, examines Werner’s nuanced character, dealing with past struggles and dismissive school views. He humorously engages, discussing politics and music, with his sister Maria, identifying their close bond. His promise to care for their father indicates his underlying responsibility amidst his rebellious exterior.
Chapter 23
Chapter 23: ‘Permanent Ink’ sees romantic tension and violence at the Valentine’s Day dance. Amir and Robert fight over Zelda; Amir leaves after Dr. Burke blames him without inquiry. Exiting, he’s ambushed and knocked unconscious by an unseen assailant whispering ominously, escalating foreboding and pointing towards Amir’s precarious future.
Chapter 24
Chapter 24 of ‘Permanent Ink’ sees a bruised Amir returning home post-ambush. His worried parents tend to his injuries and discuss his school life and potential love interests. Amir thinks fondly of Zelda but conceals his affection due to faith-based complications, easing his recent trauma in familial comfort.
Chapter 25
Chapter 25 of ‘Permanent Ink’ sees Liebenberg and Mentoor struggling with information overload in the murder investigation. Despite assistance from schools, linking victims remains elusive. An unexpected call triggers inquiry into temporary school staff, broadening suspect perspectives. Stirrings of fear amongst Liebenberg and Mentoor amplify the case’s pressing intensity.
Chapter 26
Chapter 26 of ‘Permanent Ink’ unveils Dr. Burke’s dual identity as ‘Morpheus’, the possible ‘Romeo and Juliet Killer’. His grim satisfaction and thrill unveil a menacing side, his work-life façade barely concealing his murderous alter-ego. The plot intensifies with his evident anticipation for his next kill.
