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Day 2 Reviewers > PE > Flashcards

PE Flashcards

1
Q

is a non-competitive version of ballroom and latin dancing. It is comprised of all the
same dances, like Foxtrot, Tango, Swing, or Cha-Cha, but designed to be used in practical settings like wedding
receptions, nightclubs, business functions, or informal gatherings. Social dancing is less formal that exhibition
dancing and is meant to be enjoyed while socializing.

A

Social dancing

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2
Q

The most important skill for good social dancing is __. This is the non-verbal
communication from the leader to the follower indicating the direction, timing, and style, among other things

A

Leading and Following

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3
Q

If Leading and Following is a message, then good __ frame are the antenna broadcasting the
signal.

A

Posture and Dance Frame

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4
Q

Ultimately, social dancing is having the ability to converse while dancing. Being able to ___, like chatting
about work or the weather while Waltzing, takes some practice but allows dancing to develop into natural use
much quicker

A

Multi-Tasking

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5
Q

He designed a a curriculum for people who don’t have dance experience in 1912/Also made social dance

A

Arthur Muray

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6
Q

a style of dance in which dance competition is the main focus. Couples perform several
different dances in front of judges who evaluate and score each routine. In recent years, this style of dance has
come to be viewed as a sport, demanding high levels of strength, stamina, and flexibility.

A

Competitive dancing

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7
Q

the official name for competitive ballroom dancing. __ is a stylized form of ballroom
dancing in which the main emphasis is on performance and appearance. In a __ competition, couples
dance together on the same floor while being judged on their speed, elegance, body action, and dramatic
movements.

A

Dancesport

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8
Q

Which style are these
* Waltz
* Tango
* Viennese Waltz
* Foxtrot
* Quickstep

A

International Style Standard

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9
Q

Which style is this
* Cha Cha
* Samba
* Rumba
* Paso Doble
* Jive

A

Latin American

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10
Q

a creative way of making geometric shapes forming right angle using your body parts. The style was
originally practiced by funk dancers. It is derived from the positions people were drawn in during the days of Ancient
Egyptians. Tutting is still greatly respected move and king tut a.k.a Mark Benson, is widely acclaimed for pioneering
this style.

A

Tutting

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11
Q

a form of dancing that originated in the African-American community of South-Central Los Angeles,
California and is a relatively new form of the urban black dance movement. It is free, expressive and highly energetic.
Most people pain their faces in different designs. It is considered a dance to release anger. It is reported that gang riots
in the United States was minimized through help of the emergence of this style.

A

Krumping

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12
Q

The Melbourne __also known as rocking or simply the ___. It is a rave and club dance that originated
in the late 1980’s at the underground rave music scene in Melbourne, Australia. The basic movement of the dance are a
fast heel and soul action with a style suitable for various types of electronic music. Some variants incorporate arm
movements.

A

Shuffling

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13
Q

People who dance the shuffle are often referred to as __ due to the popularity of shuffling to rock
music in the early 1990’s.

A

rockers

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14
Q

an African-American form of street dance originating from 1970s disco era of the underground club since
in Los Angeles and New York City walking consists of stylized posing and fast synchronize our movements to the
weight of the music. This is a popular element of hip-hop dance.

A

Waacking

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15
Q

The Philippine hip-hop scene broke loose in __

A

the early 80s

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16
Q

the development of general hip-hop
and manifested in Bronx New York in __

A

the late 70s

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17
Q

popping
and locking dance is also known as

A

balikbayan

18
Q

NCC

A

National Cheerleading Championship

19
Q

UAAP

A

UNIVERSITY ATHLETIC ASSOCIATION OF THE PHILIPPINES

20
Q

NCAA

A

NATIONAL COLLEGIATE ATHLETIC ASSOCIATION

21
Q

Stamina
Strength
Flexibility
Coordination

A

Physical
Characteristics:

22
Q

Enthusiasm
Cheerful
Team work
Dedication
Work Ethic
Respect

A

Personality

23
Q

Physically fit
Eating Habit
Good Grades

A

Others

24
Q

Feet together, hands down by the side in blades

A

BEGINNING STANCE

25
Q

Feet more than shoulder width apart, hands down by the side in blades

A

CHEER STANCE

26
Q

Hands clasped, at the chin, elbows in

A

CLASP

27
Q

Hands in blades, at the chin, elbows in

A

CLAP

28
Q

Arms extended up forming a “V”, relax the shoulders

A

HIGH V

29
Q

Arms extended down forming a “V”

A

LOW V

30
Q

Arms extended straight and parallel to each other, fist facing in

A

TOUCHDOWN

31
Q

Arms extended straight down and parallel to each other, fist facing ind

A

LOW TOUCHDOWN

32
Q

One arm extended to side with other arm bent at elbow in a half “T” motion

A

BOW AND ARROW

33
Q

Arms are straight, above the head in a clasp and slightly in front of the face

A

OVERHEAD CLASP

34
Q

Arms bent at elbow, fists in front of shoulders

A

TABLETOP

35
Q

Arms extended straight down, in a clasp and slightly in front of the body

A

LOW CLASP

36
Q

One arm extended straight up, one am on hip, in a fist

A

PUNCH

37
Q

One arm extended to the side with other arm extended in a punch motion.

A

L MOTION

38
Q

One arm extended in a high “V” and the other arm extended in a low “V”

A

DIAGONAL

39
Q

What is cheer dancing rooted closely to

A

American football

40
Q

It is said that cheer dancing rooted closely in American football. In 1869 during the intercollegiate game between
Princeton University and Rutgers University in New Jersey, Princeton formed a small male pep group to cheer for
University of Minnesota in their football game. The said team is on the losing edge when john Campbell organized a
group to energize the crowd and the team.
Cheerleading grew from there. It wasn’t until 1923 that women were allowed to cheer for the first time, at the University
of Minnesota. During this decade, cheerleaders added tumbling and acrobatics to their routines, and a University of
Oregon cheerleader used flashcards for the first time. Although women were joining teams in the ‘20s, it wasn’t until
the ‘40s that they joined in large numbers, since so many college-aged men went off to fight in World War II.
In 1948, Southern Methodist University cheerleader Lawrence “Herkie” Herkimer held the first summer cheerleading
clinic at Sam Houston State Teacher’s College (now State University), and went on to develop his signature “Herkie”
jump, the spirit stick and the pom pon, all cheerleading staples to this day. In 1961, he incorporated the National
Cheerleaders Association (NCA).
By the 1960s, cheerleading could be found in virtually every high school and grade school across the country, and pee
wee and youth leagues had developed as well. In 1974, Jeff Webb (who had been general manager of NCA) founded
Universal Cheerleaders Association (UCA), which taught higher level skills. The ‘80s decade brought the launch of
many more event companies, as well as AACCA (American Association of Cheerleading Coaches and Administrators),
in 1987, the first association devoted to teaching safety to coaches and advisors. UCA has grown into Varsity Spirit
Corp., today, encompassing 17 cheerleading event, apparel and service companies.
All-star cheerleading started in the late ‘80s, and grew rapidly through the ‘90s. All-star cheerleading focused on athletic
training and competition performances, as opposed to school-based cheerleading, which still encompassed leadership
and spirit qualities. Today, many companies offer both scholastic and all-star categories, and some companies focus
primarily on
All-star cheerleading.

A

Brief History of cheerdance

41
Q

In the Philippines, hip-hop has since become a significant highlight in the contemporary dance scene. Numerous hiphop dance group have been formed in different parts of the country since the early 2000s.When the dance first became
popular in the country local dance competitions are held everywhere as a form of community entertainment. These
events give the so-called hip-hop dance crews to attain a certain degree of pain. The completion often goes from region
to region gathering huge crowds at every stop along the way. International hip-hop dance competitions are also held
giving Philippine hip-hop dance groups mainstream exposure at international hip-hop events. The dance developed
further from the exchange of styles among dance groups from different parts of the world presenting their visual artistry.
There have also emerged sub-genres within the main hip-hop genre like vogue fame and waacking. Some of the latest
enhancements to Philippine hip-hop choreography which add a feminine touch to the dance. Choreographies put a strong
emphasis on musicality and interpretation of the music and its rhythm. Cramping and lyrical hip-hop are other subgenres
that enhance the standard hip-hop choreography. Meanwhile, famous international hip-hop choreographers also hold
Zen’s workshops in the Philippines to share and influence their style to the Filipinos. The workshops are all the more
bring the Philippine hip-hop at part with international standards for Philippine hip-hop dancers. Dance is not just a hobby
but a lifestyle, there have spotted passion and unique behavior among them they are a league of their own

A

PHILIPPINE HIP-HOP DANCE SCENE

Day 2 Reviewers (2 decks)

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