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Aral aralan > PE > Flashcards

PE Flashcards

1
Q

Influences from immigrants and conquerors while at the same time maintaining distinctly Filipino roots.

A

Philippine Folkdance-

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2
Q

a true reflection of daily life in past centuries while enchanting modern audiences at the same time

A

Folkdancing

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3
Q

A classification of Philippine Folkdances that found throughout the island (Examples: Rigodon, Carinosa, Jota)

A

National Dances

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4
Q

classification of Philippine Folkdances found in specific locality. (Examples: Tinikling, Subli)

A

Local Dances

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5
Q

Most dances begins and ends with this.

A

SALUDO

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6
Q

Found In Non-Christian Tribes.

A

War Dances

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7
Q

with foreign elements

A

Low Lands Dances

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8
Q

Characteristics of Philippine Folkdances.

A

Traditional Dances-

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9
Q

Depicts actions of a particular occupation. (Examples: Planting, Punding)

A

Occupational Dances-

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10
Q

Associated with religion ceremonies. (Dugsu)

A

Religious Dances

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11
Q

Associated with vows ceremonies. (Sua-sua)

A

Ceremonial Dances

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12
Q

Depict funny movements (Kinotan, Makonggo)

A

Comic Dances

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13
Q

Done with play elements (Lubi-Lubi, Pavo)

A

Game Dances

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14
Q

Performed during wedding feast.

A

Wedding Dances

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15
Q

The art of courtship (Hele-hele, Tadek, Pantomina)

A

Courtship Dances

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16
Q

Suitable for special occasions (Pandanggo, Habanera)

A

Festival Dances-

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17
Q

Show imagery combat (Sagayan, Palu-Palo)

A

War Dances

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18
Q

Foster Patriotism and Nationalism

A

Objectives of Philippine Folkdances

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19
Q

the traditional recreational dance of an indigenous society showing the cultural characteristics of a specific people at given time and place.

A

FOLK DANCE

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20
Q

traditional, social expression through movements with rhythmic accompaniment which are characteristics of some community life of the people of different nationalities.

A

FOLK DANCE

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21
Q

The vivid intimate bond of customs, ideals, and traditions of the past through which a multitude of national characteristic in music, steps, and costumes are preserved.

A

FOLK DANCE

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22
Q

a dance developed spontaneously and naturally by specific folk, usually handed down from generation to generation and following a fixed basic patterns.

A

FOLKDANCE

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23
Q

are often integral to their rituals and cultural practices.

A

DANCES OF THE TRADITIONALIST OR “PAGAN” GROUPS.

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24
Q

Have cultural influence from hindu, japanese, chinese and arab-persian civilizations
Are oriental, exotic and stylized
The musical instruments are agongs, kulingtang, bamboo xylophones and drums.

A

DANCE OF THE MUSLIM GROUPS

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25
Q

They are focused on the feet.
The arm movements are simple and free.
Musical instruments include bamboo and wooden sticks, clappers, sheilds and native lutes (kudyapi, kettle drums, mass metal drums, bronze gongs.)

A

DANCES OF THE AETAS OR NEGRITOS

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26
Q

DANCE ARE:
1.Rituals
2. Flirtation
3. Courtship
4. Game dance
5. Animal dance
6. Duel or war dance

A
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27
Q

dances coming from places with Western influences such as that of the Tagalogs, Ilokanos, Pampangueños, Pangasinense, Bisayans, and Bicolonas. They’re dances are influenced by Hispanic and European cultures.

A

Lowland Christian dances

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28
Q

The________colonization of the Philippines brought many Western influences including religion, social customs, dress, dance and music. European dances like the waltz, mazurka, the Spanish jota, paso doble, fandango and others were transformed to suit the climate and the temperament of the people.

A

SPANISH COLONIZATION

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29
Q

A courtship dance characterized by playful movements and the use of fans or handkerchiefs, symbolizing flirtation and romance. It features graceful steps and is performed at festive gatherings.

A

Cariñosa

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30
Q

Known as the national dance of the Philippines, it involves dancers stepping between and over bamboo poles. The dance showcases agility and rhythm, often accompanied by lively traditional music.

A

Tinikling

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31
Q

three different racial groups

A

Pygmies, the indonesians, and the malays.

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32
Q

decendants of the pygmies

A

Negritos and proto-malays

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33
Q

traditional dance throughout the philippines with a common basic movement or pattern but with slight variations.

A

NATIONAL DANCES

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34
Q

Examples:
Carinosa
kuratsa
balitaw
Rigodon
pandango
surtido

A
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35
Q

Local or regional dances
Examples:
Alcamfor (leyte)
Maglalatik (san pablo, laguna)
Basulto (pampanga)

A
36
Q

NATURE OF THE DANCE
Occupational dance

A
37
Q

the largest number of dances

A

Rice festivals

Pagtatanim
paggapas
paggiik
Paglulugas
paghangin
pagbabayo

38
Q

depicts the different stages of gold panning

A

PABIRIK

39
Q

Tuba gatherer

A

MANANGUELE

40
Q

Religious or ceremonial dance

A

Examples:
Obando
Dugso
Sinurog

41
Q

Courtship dances

A

Examples:
Rogelia
Lulay
Hele-hele bago quiere

42
Q

Wedding dances

A
43
Q

(bride and groom)

A

Pantomina

44
Q

(bride and groom and friends or relatives of each side)

A

Padang-padang

45
Q

( dance by the parents of future groom, the visit of the parents of the bride)

A

Soryano

46
Q

Festival dances

A

Examples:
Kuratsa
La jota
Putong

47
Q

War dances
Examples:
Inabaknon
Sagayan

A
48
Q

Comic dances
Examples:
Makonggo ( movement of monkey)
Kinoton (movements of person bitten by ants)

A
49
Q

Social dances
Examples:
Rigodon
Lanceros

A
50
Q

Game dances
Examples:
Lubi-lubi
Gayong gayong
Pabo

A
51
Q

Acronym for bontocs, ifugaos, benguets, apayao, kalinga, itneg, ilonggo, and gaddang.

A

Bibaking

52
Q

highest form of kanyaw or kesheng (ibaloy term for feast), a prestige feast performed by the wealthy, who owns many heads of animals and a vast rice plantation.

A

PESHITS

53
Q

In general, a cañao or kanyaw is a special feast of the igorot cordillerans or the indigenous people from the cordillera admistrative region (car) of the philippines. It is a special feast that entails community gathering not only for social purposes but also for spiritual reasons.

A

Kanyo

54
Q

flirtation love or wedding, dance from westernbontoc

A

Takik

55
Q

dance by 1 or 2 warriors

A

Pattong

56
Q

from lagawe igudao, it is dance festival performed by men and women during major feast.

A

Dinuya

57
Q

among apayaos, dacing imitating “woodpeckers”

A

Tarektek

58
Q

victory dance

A

BENDIAN

59
Q

among apayaos, dance imitating a high flying bird.

A

TURAYEN

60
Q

kalingga word for dance

A

Tadeck

61
Q

kalinga women where they carry basket on their heads.

A

Ragragsakan

62
Q

victory dance after a head- hunting spree.

A

Takiling

63
Q

Dance have touches of hindu, javanses, chinese and arab phersian culture.

A

DANCE OF THE MINDANAO GROUPS

64
Q

among maranao, is dance with the use of beautifully decorated umbrella.

A

Kinakulangan

65
Q

is a war dance which dramatize the hero warrior prince.

A

Sagayan

66
Q

is a doll dance for girls

A

ASIK

67
Q

shows trace of hindu – vedic influence, where the five dancers represent the sounds of the gandingan.

A

Silong sa ganding

68
Q

from jolo sulu, portrays the varied life activities of the people.

A

Pang-alay

69
Q

dance class of nobel samal women.

A

Maglanka

70
Q

is a martial art dance in the langka tradition of mindanao dances

A

Burong talo

71
Q

depicts the movement of a fish.

A

PINDULAS

72
Q

is a manobo hawk dance

A

Binanog

73
Q

is a dance of married couples in botolan, zambales.

A

Habanera botolena

74
Q

is a festival dance from the province of bicol depicting the happy and contented life of the people.

A

Pandango rinconada

75
Q

-If there were dance for the so called “bourgoise” during spanish period, there were also dance for the poor, farmers and people in the rural areas.
-Dance were light and more informal
-Frequetly, the dance requires skills and character which depict their kind of work.

A

DANCES OF THE COUNTRYSIDES

76
Q

is a dance that requires a balancing skills with glass of wine.

A

Binasuan

77
Q

performed during eastern sunday.

A

BATI

78
Q

game dance

A

Gayong-gayong

79
Q

which means sticks, is a pangasinan dance that bears the chinese influence.

A

Binislakan

80
Q

DANCES OF THE LESS-KNOW GROUPS

A
81
Q

is a tiboli dance with mythical bindings imitative of the movements of birds.

A

Kadal blelah

82
Q

is a courtship dance.

A

Karasaguyon

83
Q

is a dance that depicts the movement of the bird in the middle of the forest.

A

Kadal tajo

84
Q

BENEFITS OF DANCE

A

-Boosts confidence
-Encourages creativity
-Develops counting skills
-Builds social skills
-Improves balance
-Enhances memory

85
Q
  1. Fitness
    Dacing is one of the versitile and satisfying activities one can participate in as a form of expression, recreation or a form of exercise to develop fitness.
A
  1. Joy and satisfaction
    The physical well being of a person who participates is improved
86
Q
  1. Grace and coordination
    It improves response to rhythmic patters. Constant participation in dance activities will improve one’s neuromuscular coordination and help ones acquisition of grace
A
  1. Self – expression
    It develop poise and good posture

Aral aralan (8 decks)

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