PE Flashcards
1
Q
basic of music and dance
A
rhythm
2
Q
expressive movement made with or without music
A
rhythm
3
Q
measured motion or flow, characterized regular recurrence of elements and features as beats, sounds, and accents
A
rhythm
4
Q
when an individual move of expressing move in response to a particular movement disciplined rhythm
A
rhythmic movements
5
Q
word means “to stretch”
A
dancing
6
Q
movement set to music where organization, structure, and pattern merge. composition that implies arrangement of parts into a forum.
A
dance
7
Q
traditional dance of a indigenous society that depicts the cultural characteristics of a specific people of a given time
A
folk dance
8
Q
these dances reflects the peculiar characteristics of a specific tribes especially their cultural, racial, religious and traditional similarities.
A
Ethnic dance
9
Q
folk dance found most widely done in specific country
A
national dance
10
Q
refers to a type of dance which makes us of the basic locomotor and axial movements
A
natural dance
11
Q
highest form of dance for the purpose of entertainment.
A
creative dance
12
Q
appear to the more skillful performers especially the boys, because of the stunt elements present
A
gymnastic dance
13
Q
wholesome and artistic form of dancing used for recreation purposes
A
social/ ballroom dance
14
Q
deviation from the traditional ballet by young american dancers
A
modern dance
15
Q
who gradually introduced whle technique of a dance movement based on ideas that such movements begin at the center of the body abd follow sequentially out to the limbs
A
Isadora Duncan
16
Q
includes dance mixers, squares, and round or couple.
A
recreational dance
17
Q
valuable activities depicts the years of the life of a child
A
singing dance
18
Q
deals with the usual traditions of the past by which a multitude of national characteristics in music steps and costumes are preserved
A
folk dance
19
Q
although the movement patterns are not specific this dance is seldom classified as folk dance
A
ethnic dance
20
Q
examples of national dance:
A
England’s Virginia Reel
Italy’s Tarantella
Scotland’s Highland Fling
Philippine Tinikling and Carinosa
21
Q
it is the end product of exploaration and improvisation of movements as the dancer and choreographer expresses feelings or emotions, ideas, interpretations
A
creative dance
22
Q
interest is maintained by vigorous movements
A
gymnastic dance
23
Q
fundamental steps are given as preparation
A
ballroom dance
24
Q
contrast to the classical and traditional ballet
A
modern dance
25
many of these dances have simple dance patterns based on combinations of walking step
recreational dance
26
the dance step requires simple technique skills but give a lot of training in developing the sense of rhythm.
singing dance
27
it has a defined form, beginning, and ending
creative dance
28
participants experience tremendous satisfaction
gymnastic dance
29
examples of social dance/ ballroom dance:
cha-cha-cha
foxtrot
waltz
pazo doble
30
the combine movement and singing done in rhythm
singing dance
31
what are the phases of dance? ibigay mo yung 10 eme ka ha
folk dance,
ethnic dance,
national dance,
natural dance,
creative dance,
gymnastic dance,
social/ballroom dance,
modern dance,
recreational dance,
singing dance
32
a regular of sounds, it is a term which denotes an aspect of a quaalitty of movement that is sometimes thought of as dance.
rhythm
33
when an individual move in response to a particular rhythm or music we call the movements as ___
rhythmic movements or rhythms
34
structured forms which start rhytmic movements
rhythms
35
number per measureand beats: whole note
1 per measure, 4 beats
36
number per measure and beats: half note
2 per m, 2 beats
37
number per measure and beats: quarter note
4 per m, 1 beat
38
number per measure and beats: eaighth note
6 per m, 1/2 beat
39
number per measure and beats: sixteenth note
16 per m, 1/4 beat
40
underlying pulse of a rhythm
beat
41
rate of speed of a movement
tempo
42
variation of stress of movement
intensity
43
lowness or highness of a tone
pitch
44
emphasis on certain beats
accent
45
the regular recurrence of beats which divides a musical design into measure
meter
46
measyres grouped together
phrase
47
in musi a vertical line across a staff diving it intp equal measures of time
BAR
48
a pulse beat, a time limit
count
49
a printed symbol of a musical tone
note
50
a group of pulse beat
measure
51
a note or set of notes with or without rest used for certain dance step
note pattern
52
movements done for each of the dance steps
step pattern
53
4 major categories of the ethnic dances of the ph
a.) the dances of the non-christian filipinos
b.) the dances of the christians and lowland filipinos or western influenced
c.) Dances of the Aetas or Negritos
d.) dances of the muslims
54
the dances of the non-christian filipinos
a) Dances of the Traditionalists or “pagan” groups
b) Dances of Muslim Groups
55
The dances of the Christian and Lowland Filipinos or Western-influenced
a) Dances are savage, vigorous and mimetic in character.
b) Some are light-hearted and mimetic.
c) Some are performed without music or melodic accompaniment.
56
dances of the traditional groups. They require such
abilities as agility, nimbleness, and stamina.
Primitive indigenous, or ethnic
57
dances of the aetas or negritos are:
1. Rituals
2. Flirtation
3. Courtship
4. Game dances
5. Animal dances
6. Duel or war dances
58
They are focused on the feet.
The arm movement are simple and free.
Musical instruments include bamboo and wooden sticks, clappers, shields and
native lutes (kudyapi, kettle drums, mass metal drums, bronze gongs)
dances of the aetas or negritos
59
Have cultural influences from Hindu, Japanese, Chinese and Arab-Persian
civilizations.
Are oriental, exotic, and stylized
The musical instruments are agongs, kulintangan, bamboo xylophones and drums
dance of the muslims
60
what are the three different racial group that inhabited the ph archipelago even before the coming of Magellan in 1521
Pygmies
the indonesians
malays
61
who are the descendants of the pygmies
negritos and proto-malays
62
THE PHILIPPINE FOLK DANCES ARE CLASSIFIED ACCORDING TO:
;geographical location
;nature of the dance
63
traditional dances throughout the Philippines with a common basic movement or pattern
but with slight variations
national dances
64
dances found in certain localities or regions only
local or regional dance
65
dances classified according to geograhical location
;national dances
;local or regional dances
66
examples of national dance
Carinosa ,Kuratsa ,Balitaw,
Rigodon ,Pandango ,Surtido
67
ex of local dance
Alcamfor (Leyte)
Maglalatik (San Pablo, Laguna)
Basulto (Pampanga)
68
dances calssified according to the nature of the dance
;occuptional
;reilgious or ceremonial
;courtship
;wedding
;festival
;war
;comic
;game dances
;social
69
- dances that depicts actions, characteristics, occupations, industries, and phases of
human labor.
occupational
70
ex of occupational
Rice Festivals- the largest number of dances
Pagtatanim,
Paggapas
Paggiik
Paglulugas
Paghangin
Pagbabayo
Pabirik- depicts the different stages of gold panning.
Mananguete- tuba gatherer
71
performed in connection with religious vows, practices, and
ceremonies. A religious dance may be performed to drive away evil spirits, ask for a favour to have child,
give thanks for having recovered from sickness, favors granted and vows fulfilled.
religious or ceremonial
72
ex of relgious
Obando
Dugso
Sinurong
73
dances that depict love-making or the love theme, give ex
courtship dance,
ex;
Rogelia
Lulay
Hele-Hele Bago Quiere
74
performed by newlyweds, by friends and relatives of the bride and groom, or by the
father of the bride and the mother of the groom.
wedding dance
75
ex of wedding dances
Pantomina (bride and groom)
Pandang-Pandang (bride and groom and friends or relatives of each side)
Soryano (dance by the parents of the future groom, the visit of the parents of the bride)
76
performed in connection with celebrations, a feast, a barrio fiesta, good harvest and
good fortune.
festival dances
77
ex of festival dances
Kuratsa La Jota Putong
78
- intended to show imaginary combat or duel with the use of fighting implement like bolo,
kris or sp
war dances
79
ex of war dance
Inabaknon Sagayan
80
dances with funny and humorous movements mainly intended for entertainment.
comic dances
81
ex of comic dances
Makonggo (movements of a monkey)
Kinoton (movements of person bitten by ants)
82
dances that have some pay elements and are for recreational purposes.
game dances
83
ex of game dances
Lubi-Lubi
Gayong-Gayong
Pabo
84
dances performed during social gathering
social dances
85
ex of social dances
Rigodon
Lanceros
86
Heels close together, toes apart
with and angle of about 45
degree
1st position
87
Heel of front foot close to
big toe of rear foot
5th position
88
Heel of one foot close to
instep of the other foot
3rd position
89
Feet apart sideward of
about a pace distance
2nd postiion
90
One foot in front of the
other foot of a pace
distance.
4th position
91
Both arms raised
sideward with a graceful
curve at shoulder level.
2nd pos
92
One arm raised in front;
another arm raised
overhead.
4th pos
93
Both arms raised in circle
in front of chest with the
finger tips about a face
distance.
1st pos
94
One arm raised sideway
as in second position;
another arm raised
upward.
3rd pos
95
Both arms raised.
5th pos
96
waltz, earlist Spanish-introduced step.
valse
97
to bring down the feet forcibly and noisily on the floor (like doing a heavy step) with or without
transfer of weight.
stamp
98
cross the R (or L) foot in front of the L (or R), bend the body slightly forward and cross the hands
(forearm) down in front with the R (or L) hand (forearm) over the L (or R). This is a Visayan term.
saroc
99
partners bow to each other, to the audience, opposite dancers, or to the neighbors with feet
together. This term of Spanish origin and is used in almost all Philippine dances
saludo
100
to swing the arm downward-upward passing in front of the body as if scooping, the trunk is bent
forward following the movement of the arm doing the “sa____”. This is a Tagalog term.
salok
101
a walk dance usually performed for opening important social gatherings
featuring the who’s who in town.
rigodon
102
Spanish-introduced dance from Germany
polka
103
to turn with the ball, heel or whole foot on a fixed place or point.
pivot
104
the hand away from one’s partner, when partners stand side by side.
Outside Hand
105
the foot away from one’s partner, when partners stand by side.
outside foot
106
to turn the hand from the wrist halfway clockwise, then raise and lower
masiwak
107
moving the hand from the wrist either in a clockwise or counterclockwise
direction. This is an Ilocano term
kumintang
108
partners turn once around clockwise (with R elbows almost touching) or counterclockwise
(with L elbows almost touching) using walking or any kind of dance step.
jaleo
109
– the hand’s nearest one partner, when partners stand side by side
inside hand
110
the foot nearest one partner, when partners stand side by side.
inside foot
111
to place one forearm in front and the other at the back of the waist. This is a
Visayan term.
hayon-hayon
112
to flourish or offer a handkerchief, hat or glass of wine to somebody as a sign of invitation.
hapay
113
the hand not placed anywhere or not doing anything.
free hand
114
the foot not bearing the weight of the body.
free foot
115
the vis-à-vis (opposite) both advance forward, pass each other’s right (or left)
side, step across t the right (or left), move backward without turning around pass each other’s left (or
right) side to other places. This is of foreign origin and is used in many Philippine dances.
dosido
116
to displace quickly one foot with the other, thus completely taking off the weight of the
body from the displaced foot.
cut
117
when dancers are in square formation, the couples occupying the length of the hall are
called “____" or side pairs. This is of Spanish origin.
costados
118
the reverse direction of clockwise. L shoulder is toward the center of an imaginary
circle. When facing center, the movement is toward the right.
counterclockwise
119
like the motion of the hands of the clock. R shoulder is toward the center of an imaginary
circle. When facing center, the movement is toward the left.
clockwise
120
when dancers are in square formation, the couples occupying the width of the hall are
called “___” or head couples. This is of Spanish origin.
cabeceras
121
weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after
which that foot is lifted from the floor to any direction.
brush
122
to turn palms of hands up and down alternately, hands at waist level in front elbows close
to waist
bilao
123
both arms are at one side, either sideward right or left. This may be done
at shoulder, chest, or waist level.
arms in lateral position
124
girl at the right side, holds R arm of partner with her L hand, free hands down at the
sides. This term is so Spanish origin and is used in Rigodon and other dances
abresete
