Pathetique Analysis Flashcards

1
Q

When was it composed and in which period

A

in 1798 in the Classical/Romantic period

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2
Q

Common features of the classical period

A

> extreme dynamics and pitch
virtuosity
mainly homophonic texture
contrast
harpsichord replaced by piano
sonata form

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3
Q

How does the sonata form work?

A

> exposition
development
recapitulation(1st and 2nd subject heard in exposition are repeated here but 2nd subject is in tonic key instead of related key signature, coda ends movement

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4
Q

How does the exposition work?

A

> first subject
main melody 1
second subject(usually in dominant, relattive or minor key)
main melody 2

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5
Q

What is the texture of the piece?

A

> melody-dominated homophony

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6
Q

What is the rhythm of the piece?

A

> exposition has some syncopation

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7
Q

What is the instrumentation of the piece?

A

> spans 5 and a half octaves nearly the full range of notes

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8
Q

What is the metre and tempo of the piece?

A

> intro is in 4/4 and grave(very slow)
exposition is in 2/2 and allegro di molto e con brio(fast with much energy)

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9
Q

Dynamics of the piece:

A

> contrasting dynamics
extreme and angluar
heavy accented chords in intro are dramatic
ff in bar 10

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10
Q

Where is augmentation used?

A

In bar 139-143

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11
Q

What does pathetique mean?

A

suffering

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12
Q

What is in the bass at the start of the exposition?

A

> octave C tremolo creating a tonic pedal

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13
Q

What are the features of the 1st part of the 2nd subject in the exposition?

A

> new lyrical theme
grace notes
crossed hands creating a call and response or antiphony effect
mixed staccato and legato
mordents

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14
Q

What are the features of the 2nd part of the 2nd subject in the exposition?

A

> move to Eb major(relative major of C minor)
RH melody is quaver broke chords
Alberti-bass style LH
hands move in contrary motion RH going up and LH going down
crescendos

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15
Q

What are the features of the codetta after the 2nd subject?

A

> codetta is small ending confirming the new Eb major key at end of exposition
starts with descending RH scales with LH playing oom-cha-cha-cha
repeat of exposition after this from bar 11

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16
Q

What are the features of the introduction reprise-start of development?

A

> heavy chords, dotted rhythms, 4/4 metre, diminished 7th chords, sudden dynamic changes create the slow, painful suffering mood ‘pathetique’

17
Q

What are the features of the rest of the development?

A

> return to allego di molto and 2/2 time
LH tremolo chords alternate with intro theme
bar 149-RH and LH swap roles, RH tremolos accompany LH)

18
Q

Melodic features:

A

> heavy accented chords
conjunct(bar 14)
disjunct(bar 56)
LH has a florid melody(flowery/ornate)

19
Q

What does chromaticism do?

A