Part 1: Copyrights Flashcards

1
Q

Berne convention principles

A
  • Gives the minimal rules of protection
  • National treatment (whatever the nationality of an author, in any given country, he’ll have the same rights as any national author)
  • No particular formalism according to nationality
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2
Q

TRIPS agreement purpose

A

It aims at harmonising the relations between authors and traders

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3
Q

TRIPS agreement principles

A
  • Gives minimal rules of protection
  • National treatment (whatever the nationality of an author, in any given country, he’ll have the same rights as any national author)
  • most favoured country ( if a state confers more advantageous rights, they’ll apply to all other countries)
  • In case of dissent between two states on one of TRIPS agreement, the WTO decides
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4
Q

Conditions of protection for Copyrights

A
  • Originality

* Shaping of the creation (an idea cannot be protected until it’s shaped)

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5
Q

Proof : forms of evidence for Copyrights

A
  • Register letter to oneself
  • i-depot
  • Registration by a collective management society
  • Notorial act
  • Tax deposit
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6
Q

Right holders for a creation of indivisible collaboration

A

Any exploitation requires the agreement of all the authors

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7
Q

Right holders for a creation of divisible collaboration

A

Every author can exploit his own part if :

  • they don’t integrate it into another creation of collaboration
  • they don’t damage the interests of the common creation
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8
Q

Right holders for an anonymous creation or under pen names

A

Ask the publisher for authorisation

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9
Q

Right holders for a posthumous creation

A

The rightholders must be asked for authorisation

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10
Q

Duration of protection (in general) for Copyrights

A

70 years after the author’s death (or the last author for an indivisible collaboration)

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11
Q

Duration of protection for anonymous and under pen name creations

A

70 years from the publication

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12
Q

Duration of protection for a posthumous creation

A

25 years from the publication

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13
Q

Patrimonial rights : Exploitation rights principle

A

Before exploiting a creation its always necessary to ask for the author’s/rightholder’s authorisation (otherwise they can claim 300% of the normal price)

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14
Q

Exploitation rights (7)

A
Right to : 
• reproduce to the public 
• communicate to the public 
• adapt
• translate 
• rent 
• lend 
• derived rights
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15
Q

Exceptions in the patrimonial rights

A
  • Private communication in the family circle
  • Private copy in the family circle
  • Exception of education (provided that it’s in the school domain and the author’s name is mention)
  • Quotation is a literary creation
  • parody, caricature
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16
Q

Moral rights

A
  • Right of paternity (author can imposed that their name is mentioned)
  • Right of disclosure
  • Right of integrity
17
Q

Collective management society roles

A
  • Collect payment for copyright

* Distribute them between their members

18
Q

Collective management society advantages

A
  • More weight in négociation
  • Can collect the rights to communicate to the public on radios/TV
  • Can affect the right to broadcast to the public on radios/TV
  • Can affect remuneration to the authors
19
Q

Collective management society flaws

A
  • They take a big pourcentage

* The author loses the management of authorisation

20
Q

Transfer of copyright rules (ATTENTION TUYAU EXAM)

A
  • Any transferred right has to be written
  • In case of doubt on the interpretation of a right transfer clause, the clause is void
  • It’s necessary to mention the transferred right, the support, the duration, the territory and the remuneration
  • possible to transfer rights on future creations
  • not possible to transfer rights on exploitation mode that are unknown on the day of the contract
21
Q

When do imperative rules not apply? (In a right transfer)

A
  • Work contract (employer has all right if the employee is commissioned and the right transfer is mentioned in the contract)
  • Ordering contract (the author can transfer all rights if the order is precise m, the right transfer’s close is in the contract and the customer don’t work in the cultural environment)
22
Q

Specific Rules : Graphic work

A

2 obligations in case of a sale :
• the author cannot make identical copies of the creation except if the buyer agrees
• the buyer can only communicate it deprived of a title in their family circle

23
Q

Specific Rules : Portraits

A

Neither the author or owner can reproduce it and communicate it to the public without the authorisation of the represented person until 20 years after that person’s death

24
Q

Specific Rules : audiovisual creations

A
Are considered as author : 
• The producer 
• The director 
• The scriptwriter 
• The composer of the original soundtrack 
• The author of the motion picture
25
Q

Specific Rules : Remakes

A

Are considered authors :
• the authors of the remake
• the author of the initial creation unless they’ve been death for more than 70 years

26
Q

Specific Rules : Moral right of disclosure for audiovisual work

A

Only the producer and director have the moral right of disclosure

27
Q

Specific Rules : Rights of the producer on an audiovisual creation

A

The producer of an audiovisual creation is considered as transferee of the rights