Paradise Lost Context Flashcards

1
Q

“I may assert Eternal Providence, and justify the ways of God to men.”

A

Book I
Why Milton chose to write Paradise Lost

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2
Q

“All this good of evil shall produce, and evil turn to good; more wonderful that that which creation first brought forth light of darkness” - Adam

A

Book II

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3
Q

“Thought one step higher would set me highest” “Which way I fly is Hell; myself am Hell” “While they adore me on the throne of Hell … the lower still I fall, only supreme in misery”

A

Book IV

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4
Q

“For in their looks divine the image of their glorious Maker shone” “True authority in men” “Though both not equal, as their sex not equal seemed” “He for God only, she for God in him” “Unargued I obey; so God ordains, god is thy law, thou mine: to know no more is woman’s happiest knowledge and her praise” - Eve

A

Book IV

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5
Q

“Have dreamed” of “offence and trouble” “Methought close at mine ear”

A

Book V
Satan has a gentle, romantic speech
Subtly seductive

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6
Q

“Me damp horror chilled”

A

Book V

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7
Q

“To stand or fall free in thine own Arbitrament it lies” “All temptation to transgress repel”

A

Book VIII
Raphael’s warning to Adam and Eve to stand strong against Satan

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8
Q

“The Lord God formed a man. He made him out of the dust of the ground. God breathed the breath of life into him. And the man became a living person.”

A

Genesis
Adam and Eve

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9
Q

“There were two trees in the middle of the garden. One of them had fruit that let people live forever. The other had fruit that let people tell the difference between good and evil.”

A

Genesis
Adam and Eve

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10
Q

“He put him there to farm its land and take care of it”

A

Genesis
Adam and Eve

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11
Q

“You must not eat the fruit from the tree of knowledge of good and evil. If you do, you will certainly die.”

A

Genesis
Adam and Eve

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12
Q

“It is not good for the man to be alone. I will make a helper who is just right for him.”

A

Genesis
Adam and Eve

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13
Q

“The man gave names to all the livestock, all the birds in the sky, and all the wild animals.”

A

Genesis
Adam and Eve

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14
Q

“The lord God took out one of the man’s ribs. … Then the Lord God made a woman.”

A

Genesis
Adam and Eve

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15
Q

“Adam and Eve were both naked. They didn’t feel any shame.”

A

Genesis
Adam and Eve

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16
Q

“The serpent was more clever than any of the wild animals the Lord God had made.”

A

Genesis
Adam and Eve fall into sin

17
Q

“You will certainly not die,” the serpent said to the woman.”

A

Genesis
Adam and Eve fall into sin

18
Q

“God knows that when you eat fruit from that tree, you will know things you have never known before. Like God, you will be able to tell the difference between good and evil.”

A

Genesis
Adam and Eve fall into sin

19
Q

“The woman saw that the tree’s fruit was good to eat and pleasing to look at. She also saw that it would make a person wise. So she took some of the fruit and ate it. She also gave some to her husband, who was with her. And he ate it.”

A

Genesis
Adam and Eve fall into sin

20
Q

“They realised they were naked. So they sewed together fig leaves and made clothes for themselves.”

A

Genesis
Adam and Eve fall into sin

21
Q

“It’s the fault of the woman you put me here with. She gave me some fruit from the tree. And I ate it.”

A

Genesis
Adam and Eve fall into sin

22
Q

“The serpent tricked me. That’s why I ate the fruit.”

A

Genesis
Adam and Eve fall into sin

23
Q

“You will crawl on your belly. You will eat dust all the days of your life.” (God’s curse on the serpent)

A

Genesis
Adam and Eve fall into sin

24
Q

“I will make you and the woman hate each other.”

A

Genesis
Adam and Eve fall into sin

25
“I will increase your pain when you give birth. … You will long for your husband. And he will rule over you.”
Genesis Adam and Eve fall into sin
26
“All the days of your life you will have to work hard.”
Genesis Adam and Eve fall into sin
27
Literary Context: Aristotle on tragedy
Tragedy depicts the downfall of a noble hero or heroine, usually through some combination of hubris (excessive pride or self-confidence), fate, and the will of the gods. Aristotle says a tragic hero has a powerful wish to achieve a goal/ambition Should have a flaw (hamartia) Should make some mistake Must undergo a change or reversal in fortune (peripeteia) May achieve some anagnorisis (revelation, recognition, or discovery) about fate, destiny, and the will of the gods “A change from ignorance to awareness of a bond of love or hate” Plot must have some pathos (suffering), and also peripeteia (reversal) and anagnorisis (recognition) to be both single and complex
28
Literary Context: The Epic
Milton drew on the tradition of epic poetry established by Greeks and Romans Epic - originally, long poems that were sung alongside a lyre in poetic metre in Greek, featuring heroes and gods Conventions - invocation to the muses, divine intervention, heroism, epic similes (very long, detailed similes, usually to describe someone in battle)
29
Areopagitica 1644
Opposed licensing, following The Licensing Order of 1643 Parliament required authors to have a license approved by the government before their work could be published Principle of a right to freedom of speech and expression - “For this is not the liberty which we can hope, that no grievance ever should arise in the Commonwealth - that let no man in this world expect; but when complaints are freely heard, deeply considered and speedily reformed, then is the utmost bound of civil liberty attained that wise men look for”
30
Doctrine of Divorce 1644
Shortly after marrying, Milton’s wife left him and returned to living with his mother The legal statutes of England did not allow for Milton to apply for a divorce, so Milton had to promote the lawfulness of divorce “The soberest and best governed men are at least practised in these affairs; and who knows not that the bashful muteness of a virgin may oftimes hide all the unliveliness and natural sloth which is really unfit for conversation?”
31
The Tenures of Kings and Magistrates 1649
Milton defends the right of people to execute a guilty sovereign, whether tyrannical or not Explains what the role of a king is and conversely what a tyrant is, and why it is necessary to limit a ruler’s power through laws and oaths “If men within themselves would be govern’d by reason, and not generally give up their understanding to a double tyrannie, of Custom from without, and blind affections within, they would discern better, what it is to favour and uphold the Tyrant of a Nation”
32
Royal proclamation banning books by John Milton 13th August 1660
Condemns the ‘traitorous’ books which justifies Charles I’s ‘murder’ Demands them to be burned
33
Gouge’s Of Domesticall Duties: Eight Treatises 1622
A list of aberrations Women: Ambition, “Conceit that wives are their husbands equals”, “Inward despising of her own husband”, “A stout standing on her own will”, “Refusing to go when he calls”, “Discontent at her husband's estate” Men: Want of wisdom and love, “Too meane account of wives”, “Conceit of his wife to be the worst of all”, “Harsh, proud and bitter speeches, to and of his wife”, “Losing of his authority”, “A careful neglect of his wife”
34
Chain Of Being
A hierarchy God - > Angels - > Kings - > animals - > plants - > rocks - > satan
35
Divine Right of Kings
Political and religious doctrine that states that monarchs receive their authority directly from God, and are therefore not subject to any earthly authority Cromwell believed that he was following God’s will
36
Felix Culpa
Fortunate fall Brought the blessing of redemption