Othello Key Quotes Flashcards

1
Q

“Even now,………………”

A

“Even now, now, very now, an old black ram/ Is tupping your white ewe!”

Contrast of black and white. Black symbolises corruption
White symbolises innocence

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2
Q

“Your daughter…….”

A

“Your daughter and the Moor are now making the beast with two backs”

Bestial imagery

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3
Q

“O treason…” - Brabantio

A

“O treason of the blood!”

Believes his bloodline has been corrupted by his daughter marrying without his permission.

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4
Q

“O thou….. “ Brabantio

A

“O thou foul thief […] thou hast enchanted her”

Brabantio views his daughter as a possession that has been stolen by Othello.

Believes he used black magic - racial stereotype

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5
Q

“Valiant…” Duke

A

“Valiant Othello”

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6
Q

“She loved me…..” Othello

A

“She loved me for the dangers I had passed/ And I loved her that she did pity them.”

Othello’s story shows how natural it was that Desdemona fell in love with his warrior characterisations but leads to the question on whether she held admiration - but not true love - for him. Furthermore, he loved her pity and sympathy, which suggests that his craving for attention made him decide it was love, not because of her personality. Othello dismisses the accusation of using witchcraft.

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7
Q

“She has deceived…” Brabantio

A

“She has deceived her father, and may thee”

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8
Q

“Virtue?….” Iago

A

“Virtue? A fig! ‘Tis in ourselves that we are thus or thus”

The comparison between virtue and a fig shows how Iago believes it to be insignificant, furthermore figs are symbolic of peace so by negatively comparing virtue to peace, it becomes evident that Iago thrives from the chaos caused. He also believes that people have control over themselves, regardless of circumstances, which makes Roderigo hope for Desdemona to love him despite her marriage to Othello. Roderigo’s obsession for Desdemona suggests that he does not wish for her happiness, he just wants to own her as a wife - Othello shows a similar love later in the play as he decides to murder his wife at the prospect of her and Cassio being together.

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9
Q

“With as little….” Iago

A

“With as little web as this will I ensnare as great a fly as Cassio”

Iago’s powerful simile suggests that he is a spider and Cassio merely a fly; spiders are symbolic of malice as they give their victims a venom that slowly kills, this can be compared to Iago planting the seed of doubt in Othello’s head

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10
Q

“Iago is…..” Othello

A

“Iago is most honest”

Dramatic irony

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11
Q

“Cassio, I love thee;/……” Othello

A

“Cassio, I love thee;/ But never more be officer of mine”

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12
Q

“So will I turn……. “ Iago’s monologue

A

“So will I turn her virtue into pitch, / And out of her own goodness make the net / That shall enmesh them all.”

The manipulation of her virtue shows how twisted Iago is and makes him an impressive villain as he realises that Desdemona is good but still tries to upset those around her. It could be suggested that his lack of motive is what makes him so evil, or that he is jealous of the virtue Desdemona possesses so wants to destroy those around her.

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13
Q

“But I do love thee;….” Othello

A

“But I do love thee; and when I love thee not, / Chaos is come again.”

This foreshadows the chaotic events that occur when Othello stops loving Desdemona.

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14
Q

“My lord, you know…….” Iago

A

“My lord, you know I love you.”

Love is a strong feeling that suggests that Iago cares about Othello, which means that he respects him, wants the best, is loyal and honest. As the audience knows that Iago earlier said that he hated Othello, they know that he is lying. To lie about love is not only a sinful act, but also a hurtful action and makes the audience question whether or not Iago is capable of love.

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15
Q

“O, beware, my lord, …….” Iago

A

“O, beware, my lord, of jealousy:/ It is the green-eyed monster, which doth mock/ The meat it feeds on”

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16
Q

“O curse…..” Othello

A

“O cure of marriage, / That we can call these delicate creatures ours”

Othello is now convinced that she has cheated on him and should hate her to get over his hurt. This shows how men in the Shakespearean time were not allowed to feel sad, but must act with a passion as strong as love when betrayed - hate. The curse of marriage suggests that Othello no longer sees his marriage to Desdemona as a blessing, but as something deceitful. ‘She’ infers sexism.

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17
Q

“If she be…..” Othello

A

“If she be false, O then heaven mocks itself”

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18
Q

“Your Napkin….” Othello

A

“Your napkin is too little; [He pushes the handkerchief away, and it falls.]”

As Desdemona’s handkerchief is a symbol for their love, he is saying that her love is no longer enough - the seed of mistrust has been planted and taints their relationship so that Othello now rejects her. The dropping of the handkerchief is not only symbolic for their love being dropped, but also an opportunity for Iago’s plan to succeed. Stage direction shows an effort to push it, much like Othello has to make an effort to believe Iago.

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19
Q

“I’ll tear……” Othello

A

“I’ll tear her all to pieces!”

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20
Q

“They are all but stomachs………” Emilia

A

“They are all but stomachs, and we all but food; / They eat us hungerly, and when they are full / They belch us.”

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21
Q

“This is the ……” Cassio

A

“This is the monkey’s own giving out: she is persuaded I will marry her, out of her own love and flattery, not out of my promise.”

The comparison between Bianca and a monkey shows how Cassio views her as an animal. The monkey is generally viewed as fairly intelligent, rebellious, curious and ‘fun’ - so by Cassio seeing himself above it suggests that he is using Bianca for a bit of fun. Othello thinks Cassio is referring to Desdemona, so is quite offended on Desdemona’s part as he holds true respect for her. It shows how weak Cassio’s relationship with Bianca is but also reflects the mistrust in Othello’s own relationship.

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22
Q

“Strangle her….” Iago

A

“Strangle her in her bed, even the bed she hath contaminated.”

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23
Q

“Devil! [He strikes her]”

A

“Devil! [He strikes her]”

Stage direction with dialogue. This shows the revelation in Othello - from a gentle, kind and noble man to jealous and violent.

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24
Q

“She is honest….” Emilia

A

“She is honest,/ Lay down my soul at stake.”

Emilia has faith in Desdemona’s honesty, this shows her loyalty towards her friend - and perhaps guilt at having betrayed her. Though Emilia was probably not aware that Iago would use the handkerchief to destroy Desdemona, and it seemed like a “trifle” action.

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25
Q

“Their wives have sense….” Emilia

A

“Their wives have sense like them: they see, and smell, / And have their palates both for sweet and sour”

Shakespeare shows some feminist views here and brings forward the topic of gender equality which was not challenged so much until the 20th century. Emilia’s talk of sweet and sour palates could be symbolic of acting obediently towards the husband and straying. This supports the rumours that she and Othello had an affair, though this is the only evidence suggesting they ever had a relationship and her closeness to Desdemona makes it highly unlikely.

26
Q

“Yet I’ll not shed….” Othello

A

“Yet I’ll not shed her blood, / Nor scar that whiter skin of hers than snow”

This is not terribly violent imagery; the simile shows admiration and implies that Othello is still in love with Desdemona in terms of appearance. Othello kills her shortly after: love and hate is confused.

27
Q

“[He kisses her.]…” Othello

A

“[He kisses her.] So sweet was ne’er so fatal.”

Once again, mixed emotions are expressed as he wants to kill her but affectionately kisses her and labels her as ‘sweet’, which has connotations of innocence and kindness.

28
Q

“He …. her”

A

“He smothers her”

The verb ‘smothers’ usually has connotations of affection, which links to the intimacy of the bed. However, in this sense it refers to killing Desdemona; demonstrating the close line between two different passions - love and hate. That being said, they contrast to each other and it is not normal for an individual to try kill their beloved, particularly as Othello was so fond of her earlier.

29
Q

“O, the more …..” Emilia

A

“O, the more angel she, / And you the blacker devil!”

The contemporary audience may think this to be a slightly racist stereotype as he was as savage and violent as the labels associated with black people at the time suggested. Black could be more a symbol of sin than a racist remark, which makes sense when considering that Desdemona is described as an angel - not a white person.

30
Q

“Villainous….” Iago

A

“Villainous whore!”

Iago uses foul language against his wife, he calls her a villain, when in fact he is the villain. The word ‘whore’ almost insults himself as he married her so it suggests she is unsatisfied with just him, which links to the idea that his motive was her being with Othello.

31
Q

“I will play……” Desdemona

A

“I will play the swan, / And die in music. [She sings:] ‘Willow, willow, willow.”

The animal swan relates to virtue and pureness, which suggests that Emilia feels sinless in death. The verb ‘play’ contradicts this though as it implies that she is merely acting, perhaps as the Desdemona in the situation. This is supported as she dies in such a similar fashion to Desdemona, the willow song being the music of their death.

32
Q

“I know, Iago ……..” Othello 2.3

A

“I know, Iago/ Thy honesty and love doth mince this matter”

Othello speaks this quote to Iago after Iago has explained to him about Cassio’s involvement in a drunken brawl. Ironically, Othello assumes that Iago is being tactful and trying not to blame Cassio for what happened, whereas Iago has actually engineered the entire situation in order to get Cassio in trouble. The quote reveals Othello’s blind spot where Iago is concerned, and sets the stage for how Othello’s belief in Iago’s integrity and honesty will lead to disaster.

33
Q

“Then must you speak….” Othello 5.2

A

“Then must you speak/ Of one that loved not wisely but too well”

34
Q

“Let him…..” Othello 1.2

A

“Let him do his spite”

Appears calm and collected

35
Q

“But that I love thee……” Othello

A

“But that I love thee gentle Desdemona”

36
Q

“Rude am I….” Othello

A

“Rude am I in my speech and little blest with the soft phrase of peace”

Modest, skilled and eloquent speaker

37
Q

“I am bound….” Othello

A

“I am bound to thee forever”

38
Q

“Farewell….” Othello

A

“Farewell the tranquil mind”

Acknowledge of his loss of rational thinking and decent into jealous madness

39
Q

“Our great….” Cassio

A

“Our great captain’s captain”

40
Q

“Not tonight, good Iago;……..” Cassio 2.3

A

“Not tonight, good Iago; I have very poor and unhapppy/ brains for drinking.”

41
Q

“Pray you let…..” Desdemona 3.4

A

“Pray you let Cassio be received again.”

42
Q

“O my dear……” Bianca 5.1

A

“O my dear Cassio! My sweet Cassio!”

43
Q

“That never……” Iago 1.1

A

“That never set a squadron in the field”

No experience in battle

44
Q

“I’ll beat…….” Cassio 2.3

A

“I’ll beat the knave into twiggen bottle”

Threatens to slash Roderigo with his sword

45
Q

“I think…..”

A

“I think, I’ faith, she loves me”

Irony of Cassio’s words as he speaks so lightly of Bianca’s feelings yet Othello believes this is about Desdemona.

46
Q

“I marry her?…..” Cassio 4.1

A

“I marry her? What! A customer!”

47
Q

“How now…..” Cassio 4.1

A

“How now, my sweet Bianca!”

Cassio is two faced here, he does not truly love Bianca. He called her a “customer” not long ago.

48
Q

“Preferment…….” Iago 1.1

A

“Preferment goes by letter and affection/ Not by the old gradation”

Iago sees it as though Othello has disrupted the natural order of society.

49
Q

“I am…..” Iago

A

“I am not what I am”

Biblical imagery - god says “I am what I am”

50
Q

“I hate…….” Iago

A

“I hate the Moor […] he’s done my office”

51
Q

“What’s he then……” Iago 2.3

A

“What’s he then that says I play the villain”

Direct address to audience

Questions nature of tragedy - is he a villain if he has been “free” and “honest” in his advice.

52
Q

“I’ll pour this……..” Iago 2.3

A

“I’ll pour this pestilence into his ear”

Witchcraft, poison, passive, Iago is in control

53
Q

“That he would steal….” Iago 3.3

A

“That he would steal away so guilty-like/ Seeing you coming”

54
Q

“Ha! I …..” Iago 3.3

A

“Ha! I like not that”

Sows the seed of doubt

55
Q

“A good….” Iago 3.3

A

“A good wench!”

56
Q

“With her, on …..” Iago 4.1

A

“With her, on her, what you will”

Casual brutality of language, enjoys power and torment

57
Q

“I do perceive….” Desdemona

A

“I do perceive here a divided duty.”

Responsibility to her father and her husband

58
Q

“I have not…..” Desdemona

A

“I have not deserved this”

59
Q

Desdemona “I say it is…..”

A

“I say it is not lost”

60
Q

Desdemona “talk to……”

A

“Talk to me of Cassio”

61
Q

Emilia: “O lay me……”

A

“O lay me by my mistress’ side”