Othello Flashcards

1
Q

AO5: Granville Barker

A

“A tragedy without meaning”

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2
Q

AO5: Coleridge

A

“Iagos excuses are the motive-hunting of a motiveless malignity”

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3
Q

AO5: O’toole

A

Iago is the “Machiavellian villain”

“There is no Othllo without Iago”

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4
Q

AO5: Heilman

A

“The least heroic of Shakespeare’s tragic heroes”

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5
Q

AO5: TS Elliot

A

“Othello does not obtain redemption although he believes he is honourable as he acted accordingly to the circumstances of female infidelity”

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6
Q

AO3: Race

A
  • Animalistic qualities and had a primitive nature.
  • Fit only to be slaves - Othello goes against society’s expectations.
  • Were often associated with witchcraft.
  • The devil was portrayed as having black skin.
  • Othello sees him as incapable of villainy because he is white.
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7
Q

AO3: Gender

A
  • Jacobean society was a patriarchal.
  • Women were lower than men on the chain of being.
  • Desdemona pushes the boundaries of this by disobeying her father and marrying Othello.
  • Women are objects of their husband and fathers “Look to your house, your daughter and your bags” “I won his daughter” object - prize
  • Most men assumed venetian women were promiscuous.
  • Gender and race overlap a lot in the play and several characters in the play believe that black men sexually contaminate white women, including Othello.
  • Desdemona understands societal expectations “I am bound for life and education” she is also at times in the play shown as being a submissive character.
  • Bianca’s a prostitute and therefore low on the chain of being. Seen as a “fallen woman”.
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8
Q

AO3: Religion

A
  • Jacobean (and elizabethan) society was an era of religious beliefs.
  • Battling the Turks - an era of religious war.
  • Hellish language would have been shocking for a Jacobean audience.
  • Many people believed that black people couldn’t be christian as they were not aligned with god. Therefore the tragic end was inevitable.
  • Women were viewed as untrustworthy because of Eve’s sin.
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9
Q

AO3: The Renaissance man

A
  • The ideal man was well-balanced and in control of his emotions. Othello is portrayed as this at the start (Venice).
  • However this changes with the setting (Venice to Cyprus) and progresses.
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10
Q

AO3: Venice

A
  • Known for its beauty, culture, civilisation and pleasure.
  • It was also known for its sexual freedom which is why venetian women were seen as promiscuous.
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11
Q

AO3: The Seven Deadly Sins

A
  • Foundation of morality.
  • Shakespeare employs them as a way of showing faults within protagonists and villains.
  • Othello=Wrath, lago=Envy
  • These sins are thought to lead to murder, as proved by Othello and lago.
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12
Q

AO3: Jealousy and Chaos

A
  • Caused by evil spirits.
  • Jealousy was seen as an infection with no cure or prevention.
  • Chaos was the undoing of gods creation, a return to darkness and the break of the chain of being.
  • Othello and lago are both overcome by jealousy and chaos.
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13
Q

AO3: Cuckoldery

A
  • This was a fear because it showed they couldn’t control there wife and had married someone with an unnatural sexual appetite.
  • Young beautiful wives would have captivated their husbands but were also seen as a target of other men, as Roderigo confirms.
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14
Q

AO3: Tragedy

A
  • The tragic hero has to be played by someone with some kind of power (king, or prince) and they make a mistake or have misfortune.
  • The tragic plot is that it must have a clear sense of plot and then a change in the heroes fortune from happiness to misery.
  • The audience experience catharsis through the heroes suffering and death.
  • The reign of James the 1st was the most prolific period of english dramatic writing.
  • Jacobean tragedy’s revolve around an obsession with death, sexual passion and physical decay. Sin was always associated with sexuality.
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15
Q

AO4: Theme of tragedy breaking up relationships

A
  • Macbeth
  • Hamlet
  • King Lear
  • Romeo and Juliet
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16
Q

AO4: Theme of jealousy and deception

A

Much ado about nothing

17
Q

AO4: Theme of loss and love

A

Romeo and Juliet

18
Q

AO4: Theme of insanity

A

Hamlet

19
Q

“Reputation, Reputation, Reputation. O’ I have lost my reputation! I have lost the immortal part of myself”

A
  • Superficial, more men concerned about their ‘name’ above all.
  • Reputation, suggests panic, anxiety, A03, the importance of reputation in Elizabethan England.
  • no higher thing than status, to not have a status is to be reduced to an animal, intrinsic link between status and sophistication, could imply some racial discourse.
    -Cassio believes that his identity has been lost due to his debased actions.
20
Q

“I am not what I am” AND “what you know you know, from this time forth I will never speak a word” (lago)

A
  • ironically this is an honest statement
    -inversion of Biblical quotes ‘I am that i am’ -he is the opposite of God

-interesting shift, throughout the play language has equalled power, now silence offers power
-imperative, he still retains control/power
-unusual for the time, tragic villains usually explain their actions, suggesting that evil cannot be vanquished

21
Q

‘They are all but stomachs and we all but food; they eat us hungerly and when they are full they belch us’ (Emilia)

A
  • Emilia becomes increasingly confident as she expresses her frustration at the sexual exploitation of women
  • the divisive pronouns indicates an almost insuperable separation between genders, the dramatic action of the play seems to confirm this, with the couple going from equals to murderer + victim
    -grotesque nature of this imagery shows Emilia’s dissatisfaction + debasement of love, it is a dismissive afterthought, an unpleasant bodily process not transformative.
22
Q

‘Beware my lord of Jealousy, it is the green eyed monster which doth mock the meat it feeds on’ (Iago)

A

-gustatory imagery, consumption, and swallowing people up and then mocking them, idea of being totally consumed by jealousy
-ancient greek ideas of the humours as medicinal treatment, too much green bile
-suggests that jealousy is a monster and the it turns people into something monstrous