Opera Flashcards

1
Q

What are the characteristics of Art Deco’s style?

A

Simple, repeated, and balanced decorative elements & Streamlined, stereotypic decorative elements & Echoes of Greek, Roman, and Egyptian design

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2
Q

What are the characteristics of Collegiate Gothic’s style?

A

Individualized decorations that differ from each other & Windows and doors topped by arches & Sculpted, three-dimensional decorations that sit on the building’s walls, etc.

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3
Q

What best describes how Art Deco differs from Collegiate Gothic?

A

Decorations for machine production as opposed to those that are individually made by hand

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4
Q

How did Bain change the mission of the School of Music with the establishment of the Opera program?

A

He made it attractive for world class musicians to come to IU to teach, he expanded the curriculum to include practical arts associated with opera productions, & he encouraged theoretical study of music as a possible major

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5
Q

What is the best paraphrase of Sartre’s thoughts on Calder’s sculpture?

A

(This is the red sculpture outside the MAC) music is abstract, but Calder has managed to capture its meaning as a shape

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6
Q

In most disciplines, such as Folklore, professors are judged on the quality of their publications, but for faculty in the School of Music who are performance artists, what are they judged on?

A

their success could be determined through critiques by their peers

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7
Q

What is the best explanation for the aptness of the parallel between Camilla Williams and Jackie Robinson?

A

they both broke barriers preventing people of color from entering certain professions

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8
Q

Why does Camilla Williams include teaching “a love of life” to the list of what she tries to teach her students?

A

because she believes that if students love life, they will be better performers

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9
Q

Why is it significant that a music program that emphasizes opera so heavily also has a jazz program and includes rock and roll musicians among its graduates?

A

because it shows the flexibility and diversity of the music program

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10
Q

What did Tibor Kozma’s say about the similarity of his approach to putting on an opera at the Metropolitan Opera House in New York City and his approach with student musicians at IU?

A

that the students’ training is very good, and the only difference between them and professional musicians is that IU students need more rehearsals

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11
Q

What was Herman B. Wells’ view of the role of music and the meaning of the university?

A

Music and art are an essential part of an education and the university should help all of the state’s citizens appreciate it.

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12
Q

Wilfred Bain’s role in establishing IU’s school of music as a world class program was that:

A

he hired the best musicians he could find from all over the world & he had the idea of establishing an opera program

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13
Q

How did Wilfred Bain change the goals and mission of the Music School soon after he arrived?

A

it was no longer only to train music educators but meant to train performance artists

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14
Q

What was the original goal of the Music School before Wilfred Bain arrived in 1947?

A

to train music educators for the classroom

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15
Q

Why is the MAC considered important to the excellence of the music program at IU?

A

it is one of the finest concert halls in the world for opera

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16
Q

What is likely the main reason that world-class musicians today come to a small town like Bloomington to teach music?

A

Deans Bain and Webb hired so many major musicians that it is attractive for others to come to work here

17
Q

Whom did Readers’ Digest describe in these words: “the dynamo of Indiana culture, the man who is striving to bring culture to the crossroads?”

A

Herman B Wells

18
Q

Who first thought of bringing an Opera program to IU?

A

Wilfred Bain

19
Q

Why is the Benton Mural unusual and important?

A

it’s the largest continuous mural in the world

20
Q

Why was it necessary to adopt “geographical full-time faculty” status for the music school faculty?

A

because this status permitted music faculty to perform all over the world without giving up their faculty positions

21
Q

Wilfred Bain

A

created opera program

22
Q

Camilla Williams

A

broke the color barrier in opera

23
Q

Mario Cristini

A

staged an opera outside at Memorial Stadium

24
Q

Thomas Hart Benton

A

painted murals at the IU auditorium

25
Q

David Baker

A

jazz composer and director of the Jazz Program

26
Q

Kenny Aronoff

A

famous percussion major

27
Q

Alexander Calder

A

invented the terms “stabile” and “mobile”

28
Q

Why would the Metropolitan Opera want to perform in small-town Bloomington?

A

the performance space here is up to their standards