Notes(Midterm) Flashcards

1
Q

efficacious

A

intended to have an effect

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2
Q

What was theatre like for the first couple thousand years?

A
  • social event
  • teach/inform
  • pass down history
  • religion
  • entertainment
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3
Q

What was Aristotle’s contribution to theatre history?

A

wrote the Poetics, outlined elements of Drama

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4
Q

What is dramatic action?

A

what drives the play forward

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5
Q

What was theatre like in the Middle Ages?

A
  • purpose was to save souls

- pageant wagons, morality plays

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6
Q

What is Neoclassicism?

A

revisiting and adherence to the classics “new classics”

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7
Q

What is the significance of the proscenium stage?

A

created a picture frame of the stage making perspective scenery possible

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8
Q

Explain the deal behind the Well Made Play

A
  • play genre codified by Eugene Scribe
  • plot driven works, story is important
  • often accused of being only plot
  • characters not always nuanced
  • dramatic irony
  • potential for no larger purpose but to entertain
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9
Q

What is dramatic irony?

A

audience knows but the character does not

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10
Q

What is Realism?

A
  • theatre genre where the stage action resembles real life
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11
Q

What were the elements of/ideas behind Realism?

A
  • believed there was a responsibility to address social problems; plays about problems in society
  • did away with stock characters
  • no more grandeur and spectacle
  • laboratory: thinking of art and theory as more of a lab
  • open ended, allowed audience to make their own decision about the meaning
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12
Q

What is Naturalism?

A

a more extreme form of Realism with more of a focus on the lower class

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13
Q

What were some elements of Naturalism?

A
  • rejection of dramatic conclusions and climaxes
  • very literal and structured
  • new levels of realism in scenery
  • wanted you to think you were watching reality
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14
Q

What’s the deal with Stanislavski?

A

He worked at the Moscow Art Theatre, and started a revolution in acting technique. He rejected theatricality and saw acting as a search for truth. His book, An Actor Prepares, is the definitive text for his new techniques.

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15
Q

Who were the Americans who learned from Stanislavksi?

A

Lee Strasberg
Sanford Meisner
Stella Adler
Uta Hagen

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16
Q

Why was A Doll’s House significant?

A

In this realistic drama, a female protagonist challenges her social and gender roles by leaving her husband at the end of the play. “The door slam heard round the world.”

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17
Q

Why was the Cherry Orchard significant?

A

This was one of the first plays to focus more on character motivation rather than the actual meaning of the text, and the dramatic tension is portrayed more subtly. This play depicts a formerly wealthy family at the turn of the century refusing to accept the social changes that affect their way of life.

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18
Q

What were some of Henrik Ibsen’s plays?

A
Ghosts
Enemy of The People
Wild Duck
Hedda Gabler
A Doll's House
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19
Q

What were some of Anton Chekhov’s plays?

A

The Seagull
Uncle Vanya
The Cherry Orchard
The Three Sisters

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20
Q

What were some of George Bernard Shaw’s plays?

A
Mrs. Warren's Profession
Major Barbara
Man and Superman
Pygmalion
Saint Joan 
Heartbreak House
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21
Q

What were some of Oscar Wilde’s plays?

A

The Importance of Being Earnest

Lady Windermere’s Fan

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22
Q

What were some of Bertolt Brecht’s plays?

A

Mother Courage
The Good Woman of Setzuan
Caucasian Chalk Circle
The Threepenny Opera

23
Q

Symbolism

A
ORIGINS
(1880-1910) France but worldwide impact
ASPECTS 
mysticism and spirituality
poetry metaphor and music
life can't be understood literally or directly
almost no plot
- influenced Richard Wagner
24
Q

Theatricalism

A
ORIGINS
1902-1930s Russia
ASPECTS
director centered
often restructuring classic texts
Vsevolaud Meyerhold - director as supreme artist
physical techniques from commedia, vaudeville, circus
exposing the devices of theatre
constructivist set
PLAYS
Maurice Maeterlinck - The Intruder
Benjamin Franklin Wedekind - Spring's Awakening
August Strindberg - A Dream Play
25
What is a constructivist set?
machine for the acting, nonrealistic construction, less literal than a unit set
26
Who are some non-realistic designers and what are they known for?
Adolphie Appia - abstract set, minimalist | Edward Gordon Craig - screens, sculpture
27
Expressionism
``` ORIGINS beginning of 20th century Germany initially a style of painting we see the world through the protagonist's eyes, emotional state of the character's world ASPECTS types instead of characters (ex. MAN, WOMAN, SOLDIER, etc) often politically motivated distorting reality to reflect inner feelings PLAYS Walter Hasenclaver - The Son George Kaiser - Morn to Midnight Ernst Toller's - Man and Masses Eugene O'Neill - The Hairy Ape ```
28
Futurism
``` ORIGINS Italy 1909 ASPECT idealized war and the machine age audience interaction (antagonizing) introducing variety of media, puppetry PLAYS Fillipo Marinetti - They're Coming ```
29
Dada-ism
``` ORIGINS Swiss (France) 1916 ASPECT Irrationality confuse the audience Marcel Duchamp - signed urinal, Mona lisa with mustace, weird acronym at bottom (what is art?) Tristan Tzara ```
30
Surrealism
``` ORIGINS French 1920s ASPECT subconscious accessed reality dream like worlds taking something realistic and warping it PLAYS Jean Cocteau - The Infernal Machine ```
31
Theatre of Cruelty
``` ORIGINS France, Antoine Artaud in 1930s, Jerzy Grotowski in 1960s ASPECT "cruelly" rooting out societies evils change inclination to violence less literary and more ritualistic emphasis on the sensory Poor Theatre ```
32
Epic Theatre
``` ORIGINS Germany 1920s-1940s ASPECT alienation political didactic presentational entertaining PLAYS Any Brecht, ever. ```
33
Bertolt Brecht
theorist director and playwright aggressive humanist started the Berliner Ensemble 4 Great Vices: military, capitalism, industrialism, imperialism
34
What is Brecht's idea of alienation all about?
It ranslates as "make strange". Its a theory that seeks to distance the audience from the action, so they can think about the ideas presented rather than being involved emotionally with the characters and or story.
35
What is historification?
This is a technique used by Brecht where he sets the story in a time period that represents the current climate, and also is removed from the situation so people can digest it without being attached.
36
What technique did Brecht employ as a director?
demystifying theatre techniques
37
What was Brecht's approach to acting?
anti-Stanislavski rejects a complete conversion, rejects "identification", rejected causality (actor is an actor playing a character) appreciated the conventions of Chinese opera
38
Existentialism
``` ORIGINS France 1940s-50s grew out of philosophy ASPECT life has little meaning God is dead humanity is irrational traditional structures and recognizable characters PLAYS Jean Paul Satre - No Exit Albert Camus - The Flies ```
39
Theatre of the Absurd
``` ORIGINS International began in the 1960s ASPECT human existence is futile, absurd, illogical plots do not have traditional structures plays are all individualistic PLAYS Eugene Ionesco - Rhinoceros Samuel Beckett - Waiting for Godot, Endgame ```
40
Selective Realism
ORIGINS 1940s - Today; mostly British and American ASPECT uses certain elements of reality while excluding others plays feature realistic acting not usually realistic in design or direction PLAYS Arthur Miller - Death of a Salesman, All My Sons, The Crucible Tennessee Williams - the Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof Edward Albee - The Zoo Story, Who's Afraid of Virginia Woolf, The Goat or Who's Sylvia
41
Samuel Beckett
Author of Waiting for Godot, and Endgame Existentialist themes Really shook things up, by minimalizing
42
Arthur Miller
Death of A Salesman Selective Realism Dealt with theme of American pursuit of pleasure
43
Uncle Tom's Cabin
by Harriett Beecher Stowe, white woman most popular play of its time stereotypes, racism, slavery
44
Minstrel Shows
vaudeville style, comedic created by black people and appropriated by white people featured blackface and imitation
45
Jim Crow
popular minstrel show character
46
Birth of A Nation
made moviemaking history while telling a pretty racist narrative
47
Scottsboro Boys
Kander and Ebb show tells the story of case of 19 African American boys accused of raping a white woman uses the minstrel show style to tell the story
48
Lafayette Players
all black company, would do a new play every week performed white plays assimilated white culture
49
Ethel Waters
popular performer Sweet Mama String Bean people lynched a black boy and threw his body in lobby of her theatre
50
Paul Robeson
Old Man River, Showboat one of the first Black people to be successful playing a black man on Broadway longest running Shakespeare production on Broadway Uta Hagen - Desdemona
51
Lorraine Hansberry
First African American playwright on Broadway Raisin in the Sun show had first African American director
52
Amiri Baraka (Leroi Jones)
``` raw plays about race Slave Ship (1969); environmental staging ```
53
August Wilson
wrote a play for every decade of 20th century about African American experience