Notes (Final) Flashcards

1
Q

Happenings

A

theatrical event that featured little organization, and audience performer interactions

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2
Q

Environmental theatre

A

blurring of lines between audience space and acting space (ex. site specific, immersive)

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3
Q

The Living Theatre

A

Julian Beck and Judith Malina

  • connected with ideas of Artaud
  • Paradise Now production where audience was invited to march naked in the streets and start a revolution
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4
Q

Post Modern Theatre

A
  • self-referential, self-conscious
  • ironic, non-linear, theatre of the senses
  • promenade
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5
Q

Promenade

A

audience moves from place to place during performance, physically travel to the different settings

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6
Q

Theatre of the Oppressed

A

Augusto Boal

- largely to do with audience/performer interactions

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7
Q

Macronic Drama

A

dialogue in multiple languages

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8
Q

The Bechdel Test

A

scene must contain two women talking about something other than man

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9
Q

As far as money in theatre is concerned what are the three big sections it can be divided into?

A

Gov’t Supported
Commercial
Not for Profit

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10
Q

What are some of the origins of the history of musical theatre?

A

Greek Chorus

Shakespeare

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11
Q

What are some formal sources of Musical theatre?

A

Opera and Operetta

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12
Q

What’s the difference between and opera and an operetta?

A

opera is more formal and operetta is lighter :)

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13
Q

What are some informal sources of Musical theatre?

A

ZeigFeVariety Acts
Minstrel Shows
Burlesque
Follies

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14
Q

What is the difference between burlesque and vaudeville?

A

Burlesque was dirtier

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15
Q

Ziegfeld Follies

A

“Vegas”-like spectacular show that featured gorgeous women, intensely beautiful and expensive sets, and some dancing stuff. Early embrace of the idea that sex sells.

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16
Q

What were some elements of the earliest Musical Comedies?

A
  • thin plots

- had lots to do with immigration

17
Q

George M Cohan

A
  • wrote pretty much every patriotic song that exists

- symbol of classic American style of performance

18
Q

What was so exciting about Showboat?

A
  • “integrated” musical
  • featured a Black woman and a White man married
  • songs actually advanced the plot a little bit more
19
Q

What were musicals in the 1930s like?

A

Pretty much all about rich people

20
Q

What was significant about Oklahoma

A
  • more developed characters and story
  • about regular rural people
  • Dream Ballet, classical ballet married with storytelling
21
Q

What were musicals like in the 1940s and 1950s?

A

It was the Golden Age of Broadway so they were basically all the classics we know and love. (see the actual play/musical deck for more specifics)

22
Q

Theatre of Images

A

use of abstract visual images

  • no catharsis, no concept
  • put stuff together and see what happens
23
Q

What were some musical theatre highlights of the 1960s and 70s?

A
  • Cabaret featuring Bob Fosse’s choreo
  • Pippin talking about war in a Fosse-esque way
  • Hair and youth culture
  • “concept musicals” such as Company and A Chorus Line
  • also Cats (escapist theatre)
24
Q

What were some musical theater highlights of the 1990s?

A
  • Rent!
  • Bring in da Noise, Bring in da Funk
  • Miss Saigon (helicopter)
25
Q

What is broadway like today?

A
  • stupid amounts of money involved
  • 80% failure rate of bway shows
  • Revivals everywhere
26
Q

What is a revisal?

A

A revival where the show is tweaked and revised

ex. Cinderella, Porgy and Bess, The Wiz

27
Q

What is a Juke box musical?

A

The music featured is usually preexisting (most often pop music) (ex. Rock of Ages, Buddy Holly etc.)

28
Q

Theatre in Japan

A
  • traditional vs. Shingeki (“new” modern theatre)
    Avant Garde
  • Tadashi Suzuki, director famous for Suzuki technique (features a lot of very specific stomping and other physical techniques)
29
Q

Theatre in China

A
  • Chinese Opera (“Peking” or “Bejing”)

- Mei Lanfang

30
Q

Who is Mei Lanfang?

A

Chinese actor famous for playing women

31
Q

Theatre in the Middle East

A
  • Islamic Prohibition on theatre

- Afghanistan National theatre

32
Q

Theatre in Africa

A
  • ancient practice

- storytelling and ritual

33
Q

Theatre in South Africa

A
  • apartheid, institutionalized gov’t enforced racism
  • Athol Fugard: wrote plays that helped wave of attention to apartheid
  • Township Theatre - Woza Albert
34
Q

Applied Theatre

A

Theatre of Community

  • Bill Rauch - Cornerstone Theatre Co.
  • to go beyond entertaining, telling stories of ppl who don’t think they have a story to tell