Next, Please Flashcards
how does Larkin use rhyme in Next, Please to explore his themes?
Rhyme scheme: rhyming couplets which creates an upbeat, child-like tone which represents society’s naivety and immaturity
analyse the quote ‘always too eager for the future, we / pick up bad habits of expectancy.’ from Next, Please
- fronted adverbial ‘always’ in conjunction with ‘too’ suggests the reality of the future cannot resemble our high hopes
- ‘bad habits’ suggests society is optimistic for the future but impatient about its arrival, necessarily leading to disappointment
analyse the quote ‘something is always approaching […] Till then, we say’ from Next, Please
- ‘something’ is abstract, suggesting our expectations of the future will never be able to materialise, as they are not specific
- ‘till then’ is also an intangible timeframe, suggesting our hopes for the future are ungrounded and elusive so our notion of yearning for the future is unsubstantiated
- ‘we’ collective pronoun included Larkin himself in the voice of society
- ‘always’ and ‘every’ suggests the feeling of impatience is inescapable and demonstrated by all
analyse the quote ‘sparkling armada of promises draw near’ from Next, Please
- ‘draw near’ suggests that society makes no actual effort to achieve what they want; they are passive
- ‘sparkling’ suggests the promise of the future is rare and our expectations are hard to find
- contrast within the metaphor, between luxurious ‘sparkling’ and dangerous ‘armada’ reflects the hidden dangers of relying on our expectations of the future; it will never materialise and we are destined to be disappointed in our superficial desires and consumerism mindset
analyse the quote ‘refusing to make haste!’ from Next, Please
- repeated exclamatives are emphatic of society’s impatience as a childish voice of frustration
‘- refusing’ shifts the blame away from our own impatience to the movement of time itself
analyse the quote ‘holding wretched stalks of disappointment’ from Next, Please
- metaphor suggests we cling to the promises of the future and can’t move on; we are stuck in a cycle of romanticising the future and watching it never come to fruition as our romanticised notions of the future cannot materialise
- the ‘disappointment’ reflects society’s disillusionment as a result of our impatience
analyse the quote ‘brasswork prinked […] wit golden tits’ from Next, Please
- ‘brasswork prinked’ suggests grandeur, the sublime; reflective of how society sees the future, suggesting the idea of the future is better than the reality
- bathos exposes the contrast of ideal and reality, making society seem foolish and idiotic
analyse the quote ‘no sooner present than it turns to past’ from Next, Please
reference to time reflects the incessant, unstoppable, and inevitable passage of time suggesting our opportunities are fleeting and transient
analyse the quote ‘all good into our lives, all we are owed / for waiting so devoutly and so long’ from Next, Please
- repetition of ‘all’ highlights our greed and self-entitlement
- ‘devoutly’ = religious lexis
- suggests society feels entitled to the exaggerated version of the future; semi-sarcastic and mocking tone is indicative of Larkin’s own self-loathing
analyse the quote ‘but we are wrong’ from next, Please
- monosyllabic; Larkin emphasises that we are, in actuality, undeserving of our own romanticised notions
- acts as a soft volta separating the foolish illusions of society from reality
analyse the quote ‘black-sailed unfamiliar […] huge and birdless silence’ from Next, Please
- metaphor for death
- ‘black’ vs ‘golden tits’; colour imagery suggests the reality of the future is bleak and mundane compared to our romanticised ideals, but it also more serious and less trivial
- ‘unfamiliar’ suggests we are avoidant of the truth and actuality of the future and instead focus on romantic notions; death is fundamentally unexpected and unknowable
- ‘huge’ suggests it is all-consuming and overwhelming; future is characterised by hopelessness and nothingness, an absolute end
- negation of birds in ‘birdless’ suggests death is restrictive as birds are symbolic of freedom