New Realisms Flashcards
New Realisms
The “unreal” world
- World conceptually apprehended through language.
- Language refers to language; nothing outside the text.
- The world is more and more mediated by images from the media.
- Comes through screens and seems experienced to be placed back on a screen.
- The world is “networked”
- Nothing lies by itself but it is intricately interconnected.
- Connectivity is potentially endless
- Nothing lies by itself but it is intricately interconnected.
- 19th-century realism also rose from a networked world (easier to follow than now)
- Nothing is immediately self-evident and available to simple observation.
New Realisms
The unreliable observer
- Subjects are conditioned by “their” own prejudices, desires, interests - by their unconscious.
- Subjectivity is variable, contingent, “historical”, determined by context.
- Observation creates the conditions in which something is observed and modifies the outcome of observation.
- Literary result —> “unreliable narrator”
- Resulting from these complications of reality + interpreter/observer
- Contemporary realisms are not (always) like classical realism.
- Classical realism assumed a consensus about reality (available, decipherable, transmissible)
- Contemporary realism : more “modest”, contingent, provisional, partial - Try to make some sense (not all sense for all readers)
New Realisms
Situated realism
Determined by cultural/racial/ethnic specificity (minority literatures)
New Realisms
Minimalist realism
CHARACTERISTICS
- Presents a reality that feels incomplete (something crucial is missing)
- Importance of gaps, silences, elisions.
- Terse style (simple, concise)
- Attention to “blue-collar “ life (working class, whites, the poor, the marginalized)
- Occasionally called “dirty realism” / “K-Mart realism” for its vulgar settings.
- Pessimistic, somber, deterministic (characters overpowered by their milieus)
- Flat affect and deadened tone.
INFLUENCES : Hemingway, Raymond Carver, Tom Spanbauer
AUTHORS
- Chuck Palahniuk
“Fight Club”
“Choke”
“Haunted”
“Doomed”
“Adjustment Day”
New Realisms
Hyper-realism
CHARACTERISTICS
- Describes reality in intricate detail.
- Often amplifies to the extreme the banal or subliminal.
- Reality is packed with meaning and interconnections.
- Experience is inexhaustible.
- Virtuous styles: precise, incisive, exxtremely analytical.
- Often humorous or characterized by a mixture of humor and absurdity.
AUTHORS
- Don DeLillo
“The Names”
“White Noise”
“Libra”
“Mao II”
“Underworld”
“Cosmopolis”
- Nicholson Baker
“The Mezzanine”
“Room Temperature”
“Vox”
“A House of Holes”
“Baseless: My Search….”
New Realisms
(Neo-) classical realism
CHARACTERISTICS
- Realism as if nothing had happened between the late 19th century and the present
- Deliberate links with nineteenth-century realism.
- A modern “novel of manners”
- explores status, class, individual desire against conventions, changing social fortunes, rise and fall of characters in the world.
- Frequent middle- and upper-middle-class focus.
AUTHORS
- Tom Wolfe
“The Kandy-Kolored Tangerine-Flake Streamline Baby”
“The Electric Kool-Aid Acid Test”
“The Right Stuff”
“The Bonfire of the Vanities”
- Joyce Carol Oates
” Garden of Earthy Delights”
“them”
“Wonderland”
“Blonde”
“The Sacrifice” - Jonathan Franzen
“Strong Motion”
“The Corrections”
“Freedom”
“Purity”
“Crossroads”
New Realisms
Generation X realism
CHARACTERISTICS
- Characters: anomic, alienated, disoriented, unambitious.
- Narratives: often desultory, open-ended, loose.
- Perceptive towards popular culture - part of the intimate fabric of everyday life.
- Attention to the world of commodities.
- all part of ther sense of the self: forms of self-creation and self-understanding
- Writing: precise, strives after ineffable affect.
- Often veers towards auto-fiction
AUTHORS
- Brett Easton Ellis
“Less than Zero”
“American Psycho”
“Glamorama”
“Luna Park”
“The Shards”
- David Eggers
“A Heartbreaking Work of Staggering Genius”
“ What is the What”
“The Circle”
“The Every” - Elizabeth Wurtzel
“Prozac Nation: Young and Depressed in America”
“Bitch: In Praise of Difficult Women”
“More, Now, Again : A Memoir of Addiction”