Cold War and fear of annihilation Flashcards

1
Q

Cold war and fear of annihilation
Culture and American literature

A
  • 1940s: sense of discontinuity (generational relay with early modernism)
  • Influences
    • 1920s experimentalism
    • 1930s realism
      • Modernism: brilliance and inventiness of techniques and style, moral ambiguity, modernist view of history and society as chaotic, violent, absurd, full of horror.
      • Realism: clear and straight forward way to explore relations between characters and their social enironment, shift towards the problems of the individual.
  • Shared traits:
    • Disillusionment and scepticism towards traditional values and institutions.
      -Marked by trauma and devastation of war.
    • Focus on personal experience and self-expression.
    • Exploration of the impact of war on individuals and society.
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2
Q

Cold war and fear of annihilation
Realism characteristics (3)

A
  • Emphasizes the accurate and objective representation of the world.
  • Detailed descriptions of characters, settings and events.
  • Employed to explore themes of social and cultural change + individual identity and relationships. (John Updike, Raymond Carver, Richard Yates…)
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3
Q

Cold war and fear of annihilation
Realism. War novels

A
  • Depict a dark vision of America.
  • Focus on experiences and mundane details of military life.
  • Often avoid direct representation of battles.
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4
Q

Cold war and fear of annihilation
Realism
“The Naked and the Dead” - Norman Mailler
5 characteristics

A
  • Realistic war novel + novel of ideas
    - Exploring fascist thinking and an obsession with power as elements of the military mind.
  • Second World War as a political fact of the American nation.
  • Second World War as a personal fact of the American character.
  • Flashbacks + in-depth character exploration.
  • Dehumanizing effects of war.
  • Devices :
    - The Time Machine
    - Chorus
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5
Q

Cold war and fear of annihilation
Metafiction / absurdity
Characteristics (7)

A
  • Blurs the line between fiction and reality.
  • Drawing attention to the act of storytelling itself.
  • Self-referential and self-conscious.
  • Challenges reader’s assumptions about the nature of truth and fiction.
  • Exploring war as illogical and obscene.
  • Using the absurd to capture the bleak, bitter absurdities of that conflict.
  • Human beings failing to find meaning in the meaningless.
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6
Q

Cold war and fear of annihilation
Metafiction / absurdity
“Catch 22”- Joseph Heller

A
  • Disjointed narrative technique + nightmare sequences + bleak humour to depict a world gone crazy.
  • Protagonist as the victim of mad, conspiratorial military and political systems caught in a closed system.
  • Replacing visions of honor and glory with nightmarish comedy sketches of violence, bureaucracy and madness.
  • Sense of disillusionment about the military.
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7
Q

Cold war and fear of annihilation
Metafiction / absurdity
“Slaughterhouse Five” - Kurt Vonnegut

A
  • Science fiction + satire and comedy + bleak determinism.
  • Conversational tone + short chapters + almost childlike descriptions.
  • Suffering and atrocities human beings experienced in 20th century.
  • Own experiences as a prisoner of war.
  • Not chronological order.
  • Billy has no control over where he goes and moves throughout his life randomly.
  • “So it goes”.
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