neither here nor there LIT Flashcards

1
Q

What’s the genre?

A

chapter of a travel memoir, comedic

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2
Q

What’s the register?

A

informal, absurd, flippant

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3
Q

context of production

A

Bill Bryson, American author

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4
Q

Who’s the audience?

A

people thinking of going to Paris, fans of bill (american and british)

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5
Q

What’s the mode?

A

written/anecdotal

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6
Q

What’s the purpose?

A

written, to entertain and inform

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7
Q

What’s the subject?

A

it’s about his time and experiences in Paris, reality of Paris - its culture

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8
Q

representation of Paris

A
  • saying Paris is overrated
  • conforms to negative stereotypes
  • challenging how Paris is presented in media
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9
Q

metonym (refers to one part)
‘pairs of hurrying legs’

A

reflects the collective, public chaos of Paris

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10
Q

simile & syndetic listing
‘like flocks of startled birds…’

A

simile reflects how Paris is quick moving, dynamic, ‘frantic’, syndetic listing creates a chaotic feel

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11
Q

superlative adverb
‘most pathologically’

A

implies that it’s in thier natured, engrained in DNA

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12
Q

hyperbole
‘most pathologically’
‘lunatic drivers’
‘foolishly tried to cross’
‘people of Paris want me dead’

A

comedic tone, opinionated, reflects underlying frustration/anger, presenting danger levels (enough to get you killed)

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13
Q

second person narrative ‘you’

A

immerses reader in the action, places the reader in Paris

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14
Q

adjective phrase ‘killer automobiles’

A

implies the cars are dangerous because of the ‘lunatic drivers’

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15
Q

intertextual reference
‘Batman’
‘Edvard Munch’s ‘The Scream’

A
  • Jack Nicholson plays ‘the jooker’, sinister, ominous, threatening, implies drivers are insane and unhinged
  • reference to painting, high-brow
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16
Q

simile
‘like an abandoned garden hose’
‘the ‘Mona Lisa’ was like a postage stamp’
‘like a department store on the first day of a big sale’

A
  • use of simile is effective as it makes it clear that there’s no structure/order in the queue, implies French are bad at queueing (playing on Parisian stereotypes)
  • unimpressive tourists expereince, not being celebrated (tucked away), tourist experience underwhelming
  • humour, relatable comparison - hectic
17
Q

USA stereotype
‘bullet holes in their trench coats’

A

flippant tone, sensitive topics
gets away with it as he’s American

18
Q

British stereotype
‘I say, kindly take your place…’

A

stereotype that the British are good at queueing and polite, positive representation

19
Q

high register vocab vs low brow vocab
‘well-travelled’ ‘shit’

A

humorous due to contrast, unexpected

20
Q

direct speech
‘why?’ ‘it just is, believe me.’

A

makes the story more immersive and captivating

21
Q

dysphemism
‘when a bird shit on his head.’
‘dog shit’

A

contradicts ‘pristine’ idea of Paris, absurd humour

22
Q

flippant tone
‘spanish gigolo’

A

crude reference, reinforces a flippant tone

23
Q

scatological humour
‘pot of yoghurt upended’

A

vulgar, Bryson being humorous, shocking audience, keeping them involved

24
Q

irony
‘but I guess that’s what you get when you build with plastic’

A

being ironic to create humour

25
juxtaposition 'a haven' 'crowded and confusing'
the reality is disappointing, symbol of Paris (crowded, pretentious and a let down)
26
simple sentence 'it has no heart' 'they are for people'
reflects matter of fact tone, assured of his knowledge - what would improve Paris
27
syntactic parallelism, adverb 'too much money, too little sense'
suggests excessive amounts - capitalist society, Bryson criticising Paris
28
parentheses 'a male Russian wrestler'
gives us extra information that we wouldn't have assumed
29
hyperbole 'thank you for winning the war for them'
creating humour, as if winning the war is down to one person, suggests Bryson expects Paris to feel personable
30
hyperbolic tone 'I even saw a waiter smile once'
humorous as he's acting like their simple acts of kidness are a revelation, playing on stereotype
31
vulgar dysphemism 'imperfectly formed piece of shit'
excessively graphic, absurd humour