Nature poems Flashcards

1
Q

Riverdi def

A

A common motif in Romantic + Transcendalist literature + music> celebration of unfettered joys of Spring
Nature as regenerative + verdurous

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2
Q

Saddest Noise- Stanzas 1-3

A

Profound ambivalence towards nature
D implies nature contains both melancholy + sweetness
Nature’s ability to evoke an awareness of the passing of time + thoughts of death
Must face mortality with the full consciousness of humanity

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3
Q

Saddest Noise- Stanzas 4 and 5

A

Tonal shift
D refuses to revert to Transcendentalist naivety that nature is a refuge
BUT she refuses to fully negate nature as cancelling death would mean cancelling life> to be human is to both despair and elate

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4
Q

Saddest Noise - perfect common metre

A

Belies D’s paradoxical view of nature/ consistent passing of time + subverts Riverdi tradition

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5
Q

Saddest Noise- D’s intentions + intentions of her opus as a whole

A

All of D’s speakers are unafraid to consider nature, life and death in all their multi-faceted mystery, suggesting that D believes this is the only way to live authentically.

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6
Q

Blazing- Form + Metre

A

Loosened ballad metre (akin to folk tales and hymns) > mythic importance

Entirely trochaic (stressed) metre

Compressed quatrains to form single octet> gives Sun an invigorating rush

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7
Q

Blazing- conceit

A

The eternal sun as a protean, medieval juggler = celebration of Sun’s many guises / fleeting movement of the sun is reflective of Life’s ephemerality

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8
Q

What quickens the pace in Blazing?

A

Compression of quatrains into a single octet
Ballad metre= free form
Non-finite verbs mimics the rise and fall
Uncharacteristic lack of Dickinsonian dashes

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9
Q

Blazing What statement

A

Dickinson explores the captivating beauty of nature’s ephemerality through ‘Blazing’, in which she personifies the eternal Sun as a protean, opulent source of splendor.

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10
Q

Narrow Fellow- what statement

A

Dickinson destabilizes the contemporary Transcendentalist view of the natural world as mankind’s ennobling refuge by compressing Nature into a deceitful and malicious bestial force.

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11
Q

Narrow Fellow- form and metre

A

Varies b/w common metre + iambic trimeter, stanzas have a deceptive regularity

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12
Q

Narrow Fellow- Why statement

A

Therefore, Dickinson appropriates the contemporary confidence in nature’s benevolence to destabilize its tenets founded upon a naïve ignorance of its raw reality.

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13
Q

Like Rain- what statement

A

In Passage #, Dickinson exercises her poetic prerogative to express the conceptual sublime with circuitous verse through capturing the awe of a Vate poet witnessing an intense natural phenomenon.

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14
Q

Like Rain- 4 essential ideas

A
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15
Q

Like Rain- why statement

A

Ultimately, Dickinson presents a Romantic Vate speaker whose experience of a sublime encounter, engendering poetic epiphany, has rendered them spiritually ascendant.

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16
Q

Like Rain- form and metre

A
17
Q

Narrow Fellow- Stanzas 1 and 2

A

Snake as emblemtaic of all fo Nature- commonplace + malicious
More pessimistic view of N begins to destabilise Trans. tenets that positions N as benevolent + ennobling

18
Q

Narrow Fellow- Stanzas 3,4,5

A

Boyhood encounter w snake= nature as a collectivised, malicious form
Sp. desperately ties to reinfore Trans. union w N, but fails
Stanza 5 eschews sentimentality to accept fear> all the sp. knows is N contains an undeniable malice

19
Q

Like Rain- speaker

A

Vate poet figure spontaneously enacting a process by which nature’s sublimity is captured in language

20
Q

Two Butterflies- form and metre

A

Regular metricality- creates harmony/ symbiosis b/w the butterflies and the Vate speaker.

21
Q

Two Butterflies- what statement

A

Passage # is one such poem which evidences Dickinson’s tendency to align with Romantic notions, despite her destabilization of contemporary tenets in her other works. Dickinson presents a Vate poet describing the fleeting flight of two emblematic butterflies- their movements transcending reality.

22
Q

Two Butterflies- Why statement

A

Ultimately, Dickinson explores the capacity of nature to facilitate divine inspiration through bridging the real world with the heavenly realms of poesy.

23
Q

Two Butterflies- the 2 things the conceit of the butterflies represent

A
  1. Nature’s capacity to inspire the imagination
  2. Poetic inspiration
    (Nature’s sublime and cyclical beauty)
24
Q

Two Butterflies- Stanzas 1 and 2

A

Explore the butteflies’ flight as transcending dimensional + onotological boundaries
Emphasises the transcendent capacities of the Vate poet’s imagination

25
Q

Stanza 3- Two Butterflies

A

The Vate poet’s imagination is disrupted by industry
Elucidates negative capability- the poet must accept that bouts of poetic inspiration are elusive + transient