Despair poems Flashcards

1
Q

Loaded Gun- form

A

Lyric poem in 6 stanzas
Lyrical ballad as it tells a story
Common metre

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2
Q

Loaded Gun- stanzas 1-5

A
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3
Q

Loaded Gun- stanza 6

A
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4
Q

Loaded Gun- what statement

A

In Passage, the speaker sources superficial agency through an unconventional relationship with a patriarchal figure.

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5
Q

Loaded Gun- D’s intentions

A

Dickinson characterizes female identity as immanently powerful; exposing the futility of seeking self-actualization through subservience while urging women to resist subjugation by patriarchal forces.

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6
Q

Loaded Gun- conceit

A

Female speaker as a weapon of destruction + t/f tool of patriarchy

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7
Q

Hope- form and metre

A

Lyric poem in 3 stanzas
‘Definition poem’
Hymnal qualities of common metre to make the poem sound melodic like birdsong itself

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8
Q

Hope- conceit

A

Hope as a bird perched in the soul which provides comfort during life’s darker moments

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9
Q

Hope- Stanza 1

A

Defines hope, also obliquely about despair
Hope is everpresent even if we can’t discern it in life’s darker moments

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10
Q

Hope- Stanza 2

A

Not only is hope present in despair, it is in fact strongest in despair

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11
Q

Hope- stanza 3

A

Hope has remained with the speaker themselves in the most extreme circumstances, and as asked nothing in return

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12
Q

Hope= Dickinson’s intentions

A

Hope is a uniting force which provides a source of light in the darkest of times
Sp. has experienced this themselves.

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13
Q

Slant- metre

A

Regular hymn mater belies + intensifies sp’s despair as in ‘Frost’, ‘Funeral’ and ‘Blank’

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14
Q

Slant- what statement

A

Dickinson explores the incapacity of religion and external paradigms to provide solace in the face ineludible mortality.

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15
Q

3 purposes ‘Slant’

A
  1. Despair is inherently linked to mortality, nature is also linked to mortality
  2. The structures that transcendentalists + Christians find binding do not necessarily provide comfort/ solace
  3. Discourse on shared humanity/ agony is isolating yet universal
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16
Q

Blank- metre

A
  • Works self-consciously against the common metre.
  • Severed tetrameter in Line 1 defers expectations and creates a literal blank space/ mimics the vacancies of a maze.
17
Q

Blank- form

A

A lyric poem in 2 stanzas

18
Q

Blank- 2 interpretations of the ending

A
  1. Sp. turns away from the abyss of despair, and closes their eyes to continue occupying the suffocating, liminal space.
  2. Romantic resolution to trust their intuition/ tactile feel rather than eyesight, to guide them out of the labyrinth
19
Q

Funeral- Form

A

A lyric poem in 5 stanzas
Each stanza follows the stage of a funeral
Told entirely in the first person
1. The wake
2. The service
3.The procession
4. The funeral toll
5. The burial

20
Q

Funeral- conceit

A

The speaker experiencing a funeral in their brain, as they descend into insanity

21
Q

Funeral- Stanzas 1-4

A

Concrete voice to an experience of despair
Excruciating + annihilating pain
Proto-modern portrayal of despair

22
Q

Funeral- stanza 5 (Dickinsonian turn)

A
  1. Sp descends into insanity as they enter the grave
  2. Epiphanic revelation/ discovery of new worlds> break through rather than break-down
23
Q

Funeral- metre

A

Regular common meter + uncharacteristic full rhymes belie/ intensify the sp.’s psychical despair (Link to B/c and Frost)

24
Q

Funeral- What statement

A

Dickinson presents an introspective reflection of disassociation, alienation and sorrow through the conceit of a funeral procession occurring in the speaker’s conscience.

25
Q

Funeral- Why statement

A

Ultimately, Dickinson utilizes the haunting imagery of Passage to divulge the pain of disassociation, while potentially suggesting that suffering may engender psychical epiphanies.

26
Q

Blank- what statement

A

Dickinson explores the maddening tedium of disassociation through the conceit of the speaker’s mind as a labyrinth of blanks, in which an amorphous monster of meaninglessness lurks.

27
Q

Blank- why statement

A

Ultimately, while Dickinson may be suggesting that prolonged mental suffering may engender epiphanic reform, the proto-Modernist poet does not forgo a genuine depiction of psychical torment.