Musical Terms Flashcards

1
Q

Consonance

A

Notes at rest.

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2
Q

Dissonance

A

Notes that need to be resolved.

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3
Q

Pitch/Interval

A

Pitch is the frequency of a note, interval is a grouping of pitches in ascending frequency.

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4
Q

Tonic/Dom./Sub-Dom.

A
  1. Tonic (I): Home base, consonant, works like the subject of the sentence.
  2. Dominant (V): Dissonant, works like the verb in a sentence.
  3. Sub-Dominant (IV): Dissonant, less dissonant than the dominant. Works as an adverb in a sentence.
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5
Q

Measure/Bar

A

Groupings of the basic beat in sets.

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6
Q

Rhythm

A

Includes the basic beat and everything that is played in a given tempo.

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7
Q

Tempo

A

How many beats per minute. How fast the music is.

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8
Q

Instrument Families

A

Strings, woodwinds, brass, percussion, and keyboard instruments.

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9
Q

Ensembles

A
  1. Symphony Orchestra: primarily strings with various woodwinds, brass, and percussion.
  2. Symphonic Band: like the high school marching band.
  3. String Quartet: two violins, one viola, one cello.
  4. Brass & Woodwind Quintet
  5. Choirs and Chorus
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10
Q

Music Period Dates

A
Middle Ages 500-1450
Renaissance 1450-1600
Baroque 1600-1750
Classical 1750-1825
Romantic 1825-1900
Modern 1900-Present
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11
Q

Gregorian Chant

A

Early monophonic music in the church. Called gregorian because of Pope Gregory.

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12
Q

Mass (proper and ordinary)

A
Proper (text changes weekly)
Ordinary (text stays the same):
Kyrie
Gloria
Credo
Sanctus
Angus Dei
Ite, missa est
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13
Q

Notre Dame School

A

First users of polyphonic music, organum, and motet. Leonin and Perotin.

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14
Q

Organum

A

Two voiced composition

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15
Q

Motet

A

Three or Four voiced composition

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16
Q

Jongleurs

A

Secular musicians that Served as “CNN” of middle ages, spreading news in the form of music and poetry. Mostly homeless beggars

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17
Q

Troubadours and Trouveres

A

Secular musicians that were in someway attached to nobility/courtship.

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18
Q

Text painting (word Painting)

A

Heightening the dramatic impression of words using musical “tricks”. Using extreme dissonances, chromatic passages, dramatic melodic leaps, and other non-conventional methods.

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19
Q

Cantus firmus

A

“Fixed song.” Usually a repeating section of monophonic music.

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20
Q

Madrigal

A

Multi-voiced pieces with no musical accompaniment. Popular in renaissance period.

21
Q

Monophonic

A

Music with a single line of melody.

22
Q

Polyphonic

A

Music with 2 or more lines of melody.

23
Q

Monody

A

Single line of melody over a simple instrumental accompaniment. Made the vocals easier to understand with little polyphony.

24
Q

Florentine Camerata

A

Informal group of writers, poets, musicians, philosophers, and artists. Did research into how the Greeks used music and drama.

25
Q

Figured Bass/Basso Continuo

A

The instrumental accompaniment to a monodic opera. Usually consisting of 1-2 instruments.

26
Q

Opera

A

Drama set to music.

27
Q

Opera: Aria

A

Solo vocal style for opera

28
Q

Opera: Recitative

A

A singing pattern very similar to speech, allowing the drama to unfold quicker, and ease of understanding.

29
Q

Opera: Castrato Singers

A

Vocally talented young boys whom were castrated so as to make their voices higher. (more soprano)

30
Q

Conterpoint

A

counterpoint is the relationship between voices that are interdependent harmonically (polyphony) yet independent in rhythm and contour.

31
Q

Fugue

A

A structure/texture of writing music based on a repeating melody. To be improvised upon

32
Q

Fugue: subject

A

The main melody of the fugue.

33
Q

Fugue: countersubject

A

A secondary melody in the fugue used to compliment the first melody.

34
Q

Fugue: answer

A

Follows the same melodic shape as the “subject” but starts on the Dominant (V) note.

35
Q

Fugue: exposition

A

The subject, countersubject, and answer all grouped into one piece of music.

36
Q

Fugue: episodes

A

Spin offs of the main exposition of the piece/small additions.

37
Q

Trio Sonata

A

Two violins with continuo accompaniment (another instrument in the background)

38
Q

Sonata da cheisa

A

(church sonata)

Alternating slow and fast movements.

39
Q

Sonata da camera

A

(chamber sonata)

Generic introductory movement followed by dance movements.

40
Q

Italian Overture

A

fast-slow-fast

41
Q

French Overture

A

slow-fast-slow

42
Q

French Suite

A

An overture followed by several individual dance movements such as allemande, courante, sarabande, and gigue.

43
Q

Solo Concerto

A

A three movement work (fast-slow-fast) for a single solo instrument. Usually violin, flute, or oboe.

44
Q

Concerto Grosso

A

Pitted a small group of instruments against the full orchestra.

45
Q

Concerto Grosso: tutti (or ripieno)

A

Tutti/Ripieno: the small group of instruments.

46
Q

Concerto Grosso: concertino

A

Concertino: the entire orchestra.

47
Q

Cantata

A

a medium-length narrative piece of music for voices with instrumental accompaniment, typically with solos, chorus, and orchestra.

48
Q

Oratorio

A

a large-scale musical work for orchestra and voices, typically a narrative on a religious theme, performed without the use of costumes, scenery, or action.