Music Publishing Flashcards

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1
Q

What two entities can hold a songwriting copyright at the same time?

A

Songwriter and publisher

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2
Q

How do the two entities, who hold a songwriting copyright at the same time, traditionally split any income?

A

50/50 for duration of the contract

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3
Q

The publishing industry uses songs written for two basic purposes. What are they?

A

Ones for personal use and one for use by others

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4
Q

If a writer has a co publishing agreement with a publishing company, how are the profits usually split?

A

All of the songwriters share to the songwriter, 50% to the publishers share to the external publisher, 50% of the publishers sagte to another publisher, often owned by the songwriter

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5
Q

What does cross-collateralization refer to?

A

The record company will consider the publishing contract linked and any money paid must be restored to all parties before the songwriter will not be paid for future royalties

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6
Q

What is a song plugger?

A

The advocate for your song at the publishing company who tries to get others to use the song

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7
Q

When do you have to serve the owner/publisher a notice of intention to obtain a compulsory license?

A

When you record it

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8
Q

There are many reasons to call Harry fox. Which of these is not a reason?

A

Because you want to list your song with a publisher

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9
Q

What is one way SESAC is different from other PRO’s

A

They act as an advocate to get their writers recording contracts

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10
Q

What is sundry use?

A

Songs used for commercial advertising

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11
Q

Which are the following are not considered for print music royalties?

A

Internet tablature arrangement

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12
Q

What is a grand right?

A

The right to use the complete musical as an entity

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13
Q

What is a dramatic right?

A

The right to use a song from a musical

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14
Q

What role do PROs play in grand rights

A

They are not involved

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15
Q

How much is the typical karaoke license paying the copyright holder?

A

Whatever is collected from PROs as mechanicals don’t apply because all karaoke is performed in licensed venues

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16
Q

What is CanCon

A

Principle that no less than 35% of the artists played in Canadian radio stations are Canadian songwriters

17
Q

What is FACTOR

A

Organization that assists in financing the tour by Canadian artists

18
Q

What is SOCAN?

A

The Canadian performing rights organization

19
Q

What is CMRRA

A

The Canadian equivalent to Harry fox

20
Q

In the context of a publishing contract, what is an example of assignment?

A

When the rights are given to the publisher

21
Q

In the context of a publishing contract, what is an example of default?

A

When terms of the contract are not carried out

22
Q

In the context of a publishing contract, what is an example of breach?

A

When a court rules against a party that violates the contract

23
Q

In the context of a publishing contract, what is an example of remedy?

A

When the writer asks the publisher to correct a problem

24
Q

What is considered At Source?

A

When the publisher and writers share is calculated on income earned in a foreign territory without deductions

25
Q

What is considered receipt-based?

A

When the publishers and writers share is calculated only on income received by the publisher in the United States, after payments or deductions to a sub publisher have been made

26
Q

What is sound exchange collects for all of the following but

A

Reverb nation in demand (not streaming)