Music Flashcards

Afro-Latin and Popular Music - Music and Instruments of Hardships

1
Q

in the 19th century, these people from the continent of Africa were brought to America

A

slaves

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2
Q

this has influenced the genres of american music and has become what is uniquely american

A

african-american

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3
Q

the african slaves brought this with them in the 17th century

A

banshaw or known today as banjo

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4
Q

the music that developed while working on plantations in the southern region

A

holler songs or work songs

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5
Q

these songs expressed the hardships of the slaves and their longing for freedom

A

negro spirituals

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6
Q

negro spirituals use these to express enslavement

A

biblical metaphors

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7
Q

Black musicians during the 19th century would call syncopated rhythms as a way of “ragging” a tune

A

ragtime

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8
Q

were done on instruments as they were used, eventually, they were referred to the piano music that we call today as ragtime

A

syncopations

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9
Q

He is the king of Ragtime and composed the “Maple Leaf Rag” around 1899, which became one of the first ragtime hits

A

Scott Joplin

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10
Q

considered one of the simplest musical genres that evolved from the music of black or African-Americans

A

Blues

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11
Q

blue music is structured on three main chords:

A

1.) tonic
2.) subdominant
3.) dominant triads

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12
Q

this began in New Orleans during the late 19th century

A

Jazz

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13
Q

this has been acknowledged as the most creative and complex genre of music

A

Jazz

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14
Q

one of the early forms of jazz, this started in the early 1920’s in new orleans

A

dixieland

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15
Q

it is often played on a band with trumpet cornet, trombone, clarinet, saxophone, banjo, piano, string bass, and drums

A

dixieland

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16
Q

two of the most prominent dixieland performers

A

Louis Armstrong and Jelly Roll Morton

17
Q

composed of 10 or more players with basically the same instrumentation as that of dixieland

A

big band

18
Q

a highly danceable music type that became famous until the 1940

A

swing music

19
Q

this group is relatively small, with just four to six musicians

A

bebop

20
Q

characterized by complex melodies and chord progressions

A

bebop

21
Q

a style of singing that uses syllables sung to improvised melodies

A

scatting