Much Ado About Nothing Flashcards

1
Q

Leonato describes the relationship between Benedick and Beatrice (act 1)

A

Leonato: There is a kind of merry war betwixt Signor Benedick and her

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2
Q

Beatrice atypically denouncing a mans love

A

I had rather hear my dog bark at a crow than a man swear he loves me

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3
Q

Claudio asking his friends if Hero is honorable

A

Is she not a modest young lady?

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4
Q

A joke by Benedick, asking Claudio if he’d purchase Hero. The objectification of women can be seen here.

A

Would you buy her that you enquire after her?

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5
Q

Don Pedro’s very wise and ironic statement about marriage with reference to the cuckhold

A

In time the savage bull doth take the yoke

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6
Q

Claudio declaring how now his war mindset has left (suggesting how now there’s space for love)

A

But now that I am returned, and that war-thoughts/Have left their places vacant, in their rooms/Come thronging soft and delicate desires

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7
Q

Don John admitting to villainy

A

I am a plain-dealing villain

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8
Q

Antonio asking Hero if she’s going to abide to her father

A

Well niece, I trust you will be ruled by your father?

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9
Q

Beatrice talking about love and marriage using famous dances as comparisons

A

…wooing, wedding, and repenting is as a Scotch jig, a measure and a cinquepace.

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10
Q

Claudio hysterically denouncing beauty

A

For beauty is a witch/Against whose charms, faith melteth into blood

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11
Q

Benedick feeling attacked by Beatrice, emphasising his pain using metaphors of war

A

She speaks poniards, and every word stabs

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12
Q

Beatrice

A

… a double heart for his single one

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13
Q

Don John seeking trouble, revenge

A

Any bar, any cross, any impediment will be medicinable to me

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14
Q

Claudio

A

Bait the hook well. This fish will bite.

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15
Q

Benedick expressing his love for Beatrice pt.1

A

…I will be horribly in love with her…The world must be peopled

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16
Q

Beatrice

A

I will require thee, taming my wild heart to thy loving hand

17
Q

Don John manipulating Claudio and Don Pedro into belief that Hero is promiscuous and disloyal

A

…Leonato’s Hero, your Hero, every man’s Hero

18
Q

Hero describing her heavy heart of emotion whereas Margaret replies with a euphemism/innuendo

A

Hero: …my heart is exceedingly heavy
Margaret: Twill be heavier soon by the weight of a man

19
Q

Claudio/Don Pedro

A

Give not this rotten orange to your friend!

20
Q

Don Pedro shaming Hero alongside Claudio

A

I stand dishonoured that I have gone about/To link my dear friend to a common stale

21
Q

Leonato ashamed of Hero and hysterically stating that only death can cease this shame

A

Death is the fairest cover for her shame

22
Q

Leonato exaggerating his pain from Hero’s shame, using metaphors of in and sea to express how much shame she has.

A

O she is fallen into a pit of ink, that the wide sea/Hath drops too few to wash her clean again

23
Q

Friar speaking to Hero

A

Come lady, die to live

24
Q

Beatrice’s bold imperative, directed at Benedick

A

Kill Claudio

25
Dogberry confusingly speaking
Yet forget not that I am an ass
26
Leonato challenging Claudio and Don Pedro to a duel
And with grey hairs and bruise of many days/Do challenge thee to trial of a man
27
Benedick’s wise statement
In a false quarrel there is no true valour
28
Borachio stating how the intelligent have been blind to the truth whereas the fools(dogberry, verges etc) have spoken the truth. Comedic effect: lower class speak the truth
What your wisdom could not discover, these shallow fools have brought to light
29
Claudio not really owning up to his mistakes, blaming it on the circumstance rather than his own wrongdoing
Yet sinn’d I not/But in mistaking
30
Margaret stating that women don’t need to be protected, they want to defend themselves(their own honour)
Give us swords, we have bucklers of our own
31
Benedick talking to Beatrice about how they are unable to court each other in peace. He uses the intimate pronoun “thou”
Thou and I are too wise to woo peaceably
32
Hero confirming her modesty and honour (act 5)
And surely as I live, I am a maid
33
Benedick silencing Beatrice with a kiss(act 5)
Peace I will stop your mouth
34
Benedick’s contradiction and one of his final words (act 5)
For man is a giddy thing, and this is my conclusion