Atonement Flashcards

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1
Q

Briony knows that the manipulation of the mind shows that people will give her the attention she craves

A

“The imagination itself was a source of secrets”

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2
Q

The social power + hold that the Tallis daily have over Robbie. Also shows how they see potential in him and that Robbie is ambitious

A

“Now there was talk of medical school too, which after a literature degree seemed rather pretentious”

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3
Q

Briony’s controlling, idealistic nature

A

“She was one of those children possessed by desire to have the world just so”

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4
Q

Description of the Tallis house

A

“Morning sunlight, or any light, could not conceal the ugliness of the Tallis home”

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5
Q

Cecilia’s thoughts about Paul Marshall, in third person omniscient voice. Foreshadows the future and paints PM as a villain.

A

“How self-destructive it would be, almost erotic, tone married to a man so nearly handsome, so hugely rich and so unfathomably stupid”

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6
Q

Briony’s immaturity, and her nosy and controlling nature.

A

“It was wrong to open people’s letters, but it was right, it was essential, for her to know everything”

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7
Q

Ian McEwan commentary on people

Pt.3

A

“A person is, among all else a material thing, easily torn, not easily mended”

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8
Q

Older Briony evaluating her atonement and if she’s really writing about the truth

A

“How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?”

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9
Q

Brio y defends her choice to change the fate of cecilia and Robbie in her work by stating that once one dies, a person exists only in memories or by being immortalised on paper. Also shows her controlling the events right up to the end of her life

A

“When i am dead … we will only exist as my inventions”

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10
Q

Briony has no secrets pt.1

A

“But hidden draws, lockable diaries and cryptographic systems could not conceal from Briony the simple truth: she had no secrets”

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11
Q

Cecilia tells Robbie that Briony read the letter

A

She said “Briony read it”

“Oh God. I’m sorry”

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12
Q

Briony’s thoughts about Robbie after she’s created this villainous personality about him. Ironic because she mentions how he can’t be forgiven, and it is arguable that her novel is solely about that.

A

“Did he believe he could conceal his crime behind an parent kindness, behind this show of being the good shepherd? This was surely a cynical attempt for forgiveness for what could never be forgiven”

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13
Q

Briony has no secrets and is cautious pt.2

A

“Her wish for a harmonious, organised world denied her the reckless possibilities of wrongdoing”

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14
Q

Emily Tallis description

A

“The less she was able to do, the more she was aware”

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15
Q

Emily Tallis, wanting to stand up but fearing so

A

“The fear of pain kept her in place”

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16
Q

Emily Tallis’ Briony is no longer a child needing her

A

“But now baby and bath water had vanished behind a locked door”

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17
Q

Briony’s memory of Cecilia, a motherly gesture

A

“Come back, her sister used to whisper when she woke her from a bad dream”

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18
Q

Briony quote

A

“Briony has lost her godly power of creation”

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19
Q

Robbie, bathtub thoughts chapter

A

“His own rather forced self-certainty. I am what I am”

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20
Q

Robbie, thinking of himself as the protagonist of his own story

A

“There was a story he was plotting with himself as the hero”

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21
Q

Robbie, dreams and aspirations of a young adult

A

“Never before felt so self-consciously young, not experienced such appetite, such impatience for the story to begin”

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22
Q

Leon is quite immature/spoilt

A

“Leon, who had the pure gift of avoiding responsibility, would not assume his fathers role”

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23
Q

Irony about Briony using a nursery rhyme, it foreshadows her situation.

A

“ she wrote ‘there was an old lady who swallowed a fly’”

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24
Q

Briony hating on Robbie

A

“He was the incarnation of evil”

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25
Q

Cecilia snaps at Briony at the dinner table

A

“Shut up for goodness sake! You really are a tiresome little prima donna”

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26
Q

Briony’s uncomfortable age, where she fits into no specific age group

A

“Briony inhabited an ill-defined transitional space between nursery and adult worlds which she crossed and recrossed unpredictability”

27
Q

Marshall’s underlying motive on the night when the twins went missing

A

“Marshall said,’there’s no moon. It’s pretty dark out there”

28
Q

Emily’s distaste for her sister

A

“Hermione, stealer of scenes, little mistress of histrionics”

29
Q

Emily Tallis has always been deceived

A

“Wronged child, wronged wife”

30
Q

Emily recollecting her thoughts about Robbie at the dinner

A

“She thought of Robbie at dinner when there had been something manic and glazed in his look”

31
Q

Briony’s certainty about seeing the culprit of Lola’s rape

A

“She had no doubt. She could describe him. There was nothing she could not describe”

32
Q

Briony putting words into Lola’s mouth

A

“It was Robbie wasn’t it?”

33
Q

Briony’s self-confidence that she did not mistake the man

A

“Well I can. And I will”

34
Q

Lola after the rape pt.1

A

“Empty oval”

35
Q

Lola after the rape pt.2

A

“Treasured patient, recovering victim, lost child, let herself be bathed in the concern and guilt of the adults in her life”

36
Q

Briony believing she did her best in defending Lola

A

“All her work, all her courage and clear-headedness, all she had done to bring Lola home - for nothing”

37
Q

Grace turner as her son had been taken away

A

“Liars!Liars!Liars!”

38
Q

Description of Nettle and Mace

A

“They were two townies who disliked the countryside and were lost in it”

39
Q

Part 2 — Robbie’s upper class upbringing in war

A

“He acted like an officer, but he didn’t have a single stripe”

40
Q

Cecilia’s letter ending to Robbie

A

“I love you. I’ll wait for you. Come back. Cee”

41
Q

Robbie acting as an officer of higher rank by using his upper class upbringing. Social class present in war.

A

“Actually, old boy, to tell the truth, I think we’d rather not”
…..
“Good luck major”

42
Q

Corporal Nettle making fun of Robbie (lightly) because of his accent.

A

“‘He swallowed a fucking dictionary’ corporal Nettle said proudly”

43
Q

Lack of time to commemorate each death, the dehumanisation of the soldiers

A

“The corporals didn’t pause for ceremony. They began to shovel in the dirt and soon the boy had vanished”

44
Q

Part 2. Robbie recalls Briony’s crush on him

A

“He was the object of a schoolgirl crush”

45
Q

Part two. Robbie’s conviction is based from a child no one doubted

A

“She named him - and no one but her sister and his mother doubted her”

46
Q

Universal feeling of soldiers, the dehumanisation

A

“Like everyone else, Turner kept going”

47
Q

The wait for ships to arrive, men spotted in the distance of the shore

A

“From the distance they looked as placid as cattle”

48
Q

Omniscient narrative expressing Robbie’s changed thoughts about literature

A

“But what did the poets know about survival?”

49
Q

Nettle description

A

“Nettle’s soothing whisper”

50
Q

Robbie’s final words, pg.265, irony

A

“‘I promise, you won’t hear another word from me’”

51
Q

People’s naivety and optimism about no ww2

A

“-Cheer up love, it might never happen”

52
Q

Foreboding sense of war, pt.1

A

“The wards were emptied, but the work intensified”

53
Q

Description of the nurses with emphasis on cleaning

A

“Initiated into a cult of hygiene”

54
Q

Sense of foreboding war pt.2

A

“Gleamed in spacious silence, waiting”

55
Q

Briony thinking about her atonement/guilt

A

“She was unforgivable”

56
Q

Briony’s vision for the future

A

“To Briony, it appeared that her life was going to be lived in one room, without a door”

57
Q

Comforting outlook on life during mass pain and death

A

“That was one comfort. There was always someone worse”

58
Q

Part three. Amo bar mention

A

“Sodden crumbs of Amo bars”

59
Q

Lola marrying Marshall irony

A

“And what luck was for Lola - barely more than a child, prised open and taken - to marry her rapist”

60
Q

Paul Marshall description

A

“Oily with hatred”

61
Q

Brionys strange homesickness

A

“It was her sister she had missed - or more precisely, it was her sister with Robbie. Their love. Neither Briony nor the war had destroyed it”

62
Q

Briony’s illness hint. Part five?

A

“I’m fading into unknowing”

63
Q

They’re all guilty, it’s not just Briony

A

“There was our crime - Lola’s, Marshall’s , mine”