Monologue Test Flashcards

1
Q

Who is Stanislavski?

A

Russian Actor & Co-founder of Moscow Theatre Company, observed that gifted actors create natural believable characters by showing natural actions and reactions

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2
Q

What did Stanislavski do?

A

Developed a system of techniques for creating realistic acting

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3
Q

What did Stanislavski say?

A

“the actor must first of all believe in everything that takes place on stage, and most of all, he must believe in what he himself is doing”

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4
Q

What are the first 3 Elements of an Action?

A

The Magic If, Given Circumstances, and Imagination

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5
Q

What are the last 4 Elements of an Action?

A

Concentration of Attention, Truth & Belief, Communion, Emotional Memory

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6
Q

Describe “The Magic If”

A

When the actor asks “What would I do if I were in the same situation”

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7
Q

Describe “Given Circumstances”

A

The 5 W’s of the script

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8
Q

Describe “Imagination”

A

The actor must have a rich imagination. He must observe people and their behaviour

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9
Q

Describe “Concentration of Attention”

A

The actor must focus all of his attention on the stage not on the problems of the outside world

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10
Q

Describe “Truth and Belief”

A

The actor must truly believe in the make belief vworld he is creating. An audience will not be deceived by and actor who is not truthful to his character

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11
Q

Describe “Communion”

A

The actor must put all of his effort into communicating with his stage partners and with the audience

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12
Q

Describe “Emotional Memory”

A

The actor needs to express stage experiences and NOT real ones. Therefore if an actor can use the “feelings” that he experienced in a similar situation to influence his actions on stage.

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13
Q

Define “Super Objective”

A

The “context” or “main theme” of the play - main motivation

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14
Q

Define “Objective”

A

The character’s motivation at different points in his monologue or play - there can be several different objectives

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15
Q

Define “Obstacles”

A

Actions or dialogue that stop/prevent the character from achieving his objective

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16
Q

Define “Beat”

A

Natural pauses in the monologue/dialogue when a character changes emotion and objective

17
Q

Define “Tactic”

A

What does the actor want to do (non-physical) present tense verb e.g to flirt with the boy next door

18
Q

Define “Action”

A

The physical response to the “tactic” e.g. twirl my hair with my finger while talking to him

19
Q

Define “Reaction”

A

The response of your scene partner. It can create an obstacle for your character