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History of Photography > Module 6 for Exam 3 > Flashcards

Module 6 for Exam 3 Flashcards

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1
Q

Lumière Family in the Garden at La Ciotat, c. 1907-15

A

Lumière Brothers

Uses the new autochrome process, introduced by the Lumière brothers.

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2
Q

Still Life, 1912

A

Laura Gilpin
Uses the new autochrome process.
Painterly, evokes still-like paintings.

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3
Q

Emmy and Kitty, Tutzing, Bavaria,

A

Frank Eugene
Alfred Stieglitz’s first wife, and daughter.
Uses the new autochrome process.

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4
Q

Untitled (Wire Spiral and Smoke), 1923,

A

Man Ray,
Rayograph
Modernist, Paris

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5
Q

Violon d’Ingres, 1924

A

Man Ray

Modernist, Paris

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6
Q

The Smoker, 1913

A 
Bragaglia Brothers (Anton Giulio & Arturo)
Modernist
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7
Q

Dynamism of a Dog on a Leash, 1912,

A

Giacomo Balla,
Modernist
Futurism.

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8
Q

The Futurist Painter Giacamo Balla, 1912,

A

Antonio Giulio Bragaglia,
From Fotodinamiso futurista,
Rome, 1913.

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9
Q

Vortograph No. 1, 1917

A

Alvin Langdon Coburn,

American in England, experimentation in abstract photography, Vortographs.

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10
Q

Novyi LEF, 1928

A

Alexander Rodchenko,
Russian. New Graphic Design concepts.
Colorful pattern and juxtapositions.

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11
Q

Avenue des Gobelins, 1925

A

Eugène Atget
Parisian urban scenes of a changing city.
surrealism movement
Bernice Abbot (discovery), owned by MOMA.

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12
Q

Prostitute, Paris, 1920s

A

Eugène Atget,
Parisian urban scenes of a changing city.
surrealism movement
Bernice Abbot (discovery), owned by MOMA.

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13
Q

Students at Work on the Stairway, 1899-1900

A

Frances Benjamin Johnston
Photojournalist
series on Hampton Institue, a record of a historically black uni.

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14
Q

Fort Peck Dam, Montana
The first cover of Life Magazine, 23 November
1936

A

Margaret Bourke-White,

Leading Photojournalist

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15
Q

New York at Night, 1933

A

Berenice Abbott
Does for NYC what Atget does for Paris, chronicler of a changing city.
Apprentices with Man Ray

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16
Q

Orange and Bowls, Twin Lakes, Conn., 1916

A

Paul Strand
Abstraction & Realism
Strand is the last show at 291.

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17
Q

Untitled, c. 1927

A

Charles Sheeler

Known best for his photos of industry and using photos for paintings. He is also a painter.

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18
Q

Upper Deck, 1929

A

Charles Sheeler,
Oil on Canvas, Fogg Art Museum, Harvard University
Precisionism

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19
Q

Industry, 1932

A

Charles Sheeler

While not an example, Sheeler was commissioned to work on the River Rouge site for Ford Motor Company.

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20
Q

Shells, 1927

A

Edward Weston

F64 Group

21
Q

Pepper, 1930

A

Edward Weston

F64 Group

22
Q

Two Callas, 1929

A

Imogen Cunningham

F64 Group

23
Q

Monolith, The Face of Half Dome, Yosemite National Park, 1927

A

Ansel Adams
F64 Group
This was his first visualization, not as the subject appeared, but as a representation of how he felt looking at it. Shot with Rattin 29 F Red Filter.

24
Q

Five Cents Lodging, Bayard St., c. 1889

A

Jacob Riis
Photojournalist - NYC slums
Effects social change

25
Q

Breaker Boys in a Coal Mine, South Pittston Pennsylvania, 1911

A

Lewis W. Hine
Photojournalist - Child labor
Effects social change

26
Q

Ten-Year-Old Spinner, North Carolina Cotton Mill, 1908-09

A

Lewis W. Hine

27
Q

Dust Storm, Cimarron County, 1937

A

Arthur Rothstein

FSA project - Depression Era

28
Q

Migrant Mother, Nipomo, CA, 1936

A 
Dorothea Lange
FSA project - Depression Era 
Icon of the great depression
Inspired Grapes of Wrath, Steinbach 
Subject: Florence Ownes Thompson
29
Q

Pastry Cook, Cologne, 1928

A

August Sander
International - represents a type of social photography - emphasis of peoples professions and not their names, German propaganda.

30
Q

Adolf the Superman: He Eats Gold and Spews Idiocies, 1932

A

John Heartfeld
Anti-war protest
Example of photomontage

31
Q

Hitler’s Dove of Peace, cover from the Arbeiter Illustrierte Zeitung (AIZ), 1935

A

John Heartfeld
Anti-war protest
Example of photomontage

32
Q

Cutting the Barbed Wire, Manzanar, c. 1942-45

A

Toyo Miyatake

He is interned at Manzanar

33
Q

Bombing, Siege of St. Malo, France, August, 1944

A

Lee Miller

Surrealist muse and photographer, 44-45 war correspondent.

34
Q

The first viable color process uses vegetable dyes and gives a painterly quality similar to impressionist art.

A

Lumière, Autochrome (1907)

35
Q

Rayograph

A

Invented by Man Ray this is an image not using a camera, objects placed directly on a light-sensitive paper.

36
Q

Art movement of the avant-garde. in early 20c. and associated with Man Ray.

A

Dada

37
Q

Artistic movement, associated with Russia. Industrial city, car, airplanes, and technology.

A

Futurism

38
Q

First completely abstract kind of photograph using mirrors.

A

Vortograph

39
Q

Russian graphic designer known for colorful patterns and juxtapositions.

A

Rodchenko, Russia (graphic design)

40
Q

Album, photojournalistic portraits of an early African American college(s).

A

Johnston, Hampton Album (1899-1900)

41
Q

Exhibition and book under the same name depict the physical transformation of New York City

A

Abbott, Changing New York (1939)

42
Q

Smooth, sharp painting style of the 1920’s. Like Charles Steeler, upper deck.

A

Precisionism

43
Q

Sheeler was commissioned for this project.

A

Ford Motor Company and River Rouge

44
Q

Group of West Coast Realists, means the smallest aperture setting on a large format camera. Members include Ansel Adams, Willard VanDyke, Eduard Weston, Imogen Cunningham, and John Paul Edwards.

A

Group F/64 (1932)

45
Q

Photojournalism publication that exposes slum conditions in New York, leads to reform.

A

Riis, How the Other Half Lives (1890), Mulberry Bend

46
Q

Commissioned the largest docu-project ever undertaken in the US during the great depression to document how government projects, The New Deal, impacted Americans.

A

Farm Security Administration (FSA)

47
Q

Oversaw the commissioning of 27K photos. on behalf of the Farm Security Administration.

A

Roy Stryker

48
Q

This magazine used Berke White’s photo for its first cover & this year.

A

Life (23 November 1936)

49
Q

Example, Hearfeld.

A

Photomontage

History of Photography (3 decks)

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