MODULE 4: PHILIPPINE LITERARY LANDSCAPE Flashcards

1
Q

In the early 1900s, Filipino poetry celebrated romanticism, and several poems about love flourished.
Eventually, as the years went on, poetry became more formalist; more on the form and language that the poet used, rather than the theme itself
Then, modern poetry sprouted, and nowadays, writers are more adventurous in their craft.

A

PHILIPPINE POETRY

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2
Q

used by the writer to describe their impressions of their topic or object of writing

A

senses and images

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3
Q

what the writer wants you to see

A

visual imagery

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4
Q

what the writer wants you to smell

A

olfactory imagery

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5
Q

what the writer wants you to taste

A

gustatory imagery

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6
Q

what the writer wants you to feel

A

tactile imagery

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7
Q

what the author wants you to hear

A

auditory imagery

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8
Q

writers are very careful of the way they write and the words they use to form their poems

A

poetic diction

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9
Q

denotative and connotative meaning of the words in a sentence, phrase, paragraph, or poem.

A

diction

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10
Q

the way the author arranges words, meters, lines, and stanzas to create a coherent sound
when the poem is read aloud.

A

rhyme scheme

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11
Q

the voice that talks to the reader
“I” or “me” or “she, he, his, her”
not necessarily the poet

A

The Speaker

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12
Q

either the natural or the unnatural arrangement of words in a poem.

A

Word Order

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13
Q

may use a word grammatically or not and may invent words too

A

poetic license

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14
Q

is a story that is entirely made up and is not true.
There are many stories that have shaped the way Filipinos read and view their surroundings.

A

Philippine Fiction

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15
Q

one you relate with, converse with, or listen to the thoughts of

the way he or she changes as the story progresses become the driving force
Characters as symbols of a story to signify something else from its original meaning.

A

The Character

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16
Q

what is said by the character is not what he or she originally meant.

A

verbal irony

17
Q

when the actual outcome of a situation is different from the expected outcome.
also known as the twists and turns in a story.

A

situational irony

18
Q

readers know more than the characters

A

dramatic irony

19
Q

Acc. to Aristotle, story must have a beginning, a middle, and an end.
Plato agreed; adhered to organic unity

A

Plot Structure

20
Q

The most basic structure of a story

A

Freytag’s pyramid

21
Q

beginning of the story; sets the scene; inciting incident—small events and telltale signs that a conflict is coming

A

exposition

22
Q

complications begins to show itself

A

rising action

23
Q

greatest tension in the story

A

Climax

24
Q

result of climax and things start falling into place for the characters

A

falling action

25
Q

french: ending - story reaches its final conclusion

A

denouement

26
Q

One of the most popular genres of literature in the Philippines
also known as creative nonfiction

A

Philippine Non-fiction

27
Q

short piece of writing on a particular subject
An account of historical, personal, and academic events
In newspapers: editorials, columns, and bylines

A

essay

28
Q

distinctive style or personality of a written work that will separate it from other written works

A

writer’s voice

29
Q

“the voice of the writer must ring clear, true, and fine all throughout the written work”

A

Cristina Pantoja-Hidalgo

30
Q

an essay on any topic available and is written in the author’s own unique style

A

Informal Essay

31
Q

Informal and experimental
Brave enough to tackle sensitive issues

A

The Modern Essay

32
Q

his column “Penman” in the Philippine Daily Inquirer.
Literature in the Time of Tokhang

A

Dr. Jose Dalisay, Jr.: “Butch Dalisay”

33
Q

columnist and writer for various publications,
most recently with the online news portal Rappler
changed the face of Philippine journalism
essays on Filipino culture, disasters, and events
The baby in the backpack

A

Patricia Evangelista

34
Q

America is in the Heart
About his migration to the United States & the painful life he lived there

A

Carlos Bulosan

35
Q

“what no other forms of writing seems willing to be.”

A

Carmen Guerrero-Nakpil