Modern Art Flashcards

1
Q

THE MODERN WORLD

Categories for French Art:

A

Classic, Romantic, Realist

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2
Q

– Inspired by Greek and Roman art: clean contour, smooth finish, precise draftsmanship

A

Neoclassicism

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3
Q

– Stressed drama, turbulent emotion, and complex composition

A

Romanticism

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4
Q

– Reaction against neoclassicism and romanticism. Depicts the everyday and the ordinary rather than the heroic or the exotic

A

Realism

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5
Q

– *scenes glimpsed for a moment. sketched rapidly in paint as impressions of light and color in the eye. art moved outdoors

A

Impressionism

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6
Q

Admired the brightened palette and direct painting technique of the impressionists but reacted to the style which is highly personal

A

Post-impressionism

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7
Q

Includes Georges Seurat, Vincent Van Gogh, Paul Gauguin, and Paul Cezanne

Believes that the industrialized world was not something to be needed be confronted but to be escaped

A

Post-impressionism

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8
Q

Freeing color: (wild beast; bold use of color)

A

Fauvism

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9
Q

Believes that the fundamental purpose of art is to express intense feelings towards the world

A

Expressionism

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10
Q

Shattering Form:

Reduced the role of color to minimum order in order to concentrate on the problem of representing the form in space

A

Cubism

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11
Q

Inclusion of nontraditional elements. Merging of figure and the ground. Fragmenting figures and other elements into flat planes

A

Cubism

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12
Q

Believed that art would move forward only through exploring new subjects. To become truly immortal, A work must escape all human limits: logic and common sense will only interfere

A

Fantasy and Futurism

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13
Q

_________- was the glory of the new 20th century

A

Motion

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14
Q

– protest art movement

A

Dada

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15
Q

– anti art, anti middle class society, anti politicians, anti good manners, anti business as usual, anti all that had brought about war.

A

An Anti

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16
Q

– Grew out of Dada. Appreciated the logic of dreams, the mystery of the unconscious, the lure of the bizarre, the irrational, the incongruous, and the marvelous

A

Surrealism

17
Q

writing or drawing that flowed straight from the subconscious, uncontrolled by reason or by moral or ethical inhibitions

A

Practiced automatism –

18
Q
  • ideas about art should be put to practical use
A

Constructivism

19
Q

Imagery reduced to a large field or area of color. Has a meditative tranquility drawing the viewers in; invites contemplation. Communicates a sensation of pure dematerialized color

A

Color Field Painting

20
Q

(combine paintings; artistic arrangement of miscellaneous patterns AND HAPPENINGS

A

ASSEMBLAGE

21
Q

Popular Mundane, mass-produced images and popular culture – comic books, advertising, billboards, packaging; home appliances and commodities; photographic images from cinema, television and newspapers as subjects

A

Pop Art –

22
Q

Explored the nonrepresentational directions. Concerned with three-dimensional art. “What you see is what you see.” : beauty of color, the logic of the composition, the satisfaction of repetition

A

MINIMAL ART AND SITE WORKS

23
Q

Revival of interest in the human figure. Like neo dada and minimalism, it has a strong literal component, relying on ordinary materials that are what they are

A

REAL, SUPER REAL-

24
Q

– * realism that camera produces

A

Photorealism

25
Q

*ideas – paramount; form is secondary – often lightweight, ephemeral, unpretentious, cheap, ordinary, unremarkable. not a style but a way of thinking about art

A

CONCEPTUAL ART

26
Q

Visual culture as the feminist concern. Recover women’s art in the past, push for more equitable representation in museums and galleries, and to nurture contemporary women artists

A

Feminism and feminist art.

27
Q
  • First used to describe architecture by Renzo Piano and Richard Rodgers
A

Postmodern art

28
Q

– presenting work as one’s own Toward

A

appropriation

29
Q

– creating an environment for the viewer to enter,

A

Installation

30
Q

– entwined with our faith that there is something that transcends our physical nature

A

Art