Modern Art Flashcards

1
Q

THE MODERN WORLD

Categories for French Art:

A

Classic, Romantic, Realist

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2
Q

– Inspired by Greek and Roman art: clean contour, smooth finish, precise draftsmanship

A

Neoclassicism

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3
Q

– Stressed drama, turbulent emotion, and complex composition

A

Romanticism

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4
Q

– Reaction against neoclassicism and romanticism. Depicts the everyday and the ordinary rather than the heroic or the exotic

A

Realism

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5
Q

– *scenes glimpsed for a moment. sketched rapidly in paint as impressions of light and color in the eye. art moved outdoors

A

Impressionism

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6
Q

Admired the brightened palette and direct painting technique of the impressionists but reacted to the style which is highly personal

A

Post-impressionism

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7
Q

Includes Georges Seurat, Vincent Van Gogh, Paul Gauguin, and Paul Cezanne

Believes that the industrialized world was not something to be needed be confronted but to be escaped

A

Post-impressionism

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8
Q

Freeing color: (wild beast; bold use of color)

A

Fauvism

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9
Q

Believes that the fundamental purpose of art is to express intense feelings towards the world

A

Expressionism

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10
Q

Shattering Form:

Reduced the role of color to minimum order in order to concentrate on the problem of representing the form in space

A

Cubism

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11
Q

Inclusion of nontraditional elements. Merging of figure and the ground. Fragmenting figures and other elements into flat planes

A

Cubism

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12
Q

Believed that art would move forward only through exploring new subjects. To become truly immortal, A work must escape all human limits: logic and common sense will only interfere

A

Fantasy and Futurism

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13
Q

_________- was the glory of the new 20th century

A

Motion

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14
Q

– protest art movement

A

Dada

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15
Q

– anti art, anti middle class society, anti politicians, anti good manners, anti business as usual, anti all that had brought about war.

A

An Anti

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16
Q

– Grew out of Dada. Appreciated the logic of dreams, the mystery of the unconscious, the lure of the bizarre, the irrational, the incongruous, and the marvelous

A

Surrealism

17
Q

writing or drawing that flowed straight from the subconscious, uncontrolled by reason or by moral or ethical inhibitions

A

Practiced automatism –

18
Q
  • ideas about art should be put to practical use
A

Constructivism

19
Q

Imagery reduced to a large field or area of color. Has a meditative tranquility drawing the viewers in; invites contemplation. Communicates a sensation of pure dematerialized color

A

Color Field Painting

20
Q

(combine paintings; artistic arrangement of miscellaneous patterns AND HAPPENINGS

A

ASSEMBLAGE

21
Q

Popular Mundane, mass-produced images and popular culture – comic books, advertising, billboards, packaging; home appliances and commodities; photographic images from cinema, television and newspapers as subjects

A

Pop Art –

22
Q

Explored the nonrepresentational directions. Concerned with three-dimensional art. “What you see is what you see.” : beauty of color, the logic of the composition, the satisfaction of repetition

A

MINIMAL ART AND SITE WORKS

23
Q

Revival of interest in the human figure. Like neo dada and minimalism, it has a strong literal component, relying on ordinary materials that are what they are

A

REAL, SUPER REAL-

24
Q

– * realism that camera produces

A

Photorealism

25
 *ideas – paramount; form is secondary – often lightweight, ephemeral, unpretentious, cheap, ordinary, unremarkable . not a style but a way of thinking about art 
CONCEPTUAL ART
26
Visual culture as the feminist concern. Recover women’s art in the past, push for more equitable representation in museums and galleries, and to nurture contemporary women artists
Feminism and feminist art .
27
- First used to describe architecture by Renzo Piano and Richard Rodgers  
Postmodern art 
28
– presenting work as one's own Toward 
appropriation
29
– creating an environment for the viewer to enter, 
Installation
30
– entwined with our faith that there is something that transcends our physical nature 
Art