mod b trial prep Flashcards

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1
Q

modern world

yellow fog

prufrock

A

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes

dramatic monologue, recurring motif, zoomorphism of “cat”, miasmic imagery symbolises industrialisation, urbanisation
* communicate persona’s sense of suffocation and futility
* reflection of toxic sordid world
* mirrors works of French symbolist Charles Baudelaire
* pollutes the foreclaimed of the poem as a “Love Song”
* graphically confronts realities of a grotesque urban world –> persona’s sense of disconnection

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2
Q

modern world/isolation

known

prufrock

A

For I have known them all already, known them all/Have known the evenings, mornings, afternoons/I have measured out my life with coffee spoons,”

mexhausted repetition
* compounds sense of paralysis + resignation in his lifetime
* persona’s struggle for companionship in the modern world
* exploration of time - insignificance + loss of ontological ground to his life by “measuring” it wih “cofee spoons”
* invokes a futile sense of self in which the modern subject struggles through a dull and tedious routine that is imposed upon them by the nature of modern employment

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3
Q

isolation, futility

claws

prufrock

A

I should have been a pair of ragged claws, Scuttling across the floors of silent seas

fragmented synechdoche, ocean symbolism, subversion of traditional rhyme, free verse
* explores persona’s isolation in fragmented synechdoche
* symbolism of ocean - persona’s emotional distance from the modern world
* insecurity to compare oneself to a scavenger animal - overwhelming sense of worthlessness dominating the person –> from Eliot’s personal context due to the disconnection he felt in his milieu England, from America
* free verse - from French symbolist Laforgue - reflection of persona’s fragmented state of interiority - explores complexity of persona’s usolated struggle as he lacks genuine personal relations
* exasperated by subversion of romantic musicality trope and lack of an explicit recipient of romantic affection

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4
Q

futility, modern world

street-lamp

rhapsody

A

The street lamp sputtered, the street-lamp muttered

recurring motif, flaneur figure, fragmented structure
* chosen setting of midnight conveys an eerie sense of fatalism to continue throughout the poem
* “street-lamp” as only source of light
* darkness of modern world highlights sordid and solitary existence of the flaneur figure of the persona –> facilitates series of vignettes –> employs Eliot’s objective correlative
* structure - complexities and dispersed nature of modern psyche of decaying urban world - anti-aesthetic imagery

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5
Q

futility, modern world

geranium

rhapsody

A

midnight shakes the memory, as a madman shakes a dead geranium

fragmented structure, free verse, symbolism, anti-aesthetic imagery of flowers
* free verse - french symbolist laforgue
* symbolism of geraniums as a symbol of everyday life - subverted through connotation of once-possessed beauty –> inevitibaility of death approaches through the increasing passages of time
* absurdity of the image represents the complexities of the modern psyche + loss of ontological ground –> conveys persona’s struggle for deeper meaning, against futility

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6
Q

futility

paper rose

rhapsody

A

a washed-out smallpox cracks her face, her hand twists out a paper rose

subversion of musical ecstatic trope, anti-romantic imagery, symbolism, metaphor, morbid tone
* the depiction of disease, “small-pox” juxtaposed with the traditional beauty of a “rose” - exemplifies the disease of modernity which incurably infects his world
* “paper” symbolises the fragility of the flower, - artificiality which mirrors the superficiality of the bourgeois society Eliot was explicitly critical of in Prufrock
* “her face” is a metaphor for the persona’s identity “cracking” apart due to his disconnection from the modern world and his lack of companionship
* underscores the inevitability of death, morbid tone

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7
Q

futility

shape

hollow men

A

Shape without form, shade without colour,
Paralysed force, gesture without motion;

interjection, paradox
* interjection and break of regular rhyme is a paradox in accordance with Eliot’s use of free verse in Prufrock and Rhapsody
* fragmentation to reflect the state of the collective persona’s psyche = ack of fulfilment and futile consequences of the modern world
* juxtaposition against the linear pentyamptic structure postmarked by Roman numerals
* anti-romantic imagery exemplifies the state of paralysis - liminal state the Hollow Men are trapped in
* incomplete prayers –> Eliot’s frustrated relationship with the tokenistic values of collective religion of Christianity in the evolving post-war Europe

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8
Q

futilty

cactus

hollow men

A

This is the dead land
This is cactus land

desert imagery, anaphora, metaphor
* symbolise the lack of water as the lack of spiritual fulfilment
* anaphora = unsuccessful quest for deeper meaning
* symbolic of how humanity attempts to sustain themselves on inadequate substance in the face of developing modernity - they are met with an absence of salvation
* lack of water refers to the spiritual emptiness that embodies the poem, as the water is suggested as a metaphor for baptism

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9
Q

modern world

prickly pear

hollow men

A

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

subversion of musical trope, anti-aesthetic imagery, parody, irony, motif
* anti-aesthetic imagery of the “prickly pear” to subvert the traditional nursery rhyme
* satirical commentary on the modern world
* ironic reference to youth contrasts with the morbid mention of death throughout the play - mirrors a similar anti-romantic ending to Prufrock and Rhapsody
* continued motif of desert imagery emphasises the lack of fulfilment and dry nature of the “prickly pear” to the “cactus”–> in the strong portrayal of Eliot’s criticisms towards the modern ennui
* collective sense of futility as a detrimental, morbid result

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10
Q

complex nature of spiritual rebirth and suffering

weather

journey of magi

A

“The ways deep and the weather sharp, the very dead of winter,”

pathetic fallacy, geographical and seasonal imagery, symbolism
* symbolism of winter and cold to allude to death and moral decay - depciting the existential crisis before epiphany which foreshadows the spiritual journey the persona embarks on
* setting reflects feelings of alienation through pathetic fallacy

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11
Q

complex nature of spiritual rebirth and suffering

villages

journey of magi

A

“And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices”

polysyndeton, descriptive language
* language of “lack”, “hostile”, “unfriendly”, “dirty” -> journey towards enlightenment is arduous but necessary
* eliot is not subverting images in the same was as of Hollow Men or Prufrock
* magi has not chosen easy road of pleasure, chosen demanding path of virtue - spiritual fulfilment > materialistic desires of a capitalist world
* high prices show impact of increasing modernity which results in the existential crisis that can only be resolved through finding a spiritual meaning

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12
Q

complex nature of spiritual rebirth and suffering

satisfactory

magi

A

“(you might say) satisfactory”

tone of confusion, low modality, irony, euphemism
* result of spiritual journey is not entirely fulfilling nor does it resolve their existential crisis
* euphemism to mask the true nature of magi’s feelings
* ambivalence is couched in faith to mirror the complex emotional and spiritual states the magi experience throughout their journey

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