Mise-en-scene Flashcards

1
Q

What is included in mise-en-scene?

A
Setting
Props
Costume
Hair
Make up
Lighting 
Colour
Positioning of objects
Facial expressions
Body language
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2
Q

What does lighting do in a scene?

A

Help to create the mood or atmosphere

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3
Q

How can a director use lighting?

A

Put people or objects in darkness to obscure them and surprise an audience
(E.g. IT)

Put objects into the light to show that they are significant

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4
Q

Key Light

A

Brightest light

Used to light up the entire scene or most important part

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5
Q

Back Light

A

Designed to help stop the Key Light appearing fake

Helps cut out any obvious harsh brightness

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6
Q

Filler Light

A

Helps to soften shadows

Often 1+ is used

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7
Q

Under lighting

A

When key light is placed below characters or objects

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8
Q

Top Lighting

A

When the key light is placed above Characters or objects

Highlights features

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9
Q

Back Lighting

A

When the key light is placed behind the subject

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10
Q

Low key (hard) lighting

A

Lighting is more towards the GREY or DARKER side
Shadows
Key light is less bright

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11
Q

High key (soft) lighting

A

Scene is evenly lit and bright

Allows audience to see all clearly with no dark spots

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12
Q

How is colour used

A

Warm/cold

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13
Q

What does the positioning of objects / people tell an audience?

A

Describes where
Shows effect of this on audience
Tells us about where people/props are and the world in which the movie takes place

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14
Q

Facial Expressions

A

Portrays emotion

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15
Q

Body Language

A

Portrays emotion

Creates mood / idea of character for audience

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16
Q

3 Act Structure

A

Set Up
A confrontation
Resolution

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17
Q

Todorov’s Narrative Theory

A
Equilibrium
Disruption
Recognition
Attempt to repair
New Equilibrium
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18
Q

Stylistic code

A

Everything you can see and hear in a media product

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19
Q

What is included in stylistic code?

A

Mise en scene
Lighting
Sound
Camera / editing

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20
Q

Establishing shot

A

Long distance
Sets scene
General impression

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21
Q

Long Shot

A

Shows whole human body

Head to toe

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22
Q

Mid shot

A

Shows torso / lower body

Normally for dialogue scene

23
Q

Close up

A

Shows very little background
Whole face, just the face
Magnifies Object

24
Q

Extreme close up

A

Magnifies behind human eye
Artificial shot
Used for dramatic effects

E.g. mouth, eyes

25
Q

Birds eye view

A

Directly above the action

26
Q

High Angle

A

Above action, looking down

27
Q

Eye level

A

At level of action

28
Q

Low Angle

A

Camera is below the action looking up

29
Q

Pace

A

Changing speed of footage

30
Q

Rhythm

A

Assembling shots according to a rhythm

31
Q

Continuity

A

Combining shots accurately

32
Q

Cuts

A

Cutting scenes

33
Q

Fades

A

Fading out of a scene

34
Q

Transitions

A

One scene to another

35
Q

Dialogue

A

Any human speech

36
Q

Types of narrative

A
Linear
Non-linear
Circular
Episodic
Multi stranded
Single stranded
37
Q

Audio:

Aural Landscape

A

Combining dialogue, sounds and music to make a cinematic environment

38
Q

Voiceover

A

Dialogue used as narration or talking to a user / player

39
Q

Idents

A

Identifiable audio track

To help audience identify a media product

40
Q

Jingles

A

Short, catchy “sound bite”

To reinforce a product, brand or station

41
Q

Interviews

A

Questions and answers

42
Q

Phone In

A

Inclusions of tv shows or radio shows / podcasts

For user interaction

43
Q

Film soundtrack

A

All songs or music included in a film

44
Q

Incidental music

A

Used in a film or play as background music to dialogue or audio of main scene

45
Q

Purposes of digital audio

A
Create mood
Create ambience
Create rhythm 
Reinforce image (PLEONASTIC)
Contradict image (CONTRAPUNTAL)
To persuade
Character identity
Identify an era
46
Q

How does audio create a mood?

A

Reinforces an emotional setting within a scene

47
Q

How does audio create ambience?

A

Creates an atmosphere

48
Q

How does audio create rhythm?

A

Conveys a meaning / emotion

49
Q

How does audio reinforce an image?

PLEONASTIC

A

Compliments images of setting, scene or a character

Compliments and reinforces message or tone of scene

50
Q

How can audio contradict an image?

CONTRAPUNTAL

A

Does not suit an image or atmosphere

E.g. happy music for scary scene or a deadly chase

51
Q

How can audio persuade?

A

To convince the audience

E.g. charity adverts use sad music

52
Q

How can audio aid character identification?

A

Audio associated with a particular character tells the audience

53
Q

How can audio help to identify a specific era?

A

Style of music can identify with a period in time

E.g. classical waltz = usually not modern historical music