Minoan Crete Flashcards

1
Q

Geographical Setting, Natural Features and Resources & Sources

A
  • Surrounded by Aegean Sea
  • Fertile plains and valleys (Mesara Plain, Lasithi Plain)
  • Mountainous (White Mountains, Mount Ida, Mount Dikte)
  • Limestone caves
  • Temperate climate
  • At crossroads of Africa, Asia and Europe
  • Clay (pottery, bowls, pithoi, tablets)
  • Stone (sealstones, rhytons, vases)
  • Strong cyprus trees for shipbuilding and houses (shipwrecks and buildings)
  • Plants for food, medicine, decorations
  • Wild and domesticated animals (animal skeletons)
  • Seafood and molluscs (deposits of murex mollusc)
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2
Q

Significant Sites

A
  • Knossos: Possible capital and centre of culture, economy and religion
  • Phaistos: Agricultural centre and economic powerhouse
  • Malia: Massive gold trade, and was a commercial and trading centre
  • Zakros: Administrative, manufacturing and commercial port city
  • Agia Triada: Religious and funerary site
  • Gournia: Production and trade centre
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3
Q

Issues Relating to Gender and Identity of the Ruler & Sources

A
  • Could be male, female or palace elite
  • Grandstand fresco: women in dimorphous dresses are in the centre and are more defined than surrounding men, and are next to tripartite shrine with horns of consecration
  • Procession fresco: central woman in dimorphous dress surrounded by men worshipping her and holding rhyta for religious ceremony
  • Griffin frescoes in Knossos limestone throne room: griffins may have represented women, throne suited woman’s body but was from Mycenaean occupation
  • Prince of Lilies fresco: priest king, fragments found from multiple rooms and reconstructed to support Evans view of King Minos
  • Master Impression seal: male figure with divinely bestowed power stands atop palace and holds sceptre
  • Chieftain Cup: king figure with long hair, jewellery and sceptre guarding palace entrance, and second figure with short hair, military-type clothes and sword reports to king
  • Homer’s Odyssey: King Minos and no powerful women mentioned but he had patriarchal context
  • Thucydides’ History of the Peloponnesian War: King Minos was first to build navy and no powerful women mentioned but he had patriarchal context
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4
Q

Colin Renfrew’s quote on Issues Relating to Gender and Identity of the Ruler

A

“Minoan society was likely organised into chiefdoms, each chiefdom dictating one of religious, economic, and/or political affairs”

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5
Q

Christos Boulotis’ idea on Issues Relating to Gender and Identity of the Ruler

A

Kingship was prevalent in all major civilisations of Eastern Mediterranean and Mycenaean Greece, so it must have been the same in Minoan Crete

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6
Q

Helen Waterhouse’s idea on Issues Relating to Gender and Identity of the Ruler

A

Priestesses had authority due to predominance in ritual scenes and perhaps ran theocratic state in conjunction with male monarch

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7
Q

Sinclair Hood’s quote on Issues Relating to Gender and Identity of the Ruler

A

“The Queen of Crete, acting in her role of a priestess, was the person who actually sat on the throne”

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8
Q

Susan Evasdaughter’s idea on Issues Relating to Gender and Identity of the Ruler

A

Griffins represented women and limestone throne suited woman’s body

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9
Q

Reynold Higgins’ quote on Issues Relating to Gender and Identity of the Ruler

A

Chieftain cup shows “a ruler standing in front of his palace or in the Central Court”

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10
Q

Arthur Evans’ idea on Issues Relating to Gender and Identity of the Ruler

A

Priest-king with religious authority and political influence

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11
Q

Bureaucracy & Sources

A
  • Complexity of palace administration and management of economic resources presupposes bureaucracy
  • Structure is unknown
  • Operated primarily in palaces and villas could be extensions of palace elite in countryside
  • Scribes kept records of goods being imported and exported from palaces
  • Overseers for supervision of collection, storage, local distribution and overseas exports
  • Linear A and Linear B: archives and receipts of goods
  • Linear A at House A at Agia Triada: collection of iron ingots
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12
Q

Priestly Class & Sources

A
  • Involved in religious ceremonies, rituals, processions, offerings, libations, sacrifices and ceremonial dances
  • Harvester vase: procession of men holding farming tools, dancing and singing in harvest celebration, led by priest with long hair and sistrum
  • Camp-stool fresco: priestesses participating in ritual feast, main figure La Parisienne painted twice the size of others suggesting her divinity
  • Grandstand fresco: women in dimorphous dresses are in the centre and are more defined than surrounding men, and are next to tripartite shrine with horns of consecration
  • Procession fresco: central woman in dimorphous dress surrounded by men worshipping her and holding rhyta for religious ceremony
  • Ladies in Blue fresco: elite women in dimorphous dresses, elaborate hairstyles and jewellery, but is heavily restored
  • Agia Triada Sarcophagus: priestesses dress in the same sheepskin skirts as priests
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13
Q

Helen Waterhouse’s idea on Priestly Class

A

Priestesses had authority due to predominance in ritual scenes and perhaps ran theocratic state in conjunction with male monarch

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14
Q

Roles and Status of Women & Sources

A

Religion

  • Priestesses and avatars of goddess
  • Possible theocratic matriarchy
  • Primarily associated with fertility so role as mother may have been emphasised
  • Ordinary women unknown
  • Grandstand fresco: women more defined than men, in centre, surrounded by men, next to tripartite shrine with horns of consecration, dimorphous dresses
  • Procession fresco: central woman in dimorphous dress surrounded by men worshipping her and holding rhyta for religious ceremony
  • Camp-stool fresco: priestesses participating in ritual feast, main figure La Parisienne painted twice the size of others suggesting divinity
  • Agia Triada Sarcophagus: priestesses dress in the same sheepskin skirts as priests

Industry

  • Textile workers
  • Loom weights: 400 in Knossos workshops
  • Linear B: production targets of cloth, different textiles and over 500 women in manufacturing at Knossos

Agriculture

  • Lack of portrayals of women in agriculture
  • Women in frescoes have white skin but this could be because they were elite
  • Only men are shown with red skin
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15
Q

Helen Waterhouse’s idea on Religious Roles and Status of Women

A

Priestesses had authority due to predominance in ritual scenes and perhaps ran theocratic state in conjunction with male monarch

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16
Q

Pamela Bradley’s quote on Industrial Roles and Status of Women

A

“The importance of the Minoan textile industry can be gauged from … loom weights and Linear B tablets describing … women working as weavers”

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17
Q

Laura Perry’s quote on Roles and Status of Women

A

“in both religious and daily life, women and men were equal” because “the Minoans were a largely egalitarian culture”

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18
Q

Craftsmen and Agricultural Workers & Sources

A
  • Majority of Minoans involved in agriculture and manufacture of crafts for local consumption and export
  • Stonemasons (bull rhyton and 50 carved stone vases at Zakros)
  • Metalworkers (bronze double axes at Nirou Khani, furnaces at Phaistos and Zakros, kilns at Agia Triada and Knossos, metallurgy workshop at Chrysokamino, remains of slag at Malia)
  • Glass and faience makers ( Snake Goddess faience figurines at Temple Repositories at Knossos)
  • Potters (Pithoi and Kamares ware)
  • Seal carvers (384 engraved stone seals, ‘Zakro Master’ seals)
  • Textile workers (400 loom weights at Knossos)
  • Painters (frescoes)
  • Builders (palaces and villas)
  • Purple dye makers (large deposit of crushed murex shells that were used to create purple dye)
  • Farmers and animal herders (Harvester vase, clay tablets record farm produce)
  • Fishermen (purple dye industry, fishing hooks at Gournia)
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19
Q

Palace Economy & Sources

A
  • Palaces collected, stored and redistributed surplus products and services in their areas
  • Labour and manufacturing centred in palace workshops
  • Palaces may have been workplaces
  • Palaces had extensive storage magazines and pithoi
  • Oil presses at Knossos
  • Linear B: list of transactions, agricultural products and livestock under palaces’ control
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20
Q

Peter Warren’s idea on Palace Economy

A

Palaces were large agricultural villages that controlled agriculture in their region

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21
Q

Kostis Christakis’ idea on Palace Economy

A

Knossos local population was 15 000 but storage capacity could only feed 1000 people per year, so economic system based on redistribution did not exist. Instead, palaces sustained elite class, financed state enterprises and provided food for ceremonial events

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22
Q

Importance of Agriculture & Sources

A
  • Primarily agrarian society so agriculture was linchpin and mainstay of economy as it expanded manufacturing and trade
  • Production and trade of olive oil, wine and honey as a luxury
  • Contributed to good general health of Minoans
  • Models of clay tubs for pressing grapes
  • Seal impressions at Khania: milking animals
  • Oil presses at Knossos
  • Magazines and pithoi in palaces such as Knossos
  • Linear B: rations of grain, cereals, flax, spices
  • Linear B: flocks of over 100 000 sheep and goats controlled from Knossos during Third Palace period
  • Linear B: 14 000 litres of wine at Knossos and 9000 litres of olives from Mesara Plain
  • Linear B: target figures for flocks and wool production
  • Harvester Vase
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23
Q

Role of Towns & Sources

A

Gournia

  • Regional production centre of bronze tools/weapons
  • Agricultural town with fishing
  • Industry centre of pottery
  • Trade centre with overseas connections to Aegean
  • Bronze saws, chisels, needles, fishing hooks and hammers
  • Pottery and stone vases
  • Harbour complex with wharf, ship shed and fortifications

Zakros

  • Storage
  • Stone and ivory carving
  • Manufacture and export of olive oil and wine
  • Houses have large storage rooms
  • Olive oil and wine presses
  • House A in Zakros: seal impressions
  • ‘Zakro Master’ seals found across Crete including Knossos and Agia Triada: dealings between various sites

Myrtos

  • Specialised in weaving and textile manufacture
  • Spindle whorls, loom weights, spinning bows and dye tubs
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24
Q

Trade and Economic Exchange in Mediterranean and Aegean Region & Sources

A
  • At crossroads of Africa, Asia and Europe
  • Traded with Cyclades, Egypt, Levant, mainland Greece, southern Italy
  • Exported pottery, metalwork, olive oil, textiles
  • Imported copper, tin, gold, alabaster, ivory, linen
  • Directed by rulers/temples via royal emissaries
  • Two Minoan shipwrecks off Turkish coast
  • Rekhmire’s tomb: Minoan trade envoys bearing tribute of pottery, stone-carved vessels, rhytons, cloth and textile patterns copied onto tomb walls and ceilings
  • Kamares ware found across Egypt
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25
Q

Rodney Castleden’s quote on Trade and Economic Exchange in Mediterranean and Aegean Region

A

“exports to Egypt of manufactured goods … Egyptians sent gifts of gold, ivory, cloth, stone vessels containing perfume”

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26
Q

Concept of Thalassocracy & Sources

A
  • Minoan influence in Cycladic Islands
  • Might have ruled over Aegean Sea
  • Could only be cultural imposition rather than colonisation
  • No concrete evidence of maritime empire in Aegean
  • Linear A found at Thera
  • Minoan-style Admiral’s fresco at Thera
  • Thucydides’ History of the Peloponnesian War: King Minos “is the earliest of those known to us by hearsay who made a navy” and he installed sons as governors, but Thucydides may have been justifying Athenian naval power
  • Homer’s Odyssey: mentions King Minos
27
Q

Arthur Evans’ idea on Concept of Thalassocracy

A

Convinced of thalassocracy, informed by context of British Empire’s navy and hegemony, adamant on the existence of Minos

28
Q

Sinclair Hood’s idea on Concept of Thalassocracy

A

Large amount of Minoan wares in Akrotiri and Phylakopi suggests aggressive Minoan expansionist policy

29
Q

Peter Warren’s idea on Concept of Thalassocracy

A

There was expansion into Aegean but no evidence to suggest systematic control, may have been hegemony

30
Q

Crafts and Industry & Sources

A
  • Stonemasonry (bull rhyton, Harvester vase, Boxer rhyton and 50 carved stone vases at Zakros)
  • Metalwork (bronze double axes at Nirou Khani)
  • Glass and faience (Snake Goddess faience figurines at Temple Repositories at Knossos)
  • Pottery (pithoi, Kamares ware, octopus stirrup vase)
  • Seal carving (384 engraved stone seals, ‘Zakro Master’ seals)
  • Textiles (400 loom weights at Knossos)
  • Purple dye (large deposit of crushed murex shells that were used to create purple dye)
  • Jewellery (gold bee pendant, gold necklaces, rings, Ladies in Blue fresco)
31
Q

Technology & Sources

A

Building materials

  • Rubble masonry
  • Mudbrick
  • Timber
  • Stone
  • Clay
  • Excavation of houses and palaces

Techniques and construction

  • Adytons
  • Columns
  • Minoan Hall
  • Polythyron (door partition)
  • Light wells (open air illumination)
  • Ashlar masonry
  • Excavation of houses and palaces reveals light wells in central courts, ashlar masonry in courts, light wells, entrances, and adyta at Knossos and Malia

Drainage and water supply

  • Open channels to keep water off staircases and courts
  • Terracotta piping captured water from roofs, paved courts and light wells
  • Reservoirs
  • Toilets (seats installed over channels)
  • Drainage channels at Agia Triada, water cistern and fountain at Zakros, and circular reservoirs at Arkhanes and Knossos
32
Q

Nature and Identity of Deities & Sources

A
  • Widely believed to be monotheistic with Mother goddess/Lady of the Labyrinth
  • Snake goddess, fertility goddess and mistress of animals may have been different forms of Mother goddess
  • May have been polytheistic with Mother goddess as central figure
  • Snake Goddess faience figurines at Temple Repositories at Knossos: one wears dimorphous dress and has snakes in hands, other has snakes entwined around arms, waist, headdress
  • Mistress of Animals seal at Knossos: female with sceptre standing atop mountain with two lionesses, male figure worshipping her, shrine with horns of consecration
  • Linear B: Amnissos cave was shrine to childbirth goddess Eileithyia (potential yonic imagery)
  • Two gold rings from Phourni cemetery at Arkhanes: one has female in dimorphous dress with two men embracing rock and pulling branches off shrine, other has female hovering behind griffin
  • Master of Animals gold pendant: male standing among lotus flower and grasping two geese by necks, standing in stylised bull horns
  • Master Impression seal: male holding staff atop building with horns of consecration
  • Linear B at Knossos: six deities, mentions Lady of the Labyrinth
33
Q

Arthur Evans’s idea on Nature and Identity of Deities

A

Religion was monotheistic and had one central Mother goddess

34
Q

Nanno Marinatos’ idea on Nature and Identity of Deities

A

Worshipped small pantheon comprising of Mother goddess, daughter goddess, male consort and male deity represented by bull

35
Q

Religious Symbols & Sources

A

Labrys

  • Double-headed axe
  • Associated with bull sacrifice
  • Huge bronze double axes at Nirou Khani
  • Votive offerings at peak sanctuaries and cave shines such as Arkalochori cave

Horns of consecration

  • Stylised bull horns
  • Associated with bull cult
  • Stone or terracotta horns on rooflines, at shrines or altars (Knossos, Malia, Theatre at Arkhanes)
  • Grandstand fresco: women more defined than men, in centre, surrounded by men, next to tripartite shrine with horns of consecration, dimorphous dresses
  • Mistress of Animals seal at Knossos: female with sceptre standing atop mountain with two lionesses, male figure worshipping her, shrine with horns of consecration
  • Master of Animals gold pendant: male standing among lotus flower and grasping two geese by necks, standing in stylised bull horns
  • Master Impression seal: male holding staff atop building with horns of consecration

Bulls

  • Cult symbol of virility and strength
  • Minotaur myth
  • Bull-leaping fresco
  • Votive offerings
  • Bull head rhyton
  • Labrys
  • Horns of consecration

Snakes

  • Symbol of renewal, closeness to earth and phallic connotations
  • Snake Goddess faience figurines at Temple Repositories at Knossos: one wears dimorphous dress and has snakes in hands, other has snakes entwined around arms, waist, headdress
  • Snake patterns on Phaistos staircase

Trees

  • Symbols of life, renewal, rebirth, fertility
  • Involved in ritualistic dance of shaking branches and pulling trees
  • Ring of Minos: priestess/goddess near sacred trees and peak sanctuary, tree pulling
  • Mochlos Ring: goddess beneath tree shrine with lily, procession of two men and two women approaching her, sacred tree growing from shrine

Birds

  • Epiphanies of deities
  • Agia Triada Sarcophagus: birds perched on double-axe stands
  • Terracotta model of tree with perching birds at Agia Triada
  • Votive offerings

Pillars and columns

  • Symbols of strength and protection during earthquakes
  • Linked to Neolithic life in caves
  • Little Palace in Knossos: pillar crypts and libation containers in front of pillars
36
Q

Peter Warren’s idea on Religious Symbols

A

Tree-pulling called deity to ritual scene

37
Q

Gae Callender’s ideas on Religious Symbols

A
  • Relationship between tree worship and column worship as columns worshipped indoors whilst trees were outdoor equivalent
  • Pillars seen as holy protectors
38
Q

Religious Places & Sources

A

Peak sanctuaries

  • 25 shrines discovered but only 8 functioned after First Palace period
  • Linked with nearby palaces to supplement rituals or act as pilgrimages
  • Mount Juktas and Petsophas
  • Stone vase at Zakros: representation of peak shrine
  • Deposits of thick ash from large fires with votive offerings

Cave shrines

  • Ritual practices deep in cave with stalagmite worship
  • Believed to be abode of chthonic deities
  • Yonic connotations
  • Replicated in palaces with pillar crypts
  • Kamares, Psycho and Amnissos
  • Grain offerings at Kamares
  • Votive offerings, weaponry, seal stones and jewellery at Psychro
  • Linear B: Amnissos cave was shrine to childbirth goddess Eileithyia (potential yonic imagery)

Palace shrines

  • In central court of palaces
  • Rituals carried out by elite
  • Throne room at Knossos: griffins and adyton
  • Tripartite shrine at Knossos and on seal stones: horns of consecration
  • Cult room in Phaistos

Pillar crypts

  • Cult rooms in central court of palaces
  • Pillar worship evolved from Neolithic cave life and as they were symbols of strength and protection during earthquakes
  • Little Palace in Knossos: pillar crypts and libation containers in front of pillars

Lustral basins

  • Found in ritual rooms with rhyta, labryses, horns of consecration and religious frescoes
  • Ceremonial bathing via rhyta
  • Adyta found at Knossos and Malia
39
Q

Gae Callender’s idea on Religious Places

A

Peak sanctuaries were the most common place of worship

40
Q

Gae Callender’s quote on Religious Places

A

One of the most important caves was “cave Amnissos where the goddess of childbirth, Eileithyia was worshipped”

41
Q

Religious Rituals & Sources

A

Sacrifice

  • Animal sacrifice was common
  • Human sacrifice was uncommon and used during disastrous times
  • Agia Triada Sarcophagus: animal sacrifice for funerary purposes
  • Arkhanes sanctuary: four human skeletons, bronze dagger, one skeleton was 18 year old male, bones had knife cuts

Libations

  • Liquid offering poured onto religious object using rhyton
  • Procession fresco: ‘Cup-bearer’ man wielding rhyta
  • Little Palace in Knossos: pillar crypts and libation containers in front of pillars

Processions

  • Procession fresco: men carrying rhyta into palace
  • Agia Triada Sarcophagus: funerary procession outside tomb
  • Harvester Vase: male agricultural workers led by priest

Dance

  • Sacred Grove Fresco: female dancers performing near Theatral Area at Knossos
  • Isopata Ring: dancers worshipping goddess
42
Q

Funerary Customs and Rituals & Sources

A
  • Close communal burials for families or clans, perhaps egalitarian with little differentiation between classes
  • Larnakes for wealthy people, placed in foetal position to symbolise rebirth, popular during Mycenaean occupation
  • Pithos for burial privacy and womb connotations, mainly used for children
  • Ossuary storerooms for skulls when bones were moved to make space
  • Agia Triada Sarcophagus: animal sacrifice and offerings made for funerary purposes, funerary procession outside tomb
  • Step altars with stone kernos for offerings found at Gournia and Malia: cult practices
  • Discovery of larnakes and ossuaries in tombs
43
Q

Keith Branigan’s ideas on Funerary Customs and Rituals

A
  • Clan structure present as sites were recycled for generations
  • Pithos tombs represented individualism
44
Q

Gae Callender’s idea on Funerary Customs and Rituals

A

One body buried in each chamber until all rooms were occupied and then bones swept aside and skulls collected

45
Q

Tombs & Sources

A
  • Rectangular/house were above-ground rectangular structures
  • Tholoi were free-standing circular tombs with domed roofs
  • Cist tombs were box-shaped pits lined with stone
  • Chamber tombs were Mycenaean and cut into hillside
  • Rectangular/house tombs at Arkhanes and Gournia
  • Tholos tombs at Arkhanes, Mochlos and Mesara plain, Isopata tomb at Knossos
  • Cist tombs at Sphoungara
  • Chamber tombs at Arkhanes and Armeni
  • Temple tomb at Knossos with underground cult rooms for burials
46
Q

Myths and Legends relating to the Minoans

A

Theseus and the Minotaur

  • Athenians killed Minos’ son so he declared war
  • Athens had to send 14 children to Crete annually to feed Minotaur in labyrinth
  • Prince Theseus defeated minotaur with help of Minoan Princess Ariadne, who he marooned
  • Theseus forgot to change ship sails from black to white so King Aegeus thought he died
  • Aegeus drowned in sea out of grief
  • Aegean Sea got its name

Icarus and Daedalus

  • Daedalus was Athenian inventor and got banished to Crete
  • He helped queen seduce bull and minotaur was conceived
  • Minos punished him by making him build labyrinth and imprisoned Daedalus and Icarus at tallest tower
  • Daedalus built giant wings from wax and feathers to escape
  • Icarus flew too close to the sun and wax melted so he fell into sea
47
Q

Art Forms and Styles

A

Frescoes

  • Nature and religion
  • Naturalistic style

Figurines

  • Ivory, faience and bronze
  • People, animals and religion

Pottery

  • Nature and religion
  • Marine style: triton shells, octopi, seaweed, starfish, dolphins (octopus stirrup vase)
  • Floral style: plants, trees, flowers

Seals

  • Ownership, amulets, charms, animals and religion
  • Naturalistic style

Metalwork
- Ornamental weapons and jewellery

48
Q

Architecture of Palace Complexes and Housing

A

Common Features in Knossos, Phaistos, Malia, Zakros, Gournia and Agia Triada

  • Central court
  • Storage magazines
  • Pillar crypts
  • Adyta
  • Porticoes and colonnades
  • Light wells
  • Drainage conduits
  • Theatral area
  • Staircases

Knossos

  • Workshops
  • Over 1500 rooms

Zakros
- Two water reservoirs

Housing

  • Multi-storeyed buildings
  • Stone or dried mudbrick construction
  • Small courts
  • Storage and workrooms
49
Q

James Graham’s quote on Architecture of Palace Complexes

A
  • Central court is “the organising nucleus of the plan, at once dividing uniting parts of the palace”
50
Q

Gae Callender’s idea on Architecture of Palace Complexes

A

Most palaces have central courts, processional stairs, shrines, magazines, kitchens and loom rooms

51
Q

Writing

A

Hieroglyphic

  • Earliest form of writing
  • Pictorial

Linear A

  • Used from First Palace period to end of Second Palace period
  • Written with lines
  • Syllabic
  • Ciphered

Linear B

  • Used from Third Palace period onwards
  • Mycenaean
  • Syllabic
  • Dechiphered

Phaistos Disk

  • Hieroglyphic
  • Purpose, meaning and manufacturing uncertain
52
Q

Gareth Owens’ idea on Writing

A

Phaistos Disc is a hymn or prayer to Mother Goddess

53
Q

Leon Pomerance’s idea on Writing

A

Phaistos Disc is a star chart for naval navigation

54
Q

Leisure Activities and Sources

A
  • Acrobatics (ivory figure of acrobat)
  • Performances (Grandstand fresco)
  • Music (Agia Triada Sarcophagus and Harvester vase)
  • Board games (draughtboard at Knossos)
  • Sports (Bull-leaping fresco and Boxer rhyton)
  • Dance (Sacred Grove Fresco and Isopata Ring)
55
Q

Gae Callender’s idea on Leisure Activities

A

Leisure activities are uncertain as they may be religious or cult activities

56
Q

Lefteris Platon’s idea on Leisure Activities

A

Sports had religious significance

57
Q

Health of Bronze Age Minoans as Revealed by Human Remains & Sources

A
  • Average life expectancy for adults was 30-32
  • 18% had cavities and 29% lost teeth before death
  • 57% children died before age of 5
  • Death in pregnancy was common
  • Medical practices existed such as surgery, repaired fractures and extracted teeth
  • Women unlikely to live over 30 in Prepalatial period, over 50% lived beyond 50 in Palatial period, morality rate fell below 35 under Mycenaeans
  • Linear B: medicinal plants list meant basic healing knowledge
  • Skull found with surgical incisions
  • Repaired limb fractures
  • Healed broken jaws
  • Extracted teeth
58
Q

Pawl Halstead’s idea on Health of Bronze Age Minoans as Revealed by Human Remains

A

There was a significant change in women’s social status and health during Mycenaean occupation as they were fed half the portion of men

59
Q

Colin Renfrew’s idea on Importance of Agriculture

A

Olive and grape production resulted in surplus which led to the rapid emergence of palaces and a palace economy

60
Q

Photini McGeorge’s idea on Health of Bronze Age Minoans as Revealed by Human Remains

A

From an analysis of 8000 bones, Minoan men lived for 35 years and women lived until 28 but the peak for female mortality was between 20-25 years due to dangers associated with childbirth

61
Q

Darlene Weston’s idea on Health of Bronze Age Minoans as Revealed by Human Remains

A

Studied 364 teeth samples and concluded
that a majority of Minoans suffered infectious diseases, nutritional deficiencies and serious illnesses during their childhood

62
Q

Food & Sources

A
  • Produced olives, grapes, lemons, pears and other
    fruits, and was also a large producer of honey
  • Kept sheep, goats and pigs for meat and wool, and cattle were kept for milk
  • Relied on seafood as major source of protein
  • Harvester Vase
  • Fishing equipment at Gournia
  • Octopus stirrup vase
63
Q

Jeremy Rutter’s idea on Tombs

A

Cist tombs were mainly in Northern Crete because they were popular in the Cyclades and this is where Cyclaidic influence was most prominent