Milton and Music Flashcards

1
Q

What does Milton say at the start of Book IX of Paradise Lost?

A

‘Now I must change / Those notes to tragic’

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2
Q

Which negated words appear in the opening to Book IX of Paradise Lost?

A

‘disloyal’, ‘disobedience’, ‘distaste’, ‘distance’

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3
Q

What conditional clause does Milton use in the War in Heaven, book VII?

A

‘[as] if Nature’s concord broke’

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4
Q

What is created by the War in Heaven?

A

‘Horrible discord’

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5
Q

What happens when Lucifer and the angels come into proximity in the War in heaven?

A

‘Twixt host and host but narrow space was left,
A dreadful interval’

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6
Q

How does Milton describe Eve’s temptation in Book IX?

A

‘For understanding ruled not, and the will / Heard not her lore’

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7
Q

What state is Adam in after the fall?

A

‘from thus distempered breast’

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8
Q

How does Milton describe the fall in ‘At a solemn Musick?’

A

‘disproportioned sin / Jarred against nature’s chime’

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9
Q

How does Milton describe the prelapsarian Garden in ‘At a solemn Musick’?

A

‘in perfect Diapason, whilst they stood / In first obedience’

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10
Q

How does Milton open ‘At a solemn Musick’?

A

‘Sphere-born harmonious Sisters, Voice and Verse, / Wed your divine sounds’

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11
Q

What does Milton wish for at the end of ‘At a solemn Musick’?

A

‘O that we may soon again renew that Song, / And keep in tune with Heaven’

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12
Q

What does Milton say about harmony in ‘L’Allegro’?

A

‘The hidden soul of harmony’

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13
Q

When was ‘L’Allegro’ written?

A

Before 1645

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14
Q

When did Milton go to Italy?

A

1638

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15
Q

When was ‘At a solemn Musick’ written?

A

c.1631

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16
Q

When was Paradise Lost published?

A

1667

17
Q

When was Dryden’s ‘State of Innocence’ published?

A

1677

18
Q

What happens in ‘The State of Innocence’ after Raphael has foreshadowed Christ’s salvation?

A

‘soft Music, a Song and Chorus’ starts playing

19
Q

What does Adam say in response to the music played at the end of ‘The State of Innocence’, applicable to the use of dissonance in music?

A

‘O goodness infinite! whose heavenly will
Can so much good produce, from so much ill’

20
Q

What is used to indicate the chaos before the creation in ‘The State of Innocence’?

A

‘A symphony of Warlike Music is heard for some time’

21
Q

What does Sigmund Spaeth say about the power of musical proportion for Milton?

A

‘He regards number and measure in music as essential because they give it objective reality and permanence.’

22
Q

What does Murray Roston say about the change in tone between books VI and VII in Paradise Lost?

A

‘It is a harmonic descent, suggesting a diminution in tone, like the closing of an organ-stop to reduce the volume from the thunder of massed chords’

23
Q

What does Lawrence McCauley say about the hints of rhyme in Paradise Lost?

A

‘Attuning one’s ear to such various rhyming produces a sense of acoustical texture in the poem’

24
Q

What does Milton say about rhyme in his introductory note about ‘The Verse’ (1668)?

A

It is of ‘no true musical delight, which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one phrase to another’

25
Q

When was Pope’s ‘An Essay on Man’ written?

A

1733-1734

26
Q

How does the first Epistle in ‘An Essay on man’ end?

A

‘All Nature is but Art, unknown to thee; / […] All Discord, Harmony, not understood’

27
Q

How does Pope describe an attitude to man’s faults?

A

‘passion discompos’d the mind’

28
Q

Which Italian composer is credited with popularising dissonance as a compositional technique?

A

Claudio Monteverdi