Midterm Terms & Definitions Flashcards
Aria
a song for a solo voice, typically one in an opera or oratorio. ex: Uno Voce Poco Fa, Rossini
Cadenza
a virtuoso solo passage inserted into a movement in a concerto or other work, typically near the end. Ex: The harpsichord cadenza in Brandenburg 5.
Coda
the concluding passage of a piece or movement, typically forming an addition to the basic structure. Ex: Beethoven Symphony n. 9, mov 4.
Concerto
a musical composition for a solo instrument or instruments accompanied by an orchestra, especially one conceived on a relatively large scale Ex: Beethoven Piano Concerto n. 4
Counterpoint
the art or technique of setting, writing, or playing a melody or melodies in conjunction with another, according to fixed rules Ex: Schubert’s Lieders
Da capo
“Da capo” is an Italian musical term that means “from the beginning” and is used as a direction to repeat a section of music. Ex: Handel’s Messiah
Enlightenment
an European intellectual movement of the late 17th and 18th centuries emphasizing reason and individualism rather than tradition. Ex: The program of Berlioz’s Symphony Fantastique
Heiligenstadt Testament
The Heiligenstadt Testament is a letter written by Ludwig van Beethoven to his brothers Carl and Johann at Heiligenstadt on 6 October 1802 where he complains about his health and gives instructions as to how his wealth should be distributed.
Fugue
a contrapuntal composition in which a short melody or phrase (the subject) is introduced by one part and successively taken up by others and developed by interweaving the parts. Ex: Beethoven’s Grosse Fugue
Libretto
the text of a work (such as an opera) for the musical theater. Ex: The libretto for Rossini’s The Barber of Seville
Lied, Lieder
a type of German song, especially of the romantic period, typically for solo voice with piano accompaniment Ex: Schubert’s An Die Musik
Minuet and Trio
An A-B-A form (A = minuet; B = trio) in a moderate triple meter that is often the third movement of the Classical sonata cycle. Ex: Beethoven’s Piano Sonata N. 14
Opera buffa and opera seria
Opera seria is characterized by serious, historical dramas, a high vocal male lead, and a noble audience. Opera buffa, on the other hand, are comedic operas with a low vocal male lead that feature subjects of daily life. Opera buffa: The Italian Girl in Algiers. Opera seria: Fidelio
Oratorio
a large-scale musical work for orchestra and voices, typically a narrative on a religious theme, performed without the use of costumes, scenery, or action. Ex: Handel’s Messiah
Organicism
Organicism might broadly be described to be the view that music ought properly to be modelled on the paradigm of the living entity.