Gibbs Final Terms Flashcards

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1
Q

Aria

A

an accompanied song for a solo voice, typically one in an opera or oratorio Ex: Casta Diva

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2
Q

Atonal

A

not written in any key or mode. Ex: Schoenberg’s compositions

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3
Q

Ballad

A

a narrative composition in rhythmic verse suitable for singing. Ex: Schubert’s Erlkonig

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4
Q

Bel canto

A

Translated to beautiful singing, bel canto is a type of operatic singing originating in 17th century and 18th century Italy and stressing ease, purity evenness of tone production and an agile and precise vocal technique. Ex: Bellini’s Norma

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5
Q

Cantabile

A

in a singing manner, to play. Ex: Strauss, Ein Heldenleben, Opening Trumpet Excerpt

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6
Q

Cabaletta

A

an operatic song in simple style characterized by a uniform rhythm and the lively bravura concluding section of an extended aria or duet. Ex: Norma: Casta Diva

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7
Q

Cadenza

A

a parenthetical flourish in an aria or other solo piece commonly just before a final or other important cadence. Ex: Haydn, Trumpet Concerto

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8
Q

Character piece

A

a short musical composition especially for piano conveying a single mood or impression. Ex: Chopin Preludes op. 28

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9
Q

Chorale

A

a hymn or psalm sung to a traditional or composed melody in church. Ex: Mendelssohn Chorale in Symphony n. 5 in last mov.

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10
Q

Coloratura

A

elaborate embellishment in vocal music Ex: Casta Diva

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11
Q

Concert Overture

A

an orchestral overture intended for concert performance. ex: Overture of Mendelssohn’s A Midsummer Night’s Dream

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12
Q

Etude

A

a piece of music for the practice of a point of technique. Ex: Charlier’s Trumpet Etudes

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13
Q

Expressionism

A

a theory or practice in art of seeking to depict the subjective emotions and responses that objects and events arouse in the artist. Ex: Alben Berg’s Wozzeck

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14
Q

Gesamtkunstwerk

A

Translates to “total work of art” and is an art work produced by a synthesis of various art forms (such as music and drama)

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15
Q

Grand opera

A

opera in which the plot is serious or tragic and the entire text is set to music. Ex: Verdi’s Aida

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16
Q

Idée fixe

A

an idea that dominates one’s mind especially for a prolonged period. Ex: Berlioz’s Symphony Fantastique

17
Q

Leitmotif

A

an associated melodic phrase or figure that accompanies the reappearance of an idea, person, or situation especially in a Wagnerian music drama. Ex: Wagner’s Fire Leitmotiff

18
Q

Music drama

A

an opera in which the action is not interrupted by formal song divisions (such as recitatives or arias) and the music is determined solely by dramatic appropriateness. ex: Wagner’s Ring Cycle

19
Q

Music of the Future

A

Is Wagner’s essay where he argued that opera should be a fully integrated art form where music, poetry, drama, and staging are seamlessly combined. He coined the term Gesamtkunstwerk (translated as “total work of art”) to describe this vision.

20
Q

nationalism

A

an ideology that elevates one nation or nationality above all others and that places primary emphasis on promotion of its culture and interests as opposed to those of other nations, nationalities, or supranational groups

21
Q

Nocturne

A

a work of art dealing with evening or night. Ex: Chopin’s Nocturne N. 2

22
Q

Operetta

A

a usually romantic comic opera that includes songs and dancing. Ex: Franz Lehar’s The Merry Widow

23
Q

Program music

A

music intended to suggest a sequence of images or incidents. Ex: Berlioz’s Symphonie Fatanstique

24
Q

recitative

A

a rhythmically free vocal style that imitates the natural inflections of speech and that is used for dialogue and narrative in operas and oratorios. ex: The recitative in Wagner’s Tristan and Isolde

25
Q

Scherzo

A

a sprightly humorous instrumental musical composition or movement commonly in quick triple time. ex: Brahms, Symphony n. 2, mov 3

26
Q

Second Viennese School

A

The Second Viennese School was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna.

27
Q

Symphonic poem

A

an extended programmatic composition for symphony orchestra usually freer in form than a symphony. ex: Franz Liszt – Les Préludes

28
Q

Through-composed

A

having new music provided for each stanza. Ex: Verdi – La Traviata, Act II

29
Q

Virtuoso

A

one who excels in the technique of an art. Ex: Anna Netrebko