Midterm Flashcards

1
Q

Modern Times year and studio

A

1936

United Artists

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2
Q

Modern Times names

A

Charlie Chaplin → director, producer, writer, little tramp

Paulette Goddard → Ellen

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3
Q

Singin’ in the Rain year and studio

A

1952

produced → Metro-Goldwyn-Mayer

distributed → Loew’s Inc.

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4
Q

Singin’ in the Rain names

A

Stanley Donen → director

Gene Kelly → director, Don Lockwood

Debbie Reynolds → Kathy Selden

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5
Q

The Public Enemy year and studio

A

1931

Warner Bros

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6
Q

The Public Enemy names

A

William A. Wellman → director

James Cagney → Tom Powers

Edward Woods → Matt Doyle

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7
Q

Top Hat year and studio

A

1935

RKO Radio Pictures

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8
Q

Top Hat names

A

Mark Sandrich → director

Fred Astaire → Jerry Travers

Ginger Rogers → Dale Tremont

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9
Q

His Girl Friday year and studio

A

1940

Columbia Pictures

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10
Q

His Girl Friday names

A

Howard Hawks → director, producer

Cary Grant → Walter Burns

Rosalind Russell → Hildy Johnson

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11
Q

Casablanca year and studio

A

1942

Warner Bros

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12
Q

Casablanca names

A

Michael Curtiz → director

Humphrey Bogart → Rick Blaine

Ingrid Bergman → Ilsa Lund

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13
Q

Shadow of a Doubt year and studio

A

1943

Universal Pictures

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14
Q

Shadow of a Doubt names

A

Alfred Hitchcock → director

Teresa Wright → Charlotte “Charlie” Newton

Joseph Cotten → Charles “Charlie” Oakley

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15
Q

Spellbound year and studio

A

1945

United Artists

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16
Q

Spellbound names

A

Alfred Hitchcock → director

Ingrid Bergman → Dr. Constance Peterson

Gregory Peck → Dr. Anthony Edwardes

17
Q

The Philadelphia Story year and studio

A

1940

Metro-Goldwyn-Mayer

18
Q

The Philadelphia Story names

A

George Cukor → director

Cary Grant → C.K. Dexter Haven

Katherine Hepburn → Tracy Lord

19
Q

Classical style 7 principles

A

individual talents tightly controlled

storytelling is the primary concern

based in unity → macro and micro unity

realistic in the sense on mimesis

immediatley comprehensible and unambiguous

basic emotional appeal

technique never revealed → “invisible style”

20
Q

Hitchcock motifs

A

the ambiguity of guilt and innocence

the transference of guilt from one individual to another

the fascination with a guilty woman

the therapeutic function of obsession and vulnerability

the equation of knowledge and danger

21
Q

five majors and three minors

A

Paramount

Loew’s/Metro-Goldwyn-Mayer (M-G-M)

Fox/20th Century-Fox

Warner Bros

Radio-Keith-Orpheum (RKO)

Universal

Columbia

United Artists

22
Q

“more stares than there are in heaven”

polish and gloss

sober, restrained and calculated comedies

American middle-class values

23
Q

sexual savoir-faire with tongue in cheek wit

anarchic, pretension-deflating comedies

24
Q

working man’s studio

hasty and rough

gangster films

A

Warner Bros

25
blue-collar workers and shop girls hard hitting films with social conscience period and costume pictures rural audience
20th Century Fox
26
unlikely combination of films
RKO
27
witty and urbane screenwriting screwball comedy talent
Columbia Pictures
28
classic horror films emotionally restrained melodramas
Universal Pictures