Midterm Flashcards

1
Q

Modern Times year and studio

A

1936

United Artists

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2
Q

Modern Times names

A

Charlie Chaplin → director, producer, writer, little tramp

Paulette Goddard → Ellen

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3
Q

Singin’ in the Rain year and studio

A

1952

produced → Metro-Goldwyn-Mayer

distributed → Loew’s Inc.

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4
Q

Singin’ in the Rain names

A

Stanley Donen → director

Gene Kelly → director, Don Lockwood

Debbie Reynolds → Kathy Selden

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5
Q

The Public Enemy year and studio

A

1931

Warner Bros

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6
Q

The Public Enemy names

A

William A. Wellman → director

James Cagney → Tom Powers

Edward Woods → Matt Doyle

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7
Q

Top Hat year and studio

A

1935

RKO Radio Pictures

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8
Q

Top Hat names

A

Mark Sandrich → director

Fred Astaire → Jerry Travers

Ginger Rogers → Dale Tremont

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9
Q

His Girl Friday year and studio

A

1940

Columbia Pictures

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10
Q

His Girl Friday names

A

Howard Hawks → director, producer

Cary Grant → Walter Burns

Rosalind Russell → Hildy Johnson

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11
Q

Casablanca year and studio

A

1942

Warner Bros

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12
Q

Casablanca names

A

Michael Curtiz → director

Humphrey Bogart → Rick Blaine

Ingrid Bergman → Ilsa Lund

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13
Q

Shadow of a Doubt year and studio

A

1943

Universal Pictures

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14
Q

Shadow of a Doubt names

A

Alfred Hitchcock → director

Teresa Wright → Charlotte “Charlie” Newton

Joseph Cotten → Charles “Charlie” Oakley

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15
Q

Spellbound year and studio

A

1945

United Artists

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16
Q

Spellbound names

A

Alfred Hitchcock → director

Ingrid Bergman → Dr. Constance Peterson

Gregory Peck → Dr. Anthony Edwardes

17
Q

The Philadelphia Story year and studio

A

1940

Metro-Goldwyn-Mayer

18
Q

The Philadelphia Story names

A

George Cukor → director

Cary Grant → C.K. Dexter Haven

Katherine Hepburn → Tracy Lord

19
Q

Classical style 7 principles

A

individual talents tightly controlled

storytelling is the primary concern

based in unity → macro and micro unity

realistic in the sense on mimesis

immediatley comprehensible and unambiguous

basic emotional appeal

technique never revealed → “invisible style”

20
Q

Hitchcock motifs

A

the ambiguity of guilt and innocence

the transference of guilt from one individual to another

the fascination with a guilty woman

the therapeutic function of obsession and vulnerability

the equation of knowledge and danger

21
Q

five majors and three minors

A

Paramount

Loew’s/Metro-Goldwyn-Mayer (M-G-M)

Fox/20th Century-Fox

Warner Bros

Radio-Keith-Orpheum (RKO)

Universal

Columbia

United Artists

22
Q

“more stares than there are in heaven”

polish and gloss

sober, restrained and calculated comedies

American middle-class values

A

M-G-M

23
Q

sexual savoir-faire with tongue in cheek wit

anarchic, pretension-deflating comedies

A

Paramount

24
Q

working man’s studio

hasty and rough

gangster films

A

Warner Bros

25
Q

blue-collar workers and shop girls

hard hitting films with social conscience

period and costume pictures

rural audience

A

20th Century Fox

26
Q

unlikely combination of films

A

RKO

27
Q

witty and urbane screenwriting

screwball comedy talent

A

Columbia Pictures

28
Q

classic horror films

emotionally restrained melodramas

A

Universal Pictures