Midterm 2 Art Works Flashcards

Andrea Pisano, Baptistery doors (with scenes from life of John the Baptist and 8 Virtues), south side,
Baptistery of San Giovanni, Florence, gilt bronze. 1330-1336

Filippo Brunelleschi (1377-1446)
Sacrifice of Isaac, bronze relief, Baptistery doors competition,
Florence, 1402

Lorenzo Ghiberti (1378-1456)
Sacrifice of Isaac, bronze relief, Baptistery doors competition,
Florence, 1402

Lorenzo Ghiberti,
Baptistery Doors (with Scenes from the Life of Christ,
4 Evangelists, and 4 Doctors of the Church),
Baptistery of San Giovanni, north side
Florence, 1402-1424

Lorenzo Ghiberti, Christ Carrying the Cross, Baptistery Doors,
Baptistery of San Giovanni, Florence, ca. 1417-21

Giovanni Pisano, Simeon,
originally located on
façade of Siena Duomo,
1284-1296

Donatello, David, marble, 6’3”, originally intended for top of buttress, Duomo,
Florence, 1408

Orsanmichele (Or San Michele), guild hall, granary, guild church;
Florence, 1337-1380

Lorenzo Ghiberti, St. John the Baptist, Orsanmichele, bronze,
8’ 2 ½”, commissioned by Wool Merchants’ Guild, Florence, 1412-1416

Donatello, St. Mark, Orsanmichele, commissioned by
Linen Weavers’ Guild, marble, 8 ft., Florence, 1411-1413

Nanni di Banco, Four Crowned Saints, Orsanmichele,
marble, 6 ft. tall, commissioned by Stonecarvers’ and
Woodworkers’ Guild, Florence

Donatello, St. George and the Dragon,
socle relief for St. George, Orsanmichele,
rilievo schiacciato, marble, Florence, ca. 1417

Filippo Brunelleschi, Ospedale degli Innocenti
(Foundling Hospital), Florence, designed 1418, built 1421-1444

Filippo Brunelleschi, (right) Cupolo, Duomo,
Florence, 1417-1436

Masolino, Temptation of Adam, Brancacci
Chapel, Florence, fresco, 1424-1427

Strozzi Altarpiece (Adoration of the Magi),
9’10” x 9’3”, Sacristy of S. Trinita, Florence, 1423

Masaccio, Expulsion of Adam and Eve
From Paradise, Brancacci Chapel,
Florence, fresco, 1424-1427

Masaccio, Tribute Money, fresco, Brancacci Chapel, Florence; 8’1” x 19’7”, 1424-1427

Gentile da Fabriano, Enthroned Madonna and Child with
Sts. Lawrence and Julian, tempera and gold on panel, 1423-1425

Masaccio, Enthroned Madonna and Child,
(Pisa Polyptych), for Carmelite church, Pisa;
tempera and gold on panel, 53” x 29”, 1426

Hypothetical reenactment of Filippo Brunelleschi’s development of one-point linear, using painted panel of Baptistery rendered in systematic perspective and to scale; Florence, ca. 1420

Leon Battista Alberti, Diagram from De Pictura (On Painting), showing method for deriving images using one-point linear perspective, 1435

Trinity with perspectival analysis
showing vanishing point and orthogonals

Masaccio, Trinity, Santa Maria Novella, Florence; fresco, 21’ x 10’6”, 1425 or 1427











































