Midterm 2 Art Works Flashcards
Andrea Pisano, Baptistery doors (with scenes from life of John the Baptist and 8 Virtues), south side,
Baptistery of San Giovanni, Florence, gilt bronze. 1330-1336
Filippo Brunelleschi (1377-1446)
Sacrifice of Isaac, bronze relief, Baptistery doors competition,
Florence, 1402
Lorenzo Ghiberti (1378-1456)
Sacrifice of Isaac, bronze relief, Baptistery doors competition,
Florence, 1402
Lorenzo Ghiberti,
Baptistery Doors (with Scenes from the Life of Christ,
4 Evangelists, and 4 Doctors of the Church),
Baptistery of San Giovanni, north side
Florence, 1402-1424
Lorenzo Ghiberti, Christ Carrying the Cross, Baptistery Doors,
Baptistery of San Giovanni, Florence, ca. 1417-21
Giovanni Pisano, Simeon,
originally located on
façade of Siena Duomo,
1284-1296
Donatello, David, marble, 6’3”, originally intended for top of buttress, Duomo,
Florence, 1408
Orsanmichele (Or San Michele), guild hall, granary, guild church;
Florence, 1337-1380
Lorenzo Ghiberti, St. John the Baptist, Orsanmichele, bronze,
8’ 2 ½”, commissioned by Wool Merchants’ Guild, Florence, 1412-1416
Donatello, St. Mark, Orsanmichele, commissioned by
Linen Weavers’ Guild, marble, 8 ft., Florence, 1411-1413
Nanni di Banco, Four Crowned Saints, Orsanmichele,
marble, 6 ft. tall, commissioned by Stonecarvers’ and
Woodworkers’ Guild, Florence
Donatello, St. George and the Dragon,
socle relief for St. George, Orsanmichele,
rilievo schiacciato, marble, Florence, ca. 1417
Filippo Brunelleschi, Ospedale degli Innocenti
(Foundling Hospital), Florence, designed 1418, built 1421-1444
Filippo Brunelleschi, (right) Cupolo, Duomo,
Florence, 1417-1436
Masolino, Temptation of Adam, Brancacci
Chapel, Florence, fresco, 1424-1427
Strozzi Altarpiece (Adoration of the Magi),
9’10” x 9’3”, Sacristy of S. Trinita, Florence, 1423
Masaccio, Expulsion of Adam and Eve
From Paradise, Brancacci Chapel,
Florence, fresco, 1424-1427
Masaccio, Tribute Money, fresco, Brancacci Chapel, Florence; 8’1” x 19’7”, 1424-1427
Gentile da Fabriano, Enthroned Madonna and Child with
Sts. Lawrence and Julian, tempera and gold on panel, 1423-1425
Masaccio, Enthroned Madonna and Child,
(Pisa Polyptych), for Carmelite church, Pisa;
tempera and gold on panel, 53” x 29”, 1426
Hypothetical reenactment of Filippo Brunelleschi’s development of one-point linear, using painted panel of Baptistery rendered in systematic perspective and to scale; Florence, ca. 1420
Leon Battista Alberti, Diagram from De Pictura (On Painting), showing method for deriving images using one-point linear perspective, 1435
Trinity with perspectival analysis
showing vanishing point and orthogonals
Masaccio, Trinity, Santa Maria Novella, Florence; fresco, 21’ x 10’6”, 1425 or 1427
Self-Portrait Medal, bronze, 8 x 5 ½ inches, ca. 1432
Leon Battista Alberti, Tempio Malatestiano (S. Francesco), Rimini, 1447-1460
Leon Battista Alberti, Palazzo Rucellai, Florence, 1460s